LEBETTER 展厅丨中国中山丨哲迳设计

展厅，是一场关于身体感知与情绪调动的空间游戏。家是容纳生活行为的空间，是个体情感交融的场域。

The exhibition hall is a space game about body perception and emotion mobilization. Home is the space to accommodate life behavior and the field of individual emotion blending.

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LEBETTER 展厅，为美盈家具旗下子品牌，位于中山市沙港东路 2 号美盈家具总部三楼内。

美盈始创于 1995 年，自创立以来，美盈就一直专注于产品上。从设计、工艺、材料、产品包装到后勤服务，只为把好产品送到客人手中。

LEBETTER Hall, a subsidiary of Meiying Furniture, Building 3 of Meiying Furniture Headquarters, No. 2 Shabrand Road, Zhongshan City, was built in Hong Kong Meiyingying Home Furnishing 395 years ago. Focus on the product. Design, craftsmanship, materials, product packaging to logistics services, just to take over good products.

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01 编织生活 Weaving life

我们以「编织生活」为概念，通过对个体生活的解读，将不同氛围的家作为构建展厅空间中的底层逻辑，以此定义建筑空间内外关系，组织观者行走路径。

We take "weaving life" as the concept, and through the interpretation of individual life, we take homes with different atmospheres as the underlying logic in the construction of the exhibition hall space, so as to define the relationship between the inside and outside of the building space and organize the walking paths of the viewers.

进而通过尺度、材料、光线塑造空间情绪，激发观者对家的感知与想象，为生活编织框架。

And then through the scale, material, light to shape the space mood, stimulate the viewer’s perception and imagination of the home, weave a frame for life.

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02 嵌套空间 Nested space 展厅以一字型布局，水平轴线延展，形成以中心为原点的三段式空间。中间区域作为左右展厅的感知连通焦点，以椭圆型态建立消解方向的流动空间状态。

The exhibition hall is laid out in a straight line, and the horizontal axis is extended to form a three-segment space with the center as the origin. The middle area serves as the perceptual connection focus of the left and right exhibition halls, and establishes a flow space state in the direction of digestion in an elliptical shape.

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虚与实，暧昧与包裹，室内的高差微差，产生联结左右展厅的连续空间嵌套体验。

The virtual and the real, the ambiguity and the package, and the slight difference in the interior heights create a continuous space nesting experience connecting the left and right exhibition halls.

03 院落置入

Courtyard placement

院落的置入将外部自然场景弥漫进室内空间里，建立从室内到外部再到室内的氛围状态变化，进而引起观者情绪体验起伏。

The placement of the courtyard diffuses the external natural scenes into the interior space, establishes the change of the atmosphere state from the interior to the exterior and then to the interior, causing the viewers to experience ups and downs.

以窗扩大室内空间对院落景致的视觉感知，“轩楹高爽，窗户邻虚，纳千顷之汪洋，收四时之烂漫，窗外不止景致，却是营造的与内心对话的世界”

The window is used to expand the visual perception of the courtyard scenery in the interior space, "Xuan Ying is high and cool, the windows are adjacent to the empty space, and the vast ocean covers a thousand hectares.

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04 感知转换 Perceptual transformation 以院落作为左右展厅空间组织重点，通过平面与剖面的位置关系、功能配置，将家的尺度具体化。

Taking the courtyard as the focus of the space organization of the left and right exhibition halls, the scale of the home and the home is concreted through the positional relationship and functional configuration of the plane and section.

院落作为空间统筹，门为边界，作为一个功能领域到下一个功能领域的分界，限定功能形态。消解走廊，将门作为一种想象中的路径，暗示空间与感知的转换。

The courtyard serves as the overall planning of the space, the door serves as the boundary, and serves as the boundary from one functional area to the next, limiting the functional form. Dissolving the corridor, using the door as an imaginary path, implying the transformation of space and perception.

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展厅空间是对日常生活的演绎，激发观者对生活的想象多样性与可能性，在这里我们希望编织属于个体的生活框架。

The exhibition space is an interpretation of daily life, inspiring viewers to imagine the diversity and possibility of life, and weave a life frame belonging to the individual.

/ 哲迳还将持续播种，敬请期待 /

On the way

文案主编：王宁

责任审核：王宁

文字编辑：张逸云

视觉编辑：张逸云

视频剪辑：王懿楠

视频拍摄：王懿楠、邓伟翔

照片摄影：邓伟翔、张逸云

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