维特拉设计博物馆

Vitra Design Museum

维特拉设计博物馆

Frank Gehry

The Vitra design museum is located in the riel Vitra campus in Germany, where most of the original buildings were damaged in a fire in 1981.

维特拉设计博物馆坐落于德国莱茵河畔瑞尔Vitra园区内部，1981年的一场大火将园区内原本的多数建筑物烧为废墟。

Famous designers including tadao undo,. Siza and zaha hated creating the park after the disaster. In 1987, Frank Gehry designed the villa design museum, which was completed and opened to the public in 1989.

灾难过后，包括安藤忠雄、阿尔瓦罗·西扎、扎哈·哈迪德等在内的著名设计师共同创造了这一建筑公园。1987年，Frank Gehry主持设计了维特拉设计博物馆，并于1989年竣工正式向公众开放。

Originally conceived as a shed structure, the building was intended to showcase the 2,000 or so chairs and other furniture that vibrated accumulated since the 19th century.

建筑原本是为展示Vitra19世纪以来积累的约2000余件椅子和其他家具而造，因此最初设想为棚子结构。

But  his design, Frank Gehry focused on the process of building and manufacturing, turning the building into a deconstruction procedural work, in which the architectural character of "form follows function" is reflected in the 8,000 square feet of exhibition space.

但Frank Gehry却在设计中着力表现建筑的营建和制造活动的过程，将其变成了解构主义的程序化作品，在8,000平方英尺的展览空间中，“形式服从功能”的建筑特征得以体现。

The building as a whole is composed of innumerable white volumes and ramps, and the complex exterior forms correspond to different internal functions.

建筑整体由形态各异的白色体块与坡道组成，复杂的外部形体对应内部不同的使用功能而存在。

The sculptural form is outlined by inclined arcs of plaster, the curved white volume intersects at the angle of changing depth, and the discrete architecture presents a spatial relationship relying on each other.

雕塑形式由倾斜的弧线灰泥勾勒，白色弯曲的体积以深浅变换的角度相交，离散状态的建筑呈现出互为依托的空间关系。

The facade is composed of pure white material, and the form of concave-convex layers makes the whole building as flexible as broken and reassembled blocks.

纯白色材质外立面，凹凸层次的形态，使得整座建筑犹如拆分重组的积木般灵活。

The clever use of line elements and the changing light and shade in real time give vitro the dynamic architectural character of the museum.

线条元素的巧妙运用，及实时变化的明暗光线赋予维特拉设计博物馆动态的建筑特征。

As the space for displaying Vitra's collection for many years, the closed and single wall becomes the most appropriate background to highlight the details of furniture of different periods and styles. Natural light scatters from the skylight of diverse shapes, and the exhibits produce unique light and shadow effects under the action of natural light.

作为展示Vitra多年馆藏的空间，封闭而单一的墙面成为突出不同时期、不同风格家具细节最合适的背景，自然光线从从不同形状的天窗散射而下，展品在自然光的作用下产生独特的光影效果。

In the view of architecture writer and critic Paul Heyer, villa design museum in general has broken itself down into interwoven and coherent displays, emphasizing different functions and spatial needs in a seemingly incongruous volume.

“The building is a continuous changing swirl of white forms on the exterior, each seemingly without apparent relationship to the other, with its interiors a dynamically powerful interplay, in turn directly expressive of the exterior convolutions.”

“该建筑物是不断变化的白色外表漩涡，看起来彼此之间没有明显的联系，其内部具有动态强大的相互作用，反过来又直接表达了外部的褶皱。”

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