极简大师 John Pawson 的家 | 50 米跨度的空间设计

英国设计师John Pawson的作品美学线索相当一致，但影响设计过程的因素通常是折衷的，即使是最不可能的主题也可以成为提供参考的灵感。John Pawson的家曾经是一个破旧不堪的17世纪的农舍、马厩、谷仓和长着巨大猪草的猪圈，现在已经被重新设计，结合了深思熟虑过的材料插入，对空间流动也进行了仔细规划。

The aesthetic clues of British designer John Pawson's works are quite consistent, but the factors that affect the design process are usually eclectic, and even the most unlikely themes can be used as inspiration for reference. John Pawson's home, once a dilapidated 17th-century farmhouse, stables, barn and pigsty with giant hogweed, has been redesigned with thoughtful material inserts and careful planning for spatial flow.

农舍和谷仓的连接创造了50米的跨度，因此在两端安装了厨房，在一年的不同时间和不同的场合可以提供不同的用途。在农舍里有一个小型的传统厨房，有一个很舒适冬天的食品储藏室。在改建的谷仓里有一个更大、更开放的厨房，适合一大群家人和朋友，尤其是在夏天，而第三个厨房在客舍。

The connection between the farmhouse and barn creates a span of 50 metres, thus installing kitchens at either end that can be used for different purposes at different times of the year and on different occasions. In the farmhouse there is a small traditional kitchen with a cozy winter pantry. There is a larger, more open kitchen in the converted barn for large groups of family and friends, especially in the summer, while a third kitchen is in the guest house.

John Pawson经常被称为极简主义者，这可能会误导人。他的简约美学充满了微妙的材料色调的温暖，精心校准的空间感和光线确保美无处不在。

John Pawson is often called a minimalist, which can be misleading. His minimalist aesthetic is infused with the warmth of subtle material tones, a carefully calibrated sense of space and light to ensure beauty is everywhere.

当他看到一块美丽的石头和木材时，他会认为它们在本质上是有相同反应的。那就是当一种材料或成分是完美的时候，就因该尽可能少地妥协或分散对这种完美的注意力。重视简单不仅是一种审美选择，也是整个生活哲学的一种表达。

When he sees a beautiful stone and wood, he thinks that they are essentially the same. It is that when a material or ingredient is perfect, there should be as little compromise or distraction from that perfection as possible. Valuing simplicity is not only an aesthetic choice, but also an expression of an entire philosophy of life.