特拉维夫艺术博物馆丨以色列特拉维夫丨Preston Scott Cohen

由Preston Scott Cohen设计的位于城市文化综合体中心的特拉维夫艺术博物馆现已完成建设。特拉维夫艺术博物馆Amir大楼的方案提出了一个非同寻常的建筑挑战，即解决紧张的、特异的三角形场地和博物馆对一系列大型、中性矩形画廊的需求之间的矛盾。

The Tel Aviv Museum of Art, located in the center of the city’s cultural complex and designed by Preston Scott Cohen has completed construction. The program for the Tel Aviv Museum of Art Amir Building posed an extraordinary architectural challenge: to resolve the tension between the tight, idiosyncratic triangular site and the museum’s need for a series of large, neutral rectangular galleries.

这座建筑代表了当代博物馆两个对立模式的不同寻常的综合：中性白盒子的博物馆和建筑奇观的博物馆。单独的长方形画廊围绕着 "Lightfall "组织，这是一个八十七英尺高的螺旋形中庭。该建筑是根据多个轴线组成的，这些轴线在各楼层之间有很大的偏差。从本质上讲，它是由一系列独立的计划和钢结构系统，一个接一个地堆叠在一起，通过垂直循环的几何片段连接起来。

The building represents an unusual synthesis of two opposing paradigms for the contemporary museum: the museum of neutral white boxes and the museum of architectural spectacle. Individual, rectangular galleries are organized around the “Lightfall”, an eighty-seven foot tall spiraling atrium. The building is composed according to multiple axes that deviate significantly from floor to floor. In essence, it is a series of independent plans and steel structural systems stacked one atop the other, connected by geometric episodes of vertical circulation.

新建筑以这样的方式参考了原来的建筑，两者可以被看作是具有相似性的。同时，它与以色列建筑文化中存在的一个更大的新传统有关。特拉维夫的Mendelsohn和Bauhaus现代主义的多种词汇被重新合成为一种国际主义的建筑语言，其文化定位是进步的。

The new building refers to the original building in such a way that the two can be seen as having a family resemblance. At the same time, it relates to a larger tradition of the new that exists within Israeli architectural culture. The multiple vocabularies of Mendelsohn and Bauhaus Modernism in Tel Aviv are re-synthesized in an architectural language that is internationalist and progressive in its cultural orientation.

Architect:PrestonScottCohen

Photos:IwanBaanOhadMalaton

Words:倩倩