夏威夷风住宅设计丨美国夏威夷

Shay Zak是旧金山建筑公司Zak Architecture的创始人，在设计夏威夷式住宅时，只遵循一条牢不可破的规则。室内的大房间和室外的游泳池必须挨着建。他解释说："在夏威夷，天空是如此美丽，游泳池可以将大气反射到室内，这种相邻的关系绝对是关键。”

Shay Zak, of the eponymous San Francisco–based firm Zak Architecture, follows just one unbreakable rule when it comes to designing a Hawaiian residence: The interior’s great room and the outdoor pool must be constructed next to one another. “In Hawaii, the skies are so beautiful that a pool [can] reflect the atmosphere into the [interior],” he explains. “That adjacency is absolutely key.”

因此，在他与一对新客户在Kauai岛的丘陵地带进行第一次会面之前，Zak决定解决大房间和游泳池区域布局的潜在难题。 其结果是一个4070平方英尺的四居室的房子，看起来像一组围绕着一个阶梯式庭院的高顶亭子。

Therefore, before his first meeting with a pair of new clients on a hilly Kauai site, Zak decided to solve the potential conundrum of the great room and pool area layout.The result is a 4,070-square-foot, four-bedroom house that appears as a group of high-ceilinged pavilions organized around a stepped courtyard.

在这个过程中，Zak建议这对夫妇考虑联系Catherine Kwong Design的室内设计师Catherine Kwong，他之前曾与Catherine Kwong合作设计过两座夏威夷的房子。

At this point in the process, Zak suggested that the husband and wife consider reaching out to interior designer Catherine Kwong of Catherine Kwong Design, with whom he had partnered on two Hawaiian houses previously.

Catherine Kwong很快了解到，客户的愿景还包括大量的家庭烹饪和社交访问。因此，固定在大房间南端的厨房，需要耐用。最终，她决定用漂白的胡桃木来装饰橱柜，这种木纹特别漂亮，并使用石英石台面。

Kwong soon learned that the client’s vision also involved plenty of home cooking and social visits. The kitchen, which anchors the southern end of the great room, would therefore need to be durable. Ultimately, she decided to finish the cabinetry in bleached walnut, which features a particularly pretty wood grain, and to use quartzite countertops.

另一个值得注意的特点是厨房的大型深色青铜罩，Kwong将其描述为与大房间的规模相对应。恰当的是，Kwong的设计方向 "与建筑有很大关系"。Zak的概念代表了“摆脱沉重、传统的热带诠释的转变”。今天的客户希望他们的空间更加宁静，并且室内功能几乎就像一个背景。

Another notable feature is the kitchen’s large, darkened bronze hood, which Kwong describes as a counterpoint to the great room’s scale. Fittingly, Kwong’s design direction “has everything to do with the architecture” . Zak’s concept represents “a move away from a heavy, traditionally tropical interpretation Clients today want more serenity in their spaces, [and for interiors to function] almost like a backdrop,” she notes.

反过来，Kwong构思了一个中性色的色调，其中一部分涉及到将黄色的雪松墙染色，使其呈现出淡淡的羊皮纸色调。她对空间的布置也很谨慎，优先考虑开放性的流通而不是小装饰。

In turn, Kwong conceived a color palette of neutrals, which in part involved staining the yellow cedar walls to make them pale parchment in tone. She also furnished the space sparingly, prioritizing open circulation over vignettes.

Architect:ZakArchitecture

Interiors:CatherineKwongDesign

Photos:WilliamJessLaird

Words:倩倩