祥云府丨中国南昌丨DOME&ASSOCIATES董世建筑

边界的所在即所求：设计意图在一条细线处变成建筑……为了尽可能地提炼出边界建筑的可行性策略，我们应当忽略边界的内外两侧，进而聚焦于二者间入口的潜能之上。_Kersten Geers

收录于

#The explorer of “the mystery of the city”|“城市之谜”的探索者

SEMI-PERMANENT

预设定的功能分布及可实用性

我们一直在实践中探索着边界的问题。在最初的想法，设计师在空间外部打造了两个商业建筑之间的有效联系，形成新边界，并为两道边界间具有厚度的空间赋予用途，让室内设计展示的部分成为外立面的一部分，再通过设定室内的尺度和比例，把这部分的语言变成了建筑语言的第二个层次。

The designer creates an effective connection between the two commercial buildings on the outside of the space, forming a new boundary, and giving use to the thick space between the two boundaries, making the interior design display part of the facade.

从几何学的角度来说，边界是一条没有厚度的线；从建造的角度来说，边界是一道可能存在缝隙的墙壁；从建筑学的角度来说，边界可一分为二，成为一道具有厚度、能容纳物体或被缝隙贯穿的空间，贯穿的缝隙或许是进入边界的通道。

From the geometric point of view, the boundary is a line without thickness; from the construction point of view, the boundary is a wall with possible gaps.

The spatial language of structuralism architecture

解构化建筑的空间语言

建筑物作为一个物理实体需要满足使用者的需求。使用者的需求，更多的是从需求层面考虑——‌‌书屋是功能性建筑：结合会员开放制健身房，是可直接营业的实体。‌‌另一个具备售楼功能的超高挑空的三层建筑，后期可改造成实际营业的书屋餐厅及商场零售等一系列的商业综合体。

The size is two circles, and the streamer walkway drives people’s behavior to participate and surround it. Xiaoyuan is a functional building-bookstore + membership open gym, which can be directly operated.

该场所和书店中庭空间互享，由三个功能性空间组成：展览空间，书屋休息洽谈空间和健身房。我们设计了一个沿着建筑外立面折叠的飘带，延伸围绕，将两个建筑连接在一起。开放延式的建筑形态为人们提供了自然的阅读路径，视觉交错将人们从城市嘈杂的环境缓慢地引导至室内营造自然书屋氛围，打破常规的两个完整性建筑所带来的连续感。

本案设计理念是运用空间内的形体关系，不同的形体结构穿插、材质的变换、光影的交错，巧妙地将售楼处与生活馆两种不同的空间形成了相互呼应的关系，形成了一个趣味性联动空间。在空间设计中创造人为的活动行径，衡量既有的条件，把建筑的边界变成建筑之间的联络，让两个建筑接触部分的边界用飘带烘托出来，形成了设计的主体部分。

室内设计真正在做的，是延续建筑师没有做完的事情，利用建筑语言打造专属的符号。通过设定室内的尺度和比例，把这部分变成了建筑语言的另一种表现。当室内空间展示成为外立面的一部分，才是真正的建筑边界。

The interior design we are really doing is not done by many architects, or because of the domestic division of labor, there is no chance to do it, and it must not be inconsistent with the entire building.

The open architectural form breaks the presupposition brought by convention

开放式的建筑形态打破常规带来的预设感

圆洞给人一种神秘感，仿佛它在告诉你世界的另一端还有更有趣的事物在等着你去探索与发现。

The round hole gives people a sense of mystery, as if it is telling you that there are more interesting things waiting for you to explore and discover on the other side of the world.

©鈡灞灞

开场的空间融入了简单的几何形体，简单素雅的材质更是衬托出设计师的“别有用心”，更多想表现的是想让人们感受空间的美感，探寻其中的秘密。顶部没有使用传统的射灯，而是用方块形体的发光造型盒子，利用“泛光”的植入，把宽敞而简单的顶面变得更加有趣味性和形体美。

The opening space incorporates simple geometric shapes, and the simple and elegant materials bring out the designer’s "ulterior motives". What I want to express is to let people feel the beauty of the space and explore its secrets; the top does not use traditional shots. Instead of using a square shaped light-emitting box, the lamp uses "flooding" implantation to make the spacious and simple top surface more interesting and beautiful in shape.

过道区域打破常规的入户方式，采用了斜切面的手法，同样是在表达设计师所追寻的“探索空间”的理念。大理石、乱纹金属，材质营造出了素雅和精致的氛围。

Marble, chaotic metal, materials create a simple and refined atmosphere. The aisle area is set up with a contract area, breaking the conventional way of entering the house, and adopting the method of oblique cutting, which also expresses the concept of "exploration space" pursued by the designer.

设计师利用圆形建筑内部中心本身的墙体结构，增加了一圈书架。整个空间地面考虑静谧性使用了实木多层地板。挑空区的圆洞造型设计，与售楼处的圆洞造型相呼应。

The designer used the wall structure of the inner center of the circular building to add a circle of bookshelves. The whole space uses solid wood multi-layer flooring in consideration of quietness. The round hole shape design of the empty picking area echoes the round hole shape of the sales office.

The open architectural form breaks the presupposition brought by convention.

建筑体需要满足使用者的需求。

建筑中功能性的优先级从来都是排在形式之前的，也是建筑存在的意义。

室内设计是建筑设计的一部分延续，不是孤立存在的，关于人的行为的约束和场景的营造，可能是建筑师的一部分，也可以是室内设计的一部分。

The priority of functionality in architecture has always been before form, which is also the meaning of architecture.

Interior design is a continuation of architectural design.

开放延式的建筑形态为人们提供了自然的阅读路径，视觉交错将人们从城市嘈杂的环境缓慢地引导至室内，营造自然书屋氛围。打破常规的两个完整性建筑带来的预设感。

The large-area bookshelf wall behind the sandpan area integrates the coffee bar together, forming an echoing relationship with the space function of the small circle next door. The floor slab of the empty area is cleverly interspersed in the two bookshelf walls.

大面积书架墙和咖啡吧融入在了一起，与隔壁小圆的空间功能形成了相互呼应关系。挑空区的楼板巧妙的穿插在两面书架墙内，通过这种简单的形体穿插来分隔空间，营造独特的空间环境，半圆与正圆的设计使得在统一材质中能寻找出一些变化，即保证了整体性，又不失乐趣。

This simple shape intersperses to separate the space and create a unique space environment. The semicircle and perfect circle design makes it possible to find some changes in the uniform material, namely It ensures the integrity without losing the fun.

运用空间内的形体关系，不同的形体结构穿插、材质的变换、光影的交错，巧妙的将不同的空间形成了相互呼应的关系，形成了一个趣味性联动空间。

Using the physical relationship in the space, the interspersing of different shapes and structures, the transformation of materials, and the interlacing of light and shadow, the sales office and the living hall are ingeniously formed into a mutual echoing relationship, forming an interesting linkage space.

The open architectural form breaks the presupposition brought by convention

建筑语言的情感表达

建筑作为人们生活与活动的物质场所，在满足人们对其使用功能的需求的同时愉悦使用者的心理和生理。“人需要象征性的东西，也就是表达生活意境的艺术品。”另一方面，建筑也可被理解为“表达生活情景”空间的“具现”，传达精神层面的含义。

Interior design in space design should be a part of the continuation of architectural design, rather than exist in isolation. The remaining part about the constraints of human behavior and the creation of the scene may be part of the interior design, but it can also be part of the architect.

©鈡灞灞

The rationalism of the twentieth century can get less from a special, unified theoretical work than from a common belief that the various problems posed by the real world can be solved in a reasonable way. In this respect, it represents a response to historicism, in contrast to Art Nouveau and Expressionism.

书架层板灯带的排放为了显得不那么刺眼，采用了 3 个为一组的形式增加一条灯带，使空间的光感更加柔和。亚克力书籍分类牌分类明确，文艺感十足。

In order to make the discharge of the light strips on the shelves of the bookshelf look less dazzling, a group of three is used to add a light strip to make the light feel of the space softer. The classification of acrylic books is clearly classified and the sense of literature and art is full.

建筑可以通过我们的感官和我们最深层的记忆产生联系，当室内为人的行为活动参与调整设计。通过设定室内的尺度和比例，把这个部分的语言变成了建筑语言的第二个层次，重新定义都市空间来提升人们生活的品质。

Architecture can be connected with our deepest memory through our senses, when the interior is used for human behavior activities to participate in the adjustment of the design.

American artist Ryan LaBar grew up in Great Falls, Montana. He has served as a resident artist in Alcibre Foundation, Caldera and other places, including international residences for exhibitions in China, Bali, Poland, and Denmark.

“我们都是地球母亲的延伸。”

——Ryan Labar

美国艺术家 Ryan LaBar 在蒙大拿州大瀑布长大，他曾在阿尔奇布雷基金会、LH 项目、加州州立大学长滩分校、卡尔德拉等地担任常驻艺术家，包括在中国、巴厘岛、波兰、丹麦、韩国和菲律宾举办展览的国际驻地。

相邻部分的联合运动影响了每个单独的部分。结构杆、带、环和齿轮从支撑的物理结构转变为结构的视觉错觉。这些部分已经混合成为一体。发生了转变。每个组件的刚性和单一特性都发生了变化、扭曲和弯曲，以适应相邻元素的整合。

The rigidity and single characteristics of each component have been changed, twisted and bent to adapt to the integration of adjacent elements.

海德格尔说：“边界不是事物结束的地方，而是事物开始的地方。”

Heidegger said: "The boundary is not where things end, but where things begin."

项目详情：

项目名称 | 祥云府

业主信息 | 新力控股

地理位置 | 江西省南昌市

完成时间 | 2021

项目面积 | 2000m²

室内设计 | DOME&ASSOCIATES 董世建筑

建筑设计 | 上海席得建筑有限公司

景观设计 | 成都赛肯思景观有限公司

甲方团队 | 文永琴、薛罡、李雨茜、王飞、万颖、裴晋

硬装团队 | 潘振菲、代林燕、罗天钟

软装团队 | 钟雪春、宋寅晗、肖聪、朱梓言

室内摄影 | 夏侯全生、姜振宇

-END-

更多作品

呼和浩特·峯启未来

南昌·新力宝龙理想城

上海·峯汇

武汉·朗悦

武汉·格林映象

浙江·璀璨瓯江

上海·美兰城

想了解更多可浏览官方网站

媒体联络

:Sina weibo: @董世建筑

Instagram:

@dome_associates

建筑设计｜室内设计｜艺术咨询

董世建筑

DOME&ASSOCIATES