原木与水泥的钝感力量——空间设计新美学

玄关水泥的冷到餐厅的暖。自然运用大地及橡木的原色连接过度，直似将一个刚在职场奋斗的战士，瞬间卸掉盔甲进入到一个舒适让人放松的空间。

也许，这就是设计师所带来的“迟钝的力量”

From the cold of the concrete in the porch to the warm of the restaurant. The natural use of the earth and oak primary color connection is excessive, which is like a fighter just struggling in the workplace, instantly removing his armor and entering a comfortable and relaxing space.

Maybe this is the "power of dullness" brought by designers

钝感，心理学名词，与“敏感”意思相对。

在设计的领域，敏感点就是视觉一次撞击。

空间水泥、原木加白墙，强烈的视觉让人感到极度的突兀，但又有一种瞬间融入到其中舒适感里。其内心深处一定隐藏着一种绝妙的钝感力。

Insensitive, a psychological term, is opposite to sensitive.

In the field of design, the sensitive point is a visual impact.

Space cement, log and white wall, strong vision makes people feel extremely abrupt, but there is a kind of instant integration into the comfort. There must be a wonderful dullness in his heart.

有人说枯燥乏味的人生，需要情感来添加。那空间的俏皮就是需要人为艺术的美学画来填。

Some people say that boring life needs emotion to add. The playfulness of that space needs to be filled in by artificial artistic aesthetic paintings.

设计师棱角分明的设计，突兀简单的电视背景造型，水泥墙面的柔冷，搭配冷色调的家具沙发，以及绿色植物自然穿插，让生活品质宇舒适性娓娓道来。

The designer's sharp and angular design, abrupt and simple TV background modeling, soft and cold cement wall, furniture and sofa with cold colors, and natural insertion of green plants make the quality of life comfortable.

场景多次穿插的水泥，已经让当初抵触 ，反感的触觉有了重新的认知，可以将它解释成“有意义的感觉迟钝”。

The cement in which scenes are interspersed for many times has given rise to a new cognition of the original conflict and disgusting touch, which can be interpreted as "meaningful sense

客餐厅空间大面积走平顶面，简单，黑色的灯轨槽，显得特别的干练。慵懒的沙发，凋零的吊钟,清雅、疏离、禅意,却有一种让人平静的力量。

The dining room has a large area with flat top, simple and black light rail slot, which is particularly capable. Languid sofa, withered bell, elegant, alienation, Zen, but there is a calming force.

原木色梳妆台与白色衣柜相互穿插融合，让空间感更有整体性，立体性，设计感。

The wood color dresser and the white wardrobe are interpenetrated and integrated with each other, making the sense of space more integrated, three-dimensional and design.