山山而川 · 恩施郎曼国际酒店新中式空间设计丨中国恩施丨UWSPACE DESIGN 有无设计

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恩施郎曼国际酒店

2021

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PHOTO / © 穆彪

“发掘传统文化中的更多可能性，赋予每个设计以鲜明的个性和旺盛的生命力。”

古老的东方美学经过千百年来的锤炼，酝酿出独特的美学艺术，时代在变，人的审美原则和追求也在变。近些年来，越来越多的中国传统元素开始被年轻人所接纳，所喜爱。抛下传统、刻板的形式“美”标签，把东方美学用现代简约的手法演绎，传统的优雅韵味与现代时尚元素结合，更是一种展现东方文化魅力的方式。

"Explore more possibilities in traditional culture and endow each design with distinct personality and exuberant vitality." This is the first sentence on the official website of the horizontal line, and the most conspicuous sentence. Design is not a single reproduction, but a concise humanistic implication in reason. Respects the tradition, traces the origin, is characterized by sedate, peaceful, harmonious, near but not floating, far but not endless. In the international trend of thought, the original region or nationality should be maintained, the tradition and inheritance should be re-interpreted, and the inheritance of art and the mark of time should be reflected in the details.

The ancient Oriental aesthetics has been tempered for thousands of years, and the unique aesthetic art has been brewed. The times are changing, and so are people’s aesthetic principles and pursuits. In recent years, more and more traditional Chinese elements have been accepted and liked by young people. The traditional and rigid "beauty" label is abandoned, and the Oriental aesthetics is interpreted in a modern and simple way. The combination of traditional elegant charm and modern fashion elements is a way to show the charm of Oriental culture.

本案以精炼的动线、量体、空间造形的延伸、交迭以及适度的留白，凝聚着空间的形与神，静谧的空间里流淌着浓浓的文化馨香与艺术氛围。整个空间清晰明亮素雅，萃取特色作为视觉符号，却自始至终浸透着东方特有的禅思静谧。

In this case, the extension, overlap and appropriate blank of the refined moving line, volume body, and space shape condense the form and god of space, and the quiet space is flowing with a thick cultural aroma and artistic atmosphere. The whole space is clear, bright, simple but elegant, with extracted features as visual symbols, but it is permeated with the unique meditation tranquility of the East from beginning to end.

空间中多使用原石及原木，再以竹编增添细节，降低用料朴实的粗旷感又保以整体空间的纯粹氛围，自然光影之下相互衬映，柔与刚、动与静之间赋予空间灵动的生命力，提炼宁静与安逸的环境和谐之美。于方寸之间成天地，于无画之处生妙境，一处静雅的新中式空间，也许才是属于现代人的诗和远方。

Raw stone and log are used in the space, and bamboo weaving adds details to reduce the simple and rough feeling of materials and keep the pure atmosphere of the whole space. Under natural light and shadow, the space is interlined with soft and firm, dynamic and static, and the vitality of the space is given, and the beauty of the harmonious environment of peace and ease is refined. Between the square inch into heaven and earth, at the place without painting life wonderland, a quiet and elegant new Chinese style space, perhaps is to belong to modern poetry and distance.

餐厅设计结合中式风格所讲究的对称性，整个空间并不是复古元素的简单堆砌，而是将餐桌融进了中式意境，方圆之间可见因景互借的韵味。恰到好处的留白，宛如中国画般空灵含蓄，给人以美的享受。中式元素与现代材质的巧妙结合，正是“删繁去奢，绘事后素”，达到“大美无言，大象无形”的气质感。

Restaurant design combined with Chinese style exquisite symmetry, the whole space is not a simple stacking of retro elements, but the table into the Chinese artistic conception, visible between the circle due to the scene of mutual borrowing charm. Proper white space, like Chinese painting as ethereal implicit, give a person to enjoy the United States. The clever combination of Chinese elements and modern materials is exactly "to eliminate excessive and luxurious, to achieve the temperament of" great beauty without words, elephant invisible ".

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Name | 项目名称：恩施郎曼国际酒店

Quality | 空间性质：餐饮空间

Design team | 设计团队：洪雅娟 | 余庆新 | 谭海森

camerist | 摄影：穆彪

Adress | 项目地点：恩施市

Interior Design | 项目设计：明海琪 | 官梦珏

往期回顾

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艺术无国界，发型师也是美的创造者。-T.One Studio

道德经中的空间设计 -境中有无

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