布里斯托老维克剧院

Architects:Haworth Tompkins

Area :2135 m²

Year :2018

Photographs :Fred Howarth, Philip Vile

Lead Architects :Tom Gibson, Steve Tompkins, Roger Watts, Will Mesher

Acoustic Engineer :Charcoalblue

Quantity Surveyor :Gardiner & Theobald

Main Contractor :Gilbert-Ash

Structural Engineer :Momentum

Theatre Consultant : Charcoalblue

Service Engineer : Max Fordham

Contract Administrator : GVA Acuity

Client Representative/Pm : Plann

City : Bristol

Country : United Kingdom

Architects Haworth Tompkins have completed a new foyer and studio theatre for the Grade I listed Bristol Old Vic, the oldest continuously working theatre in the English-speaking world, the oldest continuously working theatre in the English-speaking world. The result of five years careful research, consultation, design and construction, the project aims to open up the front of house areas to a wider, more diverse audience and to place the theatre at the heart of Bristol’s public life and public space.

The foyer is conceived as an informal extension of the street, as much a covered public square as a discrete building.  The space is framed and covered by structural timber and glass to bring daylight deep into the room. The centrepiece of the space is the much-altered façade of the Georgian auditorium, visible from the street for the first time, illuminated by a large light well and punctured by new openings to overwrite the visible evidence of historic alterations.

Mezzanine galleries, winding timber staircases and viewing platforms allow the entire audience to move up, down and around a single, convivial space before and after each show, and the local community to enjoy the foyer throughout the day as a café, bar and meeting place.

The south facing street façade has been conceived as a public art work, consisting of moveable sun shading shutters, operated by hand and incorporating the text both of the inaugural address given by Garrick in 1766 and a poem by former Bristol City Poet Miles Chambers. The text highlights the importance of the theatre’s long history but also looks forward to its role in the current and future life of the whole community.

In addition to the main foyer, a new studio theatre occupies the former barrel store of the Coopers’ Hall at ground and basement levels, enlisting historic wall surfaces and allowing daylight from street level windows.  The original Coopers’ Hall at first floor has been converted back to a grand public room overlooking the street, serving both as an extension of the foyer and as a self-contained function room.

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