《秘密花园》 | 木结构与自然元素的完美结合

Secret Garden by landscape designer Tom Hoblyn with Boodles makes its debut at Chelsea Flower Show 2021 (until 26 September 2021), concealed within a wooden structure by London-based contemporary furniture maker Jan Hendzel

Contemporary furniture maker Jan Hendzel has created a modular pavilion in collaboration with landscape designer Tom Hoblyn for The Boodles Secret Garden at London’s Chelsea Flower Show 2021 (until 26 September 2021).

The Secret Garden at Chelsea Flower Show 2021

Inspired by Frances Hodgson Burnett’s children’s story of the same name, the garden, its creators say, is ‘a contemporary interpretation of the journey into an enchanted, life-changing sanctuary’.

The garden is accessed through Hendzel’s pavilion, featuring two louvre walls constructed from sustainably sourced oak found within 15 miles of Chelsea, and made at his workshop in Peckham. For the walls, Hendzel used consecutively cut oak logs, hand carved on one side with an undulated effect.

On the other side of the walls, Taxus baccata hedging completes the structure, which was created as an interplay between natural and man-made elements. Flowers and leaves bring colour to the composition, with pops of blue, white and pink given by jewel-like plants such as Hydrangea paniculata, Miscanthus sinensis, Verbena hastata, Acis autumnalis and Fuchsia magellanica.

The sculptural wooden shapes, Hendzel explains, explore natural forms in combination with ‘geometric carved interventions’. The pared-back aesthetic visible from the outside is contrasted with the richer vegetation concealed within the Secret Garden. On one side of the garden space, a textured wooden bench offers a moment of pause to observe the natural compositions by Hoblyn.

Hendzel was inspired by artist Bridget Riley’s works; from outside, the louvred wall offers a glimpse into the garden’s spaces behind it, creating an optical illusion as visitors walk alongside it. A small pool of water reflects the structure, plants and sky; all the elements come together with an interplay between lights, shadows, and reflections.

The project is a testament to Hendzel’s approach to design and craft. ‘We often take on projects that quickly become more than just making furniture,’ reads the studio’s mission statement. ‘They become discussions of how people think, behave, respond and enjoy.’ §