克罗地亚 Lone 酒店 | 自然与设计的完美融合

非常感谢

3LHD

Appreciation towards

3LHD

for providing the following description:

lone酒店的室外泳池Lone Outdoor Pool

。

Lone酒店坐落于Zlatni Rt (Golden Cape) 森林公园，是克罗地亚的第一家设计型酒店。该森林公园是罗维尼最吸引人的旅游胜地，紧邻传奇的伊甸园酒店（Eden Hotel) 和新建的Monte Mulini酒店。周边区域和绿地是Lone海湾Zlatni Rt森林公园独具特色的自然保护区。

Hotel Lone, the first design hotel in Croatia, is situated in the Zlatni Rt (Golden Cape) forest park, Rovinj’s most attractive tourist zone, located in the immediate vicinity of the legendary Eden Hotel and the new Monte Mulini hotel. The surrounding grounds and parkland is a unique and protected region of the Zlatni Rt forest in the Lone Bay.

该酒店由克罗地亚当地知名的新生代建筑师、概念艺术家、产品设计师、时尚设计师和美术设计师组成的创意团队进行设计，旨在打造一个趣味性和功能性兼备的空间。来自3LHD的建筑师负责酒店的设计和建造。除了整体建筑构架之外，内部装饰和家具也根据酒店量身设计和选择，以打造出特色明显和辨识度高的酒店形象。来自umen / For Use的设计师设计了家具。时装工作室I-GLE设计了职员制服和织物用品。艺术家Silvio Vujičić为客房的织物装饰设计了图案。酒店大堂的装置是由创新艺术家团队设计的：Ivana Franke—“奔跑的魅影之屋”；Silvio Vujičić—“静谧的空中花园”；I-GLE—织物No.1、No.2、No.3系列。Studio92设计了健康水疗中心，Studio Kappo设计景观，Bruketa & Žinić OM代理公司负责设计和监督酒店的外观形象。

The term design hotel is meant to illustrate this as a space that nurtures the concept of an interesting and functional design. It was created by a team of renowned Croatian creatives comprised of a new generation of architects, conceptual artists, product, fashion and graphic designers. The Architects from studio 3LHD were responsible for the design and construction of the hotel building. In addition to the overall architecture, the interiors and the furniture were designed and chosen especially for the hotel in order to achieve a distinct and recognizable identity. The designers from Numen / For Use designed the furniture. The fashion studio I-GLE designed the staff uniforms and other textiles. Artist Silvio Vujičić created graphics on fabrics for the rooms. Installations in the hotel lobby were made by a group of innovative artists: Ivana Franke – “Room for running ghosts”; Silvio Vujičić – “In the hanging garden no one speaks” and the fashion studio I-GLE – textile compositions No1, No2, No3. Studio92 designed the Wellness & Spa center, while Studio Kappo did Landscape design.  The agency Bruketa & Žinić OM conceived and oversaw the visual identity of the hotel.

外观设计展现了酒店的形象。该酒店外观主要由水平线条构成，设计的露台让人联想到倾斜的船甲板。建筑的每一层呈渐缩式上升，从各个角度都能看到一个锥形化的立面。高度呈现动态变化的复杂露台使得所有楼层的公共区域和客房动态交织分布，由此形成了整个内部布局。特殊的“Y”形平面带来了十分合理和颇具功能性的组织结构—为所有房间提供绝佳的视野；公共设施围绕中心垂直大厅布局。主厅连接所有楼层的公共空间，形成了具有令人瞩目的高度和规模的中空体量，在这里可以看到酒店内外的有趣景象。

The hotel’s identity is recognized through the external design of the building, with a facade that is defined by dominant horizontal lines – terrace guards designed to evoke the image of slanted boat decks. The building’s floorplates contract from level to level going up, creating an elevation that is tapered at all angles. The site’s complex terrain with dramatic altitude changes determined the locations of internal facility spaces through a dynamic interweaving of public areas and guest suites at all levels. The specific Y shaped ground plan enabled a rational & functional organizational scheme; quality views from all rooms; and the grouping of public facilities around a central vertical lobby. The main lobby connects common spaces on all levels, creating a central volume of impressive height and scale with interesting views in and around where all vital functions of the hotel take place.

3LHD和Numen/For Use的设计师设计酒店内部时将周围环境作为其标志性的视觉元素，同时也是定义酒店内景的元素。在这个理念的指导下，客房的墙壁上都覆上了不规则分布的镜面板，反射着周围的光线和葱郁的地中海绿色植物。镜面板将光线和天然绿色嵌入室内，美丽的外部景观充斥着整个内部空间。植物的绿影反射到公共区光滑的天花板上，强化了周围植物产生的装饰效果。

When designing the interior, 3LHD and the designers from Numen/For Use chose the surrounding ambiance as the hotel’s signature visual element which also defined all views of the interior. With that in mind, the walls in the rooms are covered with mirrored panels, distributed in a random pattern which reflects ambient light and Mediterranean greenery, pulling them deeply into the interior, filling it with the exterior. The greenery also reflects on the glossy surfaces of ceilings in public areas, intensifying the effect of the surrounding plants.

视觉上清新开放的大厅采用白色石质表面和米黄—金黄色织物品。大厅的椭圆线型和精心布置的家具强化了空间的流畅特性，并与氛围更静谧、材料更温暖（木材和地毯）、颜色更深沉及光线更暗淡的客房和套房内私密而柔和的基调形成对比。“对比”是整个酒店设计的基础（黑色、白色、木色的对比）；然而餐厅流动的薄面纱，到覆盖在客房墙壁上具备功能性的动感织物，再到大厅内绚烂的装饰性壁饰，这些不同空间的织物则将这些对比元素完美地统一起来。

该设计理念的关键点是有意识地避免大多数酒店设施的单调感。因此，设计师采用了纹理丰富的纺织品以及高质的橡木胶合板。胶合板用环保涂料进行喷涂，呈现出类似原木的外观和触感。使用的材料十分淳朴，但经过现代设计的加工让墙壁和空间统一为和谐的整体。

The visually light and open space of the lobby is covered in white stone surfaces and beige-golden fabrics, the oval lines of the mezzanine guards and the furniture enhance the fluid character of the space and are in contrast with the intimate, subdued tones of the rooms and suites where the atmosphere is calmer, materials warmer (wood and carpets), the colors darker and lighting dimmer. The entire design of the hotel is based on contrasts (black, white, wood) and fabrics as the unifying element, varying from a fluid thin veil in the restaurant, through functional but dynamic wall coverings in the rooms, to the richly decorative mural in the lobby.

The key to the concept was the awareness of the necessity to avoid the sterility of most hotel facilities; that is why the designers used textiles with rich textures and quality oak veneer treated with eco-friendly lacquers, which give the visual and tactile impression of untreated massive wood. This material is usually too rustic but in this execution it manages to integrate walls and spaces into a harmonious composition through contemporary design.

酒店设施

酒店共有236间客房和12间套房。其中16个房间在阳台设有私人的按摩池。房间能满足不同人群的需要。每个房间都配有特大号床、双人床或适合整个家庭的连体房。酒店有三个餐厅，分别是“L”、“ON”、“E”；两个酒吧，一个爵士俱乐部和一个迷你俱乐部。

酒店最大的特点之一是极具艺术感的会议中心，该会议中心共有四个会议厅、若干会议室和一个配置最先进技术的贵宾厅和附带的酒吧。

酒店的最底层设有地中海风情的健康中心。大泳池的旁边是健身房、按摩室、带酒吧的休闲区域、桑拿房和水疗按摩泳池。

Hotel’s facilities

The hotel has 236 rooms and 12 suites. 16 rooms offer an exclusive experience of a private massage pool built in the room’s terrace. All the rooms are suitable for all types of guests. Rooms with king-size beds, twin beds or connected rooms are suitable for families.The hotel has three restaurants “L”, “ON” and “E”, two bars, a jazz club and a mini club.

One of the main characteristics of the hotel is the state of the art high-quality conference center with 4 conference halls, several meeting rooms, and a VIP lounge fully equipped with the most advanced technology and an accompanying bar.

The hotel’s lowest level has a wellness center inspired by the Mediterranean. Besides a big pool there is a fitness center, massage rooms, a relaxation zone with a vitality bar, saunas and hydro massage pools.

Here is more information from the architects:

Furniture design

Numen/For use, Nikola Radeljković, Sven Jonke, Christoph Katzler

The common denominator, exquisitely designed furniture, connects all the hotel’s areas. Most of the furniture are carefully selected manufactured pieces, but also includes items made especially for this hotel by the well known design group Numen/For Use.

To achieve immediate recognizability of the interior, the Numen/ForUse group chose probably their most famous furniture piece, the Satyr armchair (Wallpaper award for Best World Sofa 2007), as an object with character and strong identity. The Satyr is present in all rooms with different colors of textile depending on the room’s position. Another signature piece found in all rooms is the lamp made by Dekor from Zabok and designed especially for the Hotel Lone. The lamps also differ in materials used for lampshades depending on the position in the room. During the day they “drown” in their background and dematerialize their volume, while at night, when turned on, they enhance the comfortable and warm atmosphere of the room.

Most of the furniture in the public spaces is also designed by Numen/For Use, the series of seating elements Transform, Y chair and C chair produced by the famous Italian furniture company Moroso. Some of the furniture is made from massive oak, tables XYZ and models X-L and X-Z are from the Element program made by Intera, Zagreb. Intera also made the specialized foldable armchairs for terraces and chaises with integrated parasols. These products were made especially for the Hotel Lone and in the future will be available to the public. In this way the development of this hotel becomes more than just another tourist project – it represents a driving force for the development of domestic production of designer furniture, which should serve as a role-model to all investors in Croatian tourism.

To avoid the classic ideal of Gesamtkunstwerk, the furniture in Hotel Lone is not bound to only one designer name or collection but rather consists of a variation of designer pieces. For example, the Tio collection by the design duo Chris Martin and Magnus Elebäck from Massproduction; Tropicalia chair by Patricia Urquiola for Moroso, the 1966 collection by Richard Schultz for B&B Italia; and an especially interesting piece we would like to single out is the conference chair GF 40/4 by David Rowland for Howe, which was designed more than 40 years ago and still represents a timeless model for a conference chair.

Staff uniforms and selection of textile objects design

I-GLE, Nataša Mihaljčišin, Martina Vrdoljak Ranilović

A cult favorite of the Croatian fashion scene, designer duo I-GLE use their distinctive approach and style when designing all the textiles at Hotel Lone. A special project was to design hotel staff uniforms. Modern and simple, made of high quality and comfortable fabrics with an emphasis on the personality of people who represent certain positions in the context of a hotel, employee uniforms provide a pleasing visual identity that fits well into the hotel’s overall image. I-GLE participated in designing and choosing the fabrics for all textile items: curtains and drapes, tablecloths, napkins, sheets…

Spatial installation Room for running ghosts

Ivana Franke, artist

Materials: Aluminum tubes, PFA monofilament (fishing line), steel wire.

Dimensions: Diameter 8.7 m

In her work, internationally renowned visual artist Ivana Franke explores the relationship between phenomena and materiality by questioning the experience of spatial dimensions and human perception. Her large installation made as a tensegrity structure – structure in which stability is attained by tension and compression of elements, while at the same time solid objects do not touch each other, is featured in the lobby’s central area. Within the monumental spatial volume of the lobby, the installation draws a visually transparent system of dense spatial intervals, which enables reading the space’s dimensions through the space itself.

A fragile construction woven in the air has found its momentary balance. In front of our eyes it unfolds multiple spaces which soon disappear and evade our memory of where they are. This structure is in fact a room of uncountable corners, for unbalanced Ghost walking, meditation on infinity or wondering fragility…

Cycle of graphics M1 – M15

Silvio Vujičić, artist

Screen printing (serigraphy) on textiles

All the rooms and suites are decorated with unique graphics by the well-known Croatian artist Silvio Vujičić. The graphics are based on an exploration of Istrian cultural heritage and frescoes from the 15th century. The details from frescoes, more precisely samples of patterns from the dresses of martyrs, were often used as motifs by painters, graphic artists and weavers during that century. The patterns were copied, used in other media and transferred from graphic to textile art and then to frescos and vice versa. In his graphics, Silvio Vujičić uses these textile patterns from frescoes again and returns them to their original medium: graphics and textile. Produced as serigraphy on white cotton canvases, the graphics contain the signatures of old masters and draw attention by the unique technique of their production while simultaneously engaging with the motives of creased curtains. The samples of draperies from frescoes were reconstructed from the St. Catherine’s Church in Lindar (1409), St. Mary’s Church in Dvigrad (cca. 1470-1484) and St. Mary’s Church in Škrilinah in Beram (1474).

Installation In the hanging garden no one speaks

Silvio Vujičić, artist

Plants Adiantum Raddianum, plants Asplenium Nidus, garden soil, wood, water,metal, lights

Dimensions: 730 cm x 480 cm x 150 cm

Silvio Vujičić’s installation “In the hanging garden no one speaks” adorn the wall of the lobby next to the entrance and rises up two floors. A type of bio-machine is made from supports of different lengths and sizes that carry the rhythmic arrangement of wooden baskets with live plants and create a form that resembles a curtain. Irrigation and fogging systems enable the sustainability of the installation.

Art installations – Composition No.01, Composition No.02, Composition No.03

I-GLE, Nataša Mihaljčišin, Martina Vrdoljak Ranilović

Materials: textile, metal, nylon thread

The designers from the studio I-GLE made their artistic contribution to the hotel in the form of three installations that will adorn the front desk and the lobby. The compositions are made from textiles in dark colors, of different textures and rich weaving that simulate the dynamics of natural phenomenon characteristic for the seaside ambiance through rhythmic folds and diffraction of light on the surface of the textile.

Visual identity

Bruketa&Žinić OM / Davor Bruketa, Nikola Žinić (creative directors), Nebojša

Cvetković (art director, illustrator, designer), Ivan Čadež (copywriter),

Martina Ivkić (account executive), Vesna Đurašin (production manager)

Hotel Lone is a virtual shop window of the South-Eastern European creative industry. Its visual identity was designed by the agency Bruketa & Žinić

OM, with several awards one of the most lauded agencies in this part of the world.

The visual key is inspired by the central lobby, the most impressive volume of the hotel, which rises up throughout the entire building’s height. This is the area where hotel’s wings are juxtaposed with the adjacencies of most important facilities, this serves as the origin of all activities. It is the hotel’s “heart”. Therefore, that shape was chosen as the symbol that changes depending on which part of the hotel it is used for, or in other words, from which perspective it is observed.

The “heart” is the driving force of all activities in this inspiring place that will serve as a venue for relaxation as well as business meetings. Therefore, it was derived from illustrations which combine the disparate and makes up the basis for a huge poster 2 x 4.2 meters in size. All the applications of visual identity are derived from this big poster divided into twelve parts. Therefore, each application is part of the unique common picture, such as the hotel itself, made up from different parts of domestic creative industry, becoming its own shop-window.

Project name:   Hotel Lone

Program:   leisure, tourism

Status:    completed

Project start date:  01.09.2006

Project end date:  31.05.2010

Construction start date: 01.05.2010

Construction end date: 01.07.2011

Address:   Monte Mulini Zone

City:    Rovinj

Croatia:   Croatia

Geolocation:   45°4’21” N, 13°38’23” E

Type:    invited competition

Competition prize:     first

Site (m2):   22157

Size (m2):   29476

Volume (m3):   107704

Footprint (m2):   6017

Level (m):   27.74

Client:    Maistra d.d.

Project managemet:  Abilia d.o.o.

Author:    3LHD

Project team:

Silvije Novak, Tatjana Grozdanić Begović, Marko Dabrović, Saša Begović, Ljiljana Đorđević, Ines Vlahović, Željko Mohorović, Krunoslav Szorsen, Nives Krsnik Rister, Dijana Vandekar, Tomislav Soldo, Ana Deg

Project team collaborators:

Margareta Spajić, Ana Coce, Dragana Šimić, Sanja Jasika, Eugen Popović, Leon Lazaneo, Ljerka Vučić, Ana Penavić

Interior: 3LHD / Numen/For Use

Furniture design: Numen/For Use – Sven Jonke, Nikola Radeljković, Christof Katzler

Staff uniforms and selection of textile objects design: I-GLE

Art installations:

• “Room for running ghosts” – Ivana Franke

• “In the hanging garden no one speaks” – Silvio Vujičić

• Cycle of graphics M1 – M15 – Silvio Vujičić

• Composition No.1, No.2 i No.3 – I-GLE – Martina Vrdoljak Ranilović, Nataša Mihaljčišin

Visual identity: Bruketa & Žinić OM

Landscape design: Studio Kappo

Wellness: Studio 92

Structural engineering: Hrvatski institut za mostove i konstrukcije – Milan Crnogorac

Mechanical installations: Termoinženjering-projektiranje d.o.o.

Electrical engineering: Projekting 1970 d.o.o.

Sprinkler installation: Apin sustavi d.o.o.

Plumbing and drainage: Projektni biro – grijanje d.o.o.

Fire protection / strategy / safety project: Inspekting d.o.o.

Specialist design – kitchen: Dekode d.o.o.

Elevators: Lift Modus d.o.o.

Pool systems: Makro 5

Traffic planning: Ipro inženjering

Audio-video installations: Dicrioc disco light & sound engineering

Acoustics: Faculty of Electrical Engineering and Computing Zagreb

Interior horticulture: Horting Sisak d.o.o.

Model: Ivica Turčić

3D: Tomislav Mučić, Freya d.o.o. – Zvonimir Hrvoj

Main Contractor: Zagrebgradnja d.o.o.

Site supervision: Concom d.o.o.

Photo: Cat Vinton, Damir Fabijanić, 3LHD archive

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