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旧金山当代艺术博物馆由建筑事务所Snøhetta设计,10层的扩建建筑与场地上Mario Botta设计的原建筑无缝衔接融为一体,新博物馆旨在展出知名收藏品,比原建筑多了将近三倍的展厅。此次扩建共170,000平方英尺,新建和翻修了为展览量身定做的室内外展厅,使旧金山当代艺术博物馆可以展出更多杰出的当代艺术作品。
Purpose-built to showcase the museum’s celebrated collection, the new SFMOMA was designed by the architecture firm Snøhetta, and seamlessly integrates a 10-story expansion with the original Mario Botta– designed building. With nearly three times more gallery space than before. The expansion includes 170,000 square feet of new and renovated indoor and outdoor galleries tailored to the collection, enabling SFMOMA to display more of its outstanding holdings of modern and contemporary artworks.
▼建筑外观-与原建筑无缝衔接融为一体,External View- seamlessly integrates with the original building
新楼与城市连接更紧密,呈现出更好客的姿态。地面层的公共入口可直接到达将近45,000平方英尺的展厅。博物馆面对18岁及以下的游客永久免费。旧金山当代艺术博物是当今最重要的当代艺术博物馆之一,馆藏超过33,000件建筑、设计、媒体艺术、绘画、摄影、雕塑作品和世界上最伟大的战后和当代艺术的私人收藏品:极具开创性的多丽丝和唐纳德·费舍尔100年伙伴关系系列展品,
The new building enables SFMOMA to be more welcoming and better connected to the city than ever before, with free public access to nearly 45,000 square feet of ground-floor galleries, as well as a permanent commitment to free admission for all visitors 18 and younger. SFMOMA is one of the foremost museums of modern and contemporary art, with an exemplary collection of more than 33,000 works of architecture and design, media arts, painting, photography and sculpture, as well as a groundbreaking 100-year partnership to show the Doris and Donald Fisher Collection, one of the world’s greatest private collections of postwar and contemporary art.
▼ 新楼与城市连接更紧密,呈现出更好客的姿态,SFMOMA to be more welcoming and better connected to the city than ever before
SFMOMA的转型之作 | Transformed Home for SFMOMA
SFMOMA的领导层与Snøhetta建筑事务所紧密合作,设计了此具有奔放外形和聚集空间的博物馆。建筑与周围街区城市的关系经过了仔细的调查考量,建筑师充分利用了地形和室外空间的优势。围绕着建筑的新人行街道和Howard大街公共入口使博物馆与SoMa街区相融合,并让整个街道景观充满活力。
SFMOMA’s leadership worked closely with Snøhetta to design the new museum as an outward- looking and engaging gathering space. Connections to the surrounding neighborhood and city were carefully considered, along with bringing the benefits of landscape and the outdoors to the museum spaces. New pedestrian pathways around the museum and a new public entrance on Howard Street better integrate SFMOMA into the South of Market (SoMa) neighborhood and activate the surrounding streetscape.
▼ 整个街道景观充满活力,
energetic
streetscape
扩建部分标志性的东立面灵感来源于常年环绕旧金山湾的水和雾,由多达700个形状独特、当地制造的玻璃纤维聚合面板组成。波纹立面嵌入产自蒙特雷县的硅酸盐水晶以捕捉和反射不断变化的阳光产生自然起伏的效果。
The iconic eastern façade of the Snøhetta-designed expansion, inspired in part by the waters and fog of the San Francisco Bay, is comprised of more than 700 uniquely shaped and locally fabricated FRP (fiberglass reinforced polymer) panels. Throughout the day, the movement of light and shadow naturally animates the rippled surface. Silicate crystals from Monterey County embedded in the surface catch and reflect the changing light.
▼ 标志性的东立面,The iconic eastern façade
▼ 立面波纹随着光影的不断变化自然的起伏变幻,the movement of light and shadow naturally animates the rippled surface
博物馆位于Howard大街的新入口与玻璃墙展厅Roberts Family相连,游客可通过Schwab大厅进入博物馆。 Roberts Family展厅是一个活力动感的空间,创造了博物馆与城市之间的视觉联系,同时展示了SFMOMA以社区为中心的使命。继续往里走,一组枫木表皮的罗马大台阶为游客提供了一个休闲的聚集和休息空间。
On Howard Street, a new museum entrance adjacent to the glass-walled Roberts Family Gallery, allows visitors to enter the museum through Schwab Hall. Roberts Family Gallery is a vibrant space visible to passersby, creating a visual connection between the city and the museum and showcasing SFMOMA’s community-focused mission. Inside, a set of maple-faced Roman steps provides an informal public gathering spot and seating area.
▼ 枫木表皮的罗马大台阶为游客提供了聚集和休息空间,maple-faced Roman steps provides a public gathering spot and seating area
游客可通过两个主入口进入新馆,地面层的展厅对所有人免费。三大街的入口大厅上方有眼睛状的天窗,明亮的自然光倾洒进室内空间,使人们回想起Evelyn、Walter Haas和Jr. Atrium。在眼睛天窗下方悬挂着Alexander Calder 27英尺大的展品Untitled (1963),吸引着人们的视线望向上方。新的雕塑感楼梯引导游客通往Helen 和Charles Schwab展厅,主要的聚集空间位于二层。
Visitors are welcomed to the new museum by two main entrances, leading to ground floor exhibition spaces that are free to all. The entrance on Third Street welcomes visitors to the reimagined Evelyn and Walter Haas, Jr. Atrium, where the iconic oculus floods the space with natural light. Alexander Calder’s 27-foot-wide mobile, Untitled (1963), is suspended beneath the oculus, drawing the eye upwards, and a new sculptural stair leads visitors to Helen and Charles Schwab Hall, the main gathering space on the second floor.
▼ 眼睛状的天窗,iconic oculus skyligh
从各个入口进入博物馆都可通过楼梯到达博物馆中心的Schwab大厅。游客可欣赏艺术装置如Sol LeWitt愉悦的蓝白墙上绘画作品 Loopy Doopy(1999), 或是继续游览。枫木台阶通往三层的普利兹克摄影中心和上层的展厅们。Snøhetta设计的新展厅尺度亲人,为欣赏艺术佳作创造了完美的环境。
From both entrances, stairs lead visitors to Schwab Hall, the hub of the new museum. Visitors can enjoy a rotating installation of artworks, such as Sol LeWitt’s joyful Wall Drawing 895: Loopy Doopy (white and blue) (1999), or obtain admission to explore the rest of the museum. From here, a maple- clad stair leads upward to the third-floor Pritzker Center for Photography and the galleries above. The new galleries in the Snøhetta-designed expansion are intimate in scale and create ideal conditions for viewing the artworks.
▼走廊,Corridor
多样的展厅环境满足了各尺度艺术展品的特殊展出需求。小型灵活的无柱画廊可以灵活布置无数的临时展墙,如同策展人的画布。一个八角形的画廊专门展出七件Agnes Martin的作品,7楼阁楼式的画廊为展出当代艺术作品提供了空间。
Diverse gallery spaces support the display of specific collections and works of various scales. Minimal, flexible, column-free galleries permit countless temporary wall layouts—a blank canvas for the curators. Visitors can experience a contemplative, octagonal-shaped gallery devoted to seven works by Agnes Martin and loft-like galleries on the seventh floor that offer space for contemporary artworks.
▼ 多样的展厅环境,Diverse gallery spaces
SFMOMA的动感教育项目和表演活动为艺术展廊的锦上添花。新Koret教育中心为学生、教师和终身学者提供了工作室、教师和资源齐全的图书馆。SFMOMA与湾区创新家Meyer Sound合作为博物馆提供了声学设计,翻新的Phyllis Wattis剧场内配备了最先进的星群声学系统。Wattis剧场内有最前沿的4投影机,放映档案胶片电影。新Gina and Stuart Peterson White Box是一个独特灵活空间,其剧场桁架支持各类演出活动事项或展出大型艺术作品。
Complementing the museum’s incredible art galleries, the new SFMOMA features dynamic educational program and performances. The new Koret Education Center serves students, teachers and lifelong learners with a resource library and studio classrooms. SFMOMA partnered with Bay Area innovator Meyer Sound to install sound solutions throughout the museum, including a state-of-the-art Constellation acoustic system in the newly renovated Phyllis Wattis Theater. The Wattis Theater screens archival film and offers cutting-edge 4K projection. The new Gina and Stuart Peterson White Box is a uniquely flexible space, with a theatrical truss that supports a variety of performances, events or large scale artworks.
▼多样的展厅环境,Diverse gallery spaces
新SFMOMA正在进行LEED金牌认证,它是美国首批应用LED照明的博物馆之一。此项措施帮助博物馆实现了其雄心勃勃的可持续设计目标。彭博慈善基金慷慨支持SFMOMA重塑了数字系统,其互动体验打破了艺术、娱乐和学习的界限。
The new SFMOMA is on track to receive LEED Gold certification, and is one of the first museums in the country to employ all LED lighting throughout the gallery spaces. This measure helped the museum meet its ambitious sustainability goals. SFMOMA’s reinvented digital program, generously supported by Bloomberg Philanthropies, offers accessible, interactive experiences that break down the boundaries between art, entertainment and learning.
▼总平面,Master Plan
▼平面图,Floor Plans
▼剖面图,Section
Design Architect + Architect of Record:Snøhetta Team
Partner-in-Charge: Craig Dykers
Project Architects: Aaron Dorf, Lara Kaufman, Jon McNeal
Senior Architects:
Simon Ewings, Alan Gordon, Marianne Lau,
Elaine Molinar, Kjetil Trædal Thorsen
Design Team: Nick Anderson, Behrang Behin, Sam Brissette, Chad Carpenter, Michael Cotton, Aroussiak Gabrielian, Kyle Johnson, Nick Koster, Mario Mohan, Neda Mostafavi, Anne-Rachel Schiffmann, Carrie Tsang, Giancarlo Valle
Associate Architect :EHDD, San Francisco
EHDD Team :Duncan Ballash, Principal + President Lotte Kaefer, Project Architect Rebecca Sharkey, Project Manager
Project Managers :Terry Reagan, Don Young, Bob Reuter, TJ Reagan, Inc.
Project Construction Cost :$305 million
Square Footage – Total :460,000 square feet: 225,000 square feet (Botta building) plus 235,000 square feet (Snøhetta expansion)
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