标志性的中世纪现代洛杉矶住宅丨John Lautner

1961年，John Lautner为室内设计师兼音乐会钢琴家Marco Wolff设计了西好莱坞住宅。住宅一开始，就在一片几乎是垂直的、崎岖不平的土地，这造就了西海岸上世纪中期现代住宅建筑的巅峰。有了这个家，Lautner更倾向于自然的原始状态，彻底改变了先入为主的家庭生活观念。在树林中，这是对人类曾经生活方式的大胆陈述；在岩石中，在山顶上栖息，建筑师在上面印了他的痕迹。

In 1961, John Lautner designed the West Hollywood house for interior designer and concert pianist Marco Wolff. The house began on an almost vertical, rugged plot of land that made the West Coast the pinnacle of modern residential architecture in the middle of the last century. With this home, Lautner prefers the primitive state of nature, completely changing his preconceived notions of family life. In the woods, it's a bold statement about the way humans once lived; In the rocks, perched on the hilltops, the architect has stamped his mark on them.

Iconic Midcentury-Modern L.A. Hom是一座四层楼的住宅，位于西好莱坞的一片绿树成荫的飞地中，面积达9785平方英尺。从街上走近它，就像走近一块岩石的表面。现在这栋建筑被Rønning和Hearst Rønning买下。他们邀请了建筑师兼室内设计师Clive Wilkinson来帮助重现住宅昔日的辉煌。

Iconic Midcentury-Modern L.A. Hom is a four-story home with 9,785 square feet in a leafy enclave in West Hollywood. Approaching it from the street is like approaching the face of a rock. The building has now been bought by Rønning and Hearst Rønning. They enlisted architect and interior designer Clive Wilkinson to help recreate the home's former glory.

Lautner在建造房屋时有一种哲学，他称之为语法，这有助于整个空间的概念。而一旦建筑师形成这种理念，他就会毫不留情地执行。对Rønning来说，作为一个电影制片人，他从Lautner的身上得到了很多灵感。因为当他看到这所房子时，他发现Lautner即使在最小的细节上，没有任何妥协。

Lautner has a philosophy when building houses, which he calls grammar, that contributes to the whole concept of space. And once an architect has formed such an idea, he carries it out ruthlessly. For Rønning, as a filmmaker, Lautner has inspired him a lot. Because when he saw the house, he saw that Lautner did not compromise on even the smallest details.

Rønning并不是唯一个迷恋那个时代设计的人，从一开始，Wilkinson就不想在这栋房子上留下任何形式的印记，他认为澄清Lautner的原始设计是他的工作。这不是关于Wilkinson自己的设计，而是关于把一件非凡的作品带回到它应有的样子。这也涉及到在不破坏住宅建筑完整性的情况下，对住宅进行一些扩建。例如通过一个旧杂物间的方式来增加一个额外的卧室，以及一个小酒窖和家庭健身房。

Rønning is not alone in his fascination with the era's design. From the start, Wilkinson did not want to leave any sort of imprint on the house, and he saw it as his job to clarify Lautner's original design. It's not about Wilkinson's own design, it's about bringing an extraordinary piece back to what it should be. This also involves making some additions to the home without compromising the architectural integrity of the home. For example, an extra bedroom was added through an old utility room, as well as a small wine cellar and home gym.

Interiors:JohnLautner

Photos:SamFrost

Words:小鹿