中南置地临沂林樾展示中心 | 原始美感的空间艺术

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建筑，这是最高的艺术，它达到了柏拉图式的崇高、数学的规律、哲学的思想、由动情的协调产生的和谐之感。这才是建筑的目的。

——勒·柯布西耶

Architecture, which is the highest art, reaches the Platonic sublime, the mathematical order, the philosophical thought, the sense of harmony produced by the harmony of emotions. That's the purpose of architecture.

"-- Le Corbusier

“建筑，是研究如何浪费空间的艺术。”在当下设计语境中，建筑先于空间是常态，却鲜少有人将建筑维度内收回到场所之内。

"Architecture is the art of studying how to waste space." In the current design context, it is normal for architecture to precede space, but few people take architectural dimension back into place.

设计师期望每个空间皆是历久弥新，而非如时尚潮流一般转瞬即逝。在装饰艺术大行其道的今天，从建筑的尺度中回溯本源，寻求原始的美感。

Designers expect every space to be timeless, not ephemeral like a fashion trend. In today's popular art deco, we look back to the source from the scale of architecture to seek the original beauty.

设计以一种反潮流的观念希望重新塑造人与空间的关系，让空间结构的记忆点高于装饰，在方寸之间以极致的自由获得震撼心灵的观感体验。

The design hopes to reshape the relationship between people and space with a counter-trend concept, so that the memory points of the space structure are higher than the decoration, and the ultimate freedom between the square inch to get the mind-shaking experience.

拱形的露台在结构中突出了时代感，让光线追逐着光的美感，在艺术吊灯花开的一瞬间完美代表了一种洁净、受自然启发、以人为中心的审美观。

The arched terrace highlights the sense of The Times in the structure, allowing the light to chase the beauty of the light. At the moment when the artistic chandelier blossoms, it perfectly represents a clean, nature-inspired, human-centered aesthetic.

在时间回廊间思考艺术与生活的关联，在转角之后突然出现的木熊雕塑充满幽默感却又宁静地矗立在廊道的尽头，心情骤然开朗。正如所有人都会关注到为什么会有一只熊的存在，那它存在的意义在此刻便已经产生，毕竟艺术本就没有道理可言。

Thinking about the connection between art and life in the time corridor, the wooden bear sculpture suddenly appeared at the end of the corridor, full of humor but quiet, suddenly feeling cheerful. As everyone will be concerned about why there is a bear, the meaning of its existence has been generated at this moment, after all, art is not justified.

“希望在设计之中在各方面都保持着简单与真诚。”这是设计师对自身的期许，亦体现在空间之中。弧形墙体与水吧台流线相互配合，以材质对比拉出质感，带出下一个场景。利用解构主义将长颈鹿进行符号艺术化处理，与木熊雕塑呼应表达出属于空间的纯真。

"I want to keep it simple and honest in every way." This is the designer's expectation for himself, also reflected in the space. The curved wall and the flow line of the water bar coordinate with each other to pull out the texture by material contrast and bring out the next scene. Deconstruction is used to carry out symbolic artistic treatment of giraffe, which echoes the wooden bear sculpture to express the innocence belonging to space.

从露台向外眺望，自然光洒落在每一个角落如同神祗的祝福，巨幅瓷砖艺术画在不同纹路的穿插之间散发着神圣的光辉，木色饰面让长形空间多了一份真挚的稳重。

Looking out from the terrace, the natural light falls on every corner like the blessing of the gods, the huge ceramic tile art painting is sending out sacred glory between the interweaving of different lines, and the wooden decorative surface makes the long space more sincere and stable.

通过对建筑空间重新梳理，让空间的尺度关系始终保持着变化。空间尺度循序渐进，欲扬先抑，设计师巧妙运用这种节奏变化，影响到参观者的心理情感变化。

By rearranging the architectural space, the scale relationship of the space is always changing. The space scales step by step, and the designers skillfully use this rhythm change to affect the psychological and emotional changes of visitors.

项目名称 | 中南置地临沂林樾展示中心

Project name: | central land linyi linyue exhibition center

甲方单位 | 中南置地青岛区域公司

Party a's | central south land Qingdao regional company

项目地址 | 中国 临沂 

Project address | linyi, China

硬装设计 | G-ART集艾设计-李阳团队

| g-art hardcover design set ai design-li Yang team

软装设计 | G-ART集艾设计-汪丽团队

| g-art soft installation design set ai design-wangli team

完工日期 | 2020年5月

Completion date | May 2020

项目摄影 | 蔡云普

Project photography | CAI yunpu

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