瑞士雪顶原木住宅

非常感谢

Lacroix Chessex

Appreciation towards

Lacroix Chessex

for providing the following description:

该项目位于Forclaz街附近的小村庄，是与周围建筑风格一致的精小的住宅项目。

The Jeurs project, a small hamlet that overlooks the Forclaz’s street, is a project, which asks the shape and the scale of the little constructions nearby.

该项目的设计植根于村庄的历史记忆。住宅黑色木质体量的底部是矿物基座，可以有效地防止木材遭到腐蚀。由于单一体量的体积过大，影响与周围环境的和谐性，因此设计师将住宅分成两个相似的小型体量，通过45%的焊接面积重新构成木屋整体。

The project draws its roots from past and memory of the place. It consists of a mineral pedestal on which bases a volume of dark wood protected from the ground. Leaving the report that a simple volume would have been except scale and, actually, would have broken the harmony of the area, an operation of division of the mass into two smaller forms assembled and welded in 45 % allowed to reconnect on the scale of the chalets of the hamlet.

木屋从不同的角度显现不一样的面貌：从上游俯视，木屋呈现山峰般起伏的轮廓；而从下游仰视，木屋则成了两个连接的体量、孩童绘画的房屋模型。

The perception of the project changes according the different viewpoints: since the upstream, we only see a shape reminding the silhouette of mountains; since the downstream, we discover two volumes as a reference to the archetype shape of houses drawn by children.

建在峭壁上方有限区域上的木屋巧妙利用山坡地形，微微翘于地面之上，正面朝向山谷。屋外的风景通过底层客厅和主卧的两扇大窗渗入室内。体量上镶嵌的窗户在两个建筑体之间建立了强烈的视觉联系，传达了”粘合—焊接”组合体量设计理念的真实感。

Situated at the limit of the cliff, the project plays subtly with the hillside of the site by peeling away from the ground and by opening on the valley. Two big windows at the ground floor, the living room, the 1st stage, and the master bedroom, allow the landscape to penetrate into the house. Windows situated on frontages in between both volumes create a strong visual relation and give the genuine sense to the compositional concept of the project, “pasted-welded”.

未经加工的冷杉原木，小体量空间、楼层设计、聚集风景的窗户、体量与地面的联系、矿物质基座，所有这些元素都让住宅散发出传统山间木屋的浓烈气息。

The materiality of the project, all in untreated fir trees, the spatiality made by small dimensions, the set of levels,windows centering particular elements from the landscape, the link with the ground and the mineral base, all these elements confer to the project an atmosphere certainly close to the traditional chalets.

photographer Joël Tettamanti

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