首尔梨泰院扭曲建筑 | 行人活动与城市景观的融合

2020/09/01 13:32:00

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这座位于梨泰院的建筑坐落在首尔多元文化中心的黄金商业地产圈，这里是行人和汽车交通的交汇处，在它的后面，地标性的、一目了然的南山东麓区的坡街融入了其背景之中。

Located in Seoul's multicultural heart, this building in Itaewon is situated in prime commercial real estate, where pedestrian and automobile traffic converge, and behind which, the landmark and immediately recognizable Namsan Mountain hillside area sloped street blend into the background.

我们的目标是将各种行人活动从坡街和交通中心延伸到建筑的内部。

因此，建筑的外部设置了街道层面的外部楼梯，直接从较高层一直延伸到屋顶，在这里行人可以与街道层面以及建筑内部的人进行交互。这些广阔的视野遍及整个城市，直至具有象征意义和历史意义的南山东麓。

Our objective was to extend various pedestrian movement from the sloped street and traffic center to deep inside the building. As a result, the building's exterior reveals outer stairs at the street level, spanning directly from the upper floors straight to the rooftop, where pedestrians can interact with people on the street as well as inside building. These expanded views traverse the citywide to the symbolic and historic Namsan Mountain.

从街道层面到建筑内部，逐渐变换和移动的立面模块是精心协调的三维空间，扭曲的立面创造了从街道层到建筑屋顶的流畅过渡。

这些都通过一条路径连接到建筑内部街道的另一层，这条路径照亮了光线，并协调了来自街道的声音。

The gradually transforming and shifting facade module is carefully coordinated three-dimensionally, from street to the building's interior, and the kinked facade creates a smooth and flowing transition from the street level to the building rooftop. This is all connected to another level of the street inside the building through a path that illuminates light and harmonizes the sounds from the street.

立面元素富有独特的韵律，通过定向及其背景定义了项目的扭曲立面的朝向和表皮。立面模块的垂直元素可以作为百叶窗来处理建筑内部的气候条件。模块立面过渡，模糊了建筑楼层和内部空间在垂直和水平方向上的分隔。

其目的是使建筑的垂直流通保持和谐，但又不受街道层面和环境的影响，所有这些对公众和绕行者而言，将其视为一种流畅和谐的旋律。

The facade element has its own rhythm, carefully defining the three-dimensionally kinked facade module's direction and face by orientation and its context. This vertical element of the facade module works as a louver to deal with the climate condition of building inside. The module facade transitions, blurring the divisions between the building floor and interior space vertically and horizontally. The aim was to make the vertical movement of building stand in harmony and yet independent from the street condition and context, all for the public and bypasses to view this as a smooth and harmonious melody.