地中海风情——Limassol Marine 餐厅设计

The Mediterranean Sea, the ancient romans called her “ Mare Nostum “ but it was widely known as “ The White Sea “ and also “ The Great Sea “. This sea which surrounds a lot of civilizations with great contrasts, which divide or link east and west, a region which is the center of Europe for a lot of years, is the center of the world. From her the restaurant which is located at the Limassol Marine in Cyprus is inspired and it is called “ Mediterraneo “. 在地中海，古老的罗马人称之为她的“无花母马“，但它被广泛地称为“白海“和“大海“。这种围绕着许多文明的海洋有着巨大的反差，它将东西方，一个作为欧洲中心的区域在许多年中分裂或联系在一起，是世界的中心。从她的餐厅里，位于塞浦路斯LimasholMarine的餐厅受到了启发，它被称为“内地体“。

The idea came up easily, as Cyprus is an unbroken part of the Mediterranean Sea, and the Limassol Marine is nothing more than a small port to the Sea. The aim of our design was not just a report to that place, but a projection of the overall aesthetic which is a lot different from place to place. 这个想法很容易就想到了，因为塞浦路斯是地中海不可分割的一部分，利马索尔海洋只不过是一个通往海洋的小港口。我们设计的目的不仅是对那个地方的报告，而且是对整个美学的投射，这在不同的地方有很大的不同。

The white of the Aegean, the intense color of Venice, the arabesques of Islamic countries, the blue of the Sea are some of the elements that inspired the designing team. The elements on which were given a lot of attention were the natural beauty, the water and the procedure of fishing. As a result, we use motifs, which are sometimes seemed like nets and sometimes like fish scales. The metallic indoor construction tries to visualize with a minimal and artistic way the depth of the sea and the elements that synthesize it. On the other side, the wooden investment on the wall with the windows passes you the feeling of a sunken ship which is turning gradually on something new, into a sunken city. 爱琴海的白色，威尼斯浓烈的色彩，伊斯兰国家的阿拉伯色，大海的蓝色，这些都是启发设计团队的因素之一。其中，自然美、水和捕鱼程序等因素引起了人们的广泛关注。因此，我们使用的主题，有时看起来像网，有时像鱼鳞。金属室内建筑试图以一种极小和艺术的方式来可视化海洋的深度和合成元素。另一方面，墙上有窗户的木制投资让你感觉到一艘沉船正逐渐转向新的东西，变成一个沉陷的城市。

In the roof, the “flying” wooden fish look like they have escaped from the stretched metallic mesh and they are moving round the wreck looking for food or maybe their new house. Their view from below passes the feeling that the viewer is watching the scene from the depth of the sea, participating in the search. 在屋顶，“飞行”的木鱼看起来像是从伸展的金属网中逃逸出来的，他们正在寻找食物或可能是他们的新房子。他们从下面的观点传递了观看者正在从海洋深处观看场景的感觉，参与搜索。

The ships “anchored” on the depth of the sea never disappear. They are immediately turning on something new which is more important and will keep forever. “Mediterraneo” is this result and the phrase of Federico Fellini “There is no end. There is no beginning. There is only the passion of life.” We hope it characterizes it. “停泊”在海洋深处的船只从未消失。他们立即打开一些新的东西，这是更重要的，并将永远保持。“地中海”就是这样的结果，费里尼的话“没有尽头”。没有开始。只有生活的激情。“我们希望这是它的特点。