TASSANI 塔萨尼艺术涂料展厅丨中国沈阳丨ML.A 空间设计

案例简介

Case description

项目名称：TASSANI塔萨尼艺术涂料展厅

项目地址：沈阳市铁西区红星美凯龙至尊国际馆

项目面积：150㎡

项目类型：展厅

设计时间：2022.10

完工时间：2023.01

设计公司：ML.A空间设计

设计总监：刘刚

软装总监：权威

设计团队：王馨悦/宁童

摄影团队：TOPIA图派视觉

文案攥写：霍丽丽

隈研吾先生在其著作《负建筑》中写到：“ 去掉一切雕饰后的，人类真正需要的建筑，并不是一个四四方方的水泥盒子，因为人们不仅仅需要遮风挡雨，还需要心灵的安宁和诗意……”

唯一与永恒

The only and eternal

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永恒和唯一是两种极致，但也只是一种存在形式。

石与自然、空间自由组合，成为一种空间探索的连接器，带给到访者视觉与心灵的震撼，围绕TASSANI艺术涂料品牌扩散，于此，开启一个不被定义的诗意空间。

The free combination of stone and nature and space becomes a connector of space exploration, bringing visitors visual and spiritual shock, and spreading around the TASSANI art paint brand, which opens a poetic space that is not defined.

变化是唯一的永恒。空间中无限的拉伸与延展，产生视线错觉，简洁的体块，简练的线条，在不断的变化与重组中产生抒情诗般的感染力。

Change is the only eternity. The infinite stretching and extension in the space produce the illusion of sight, concise body, concise lines, and produce the lyric appeal in the constant change and reorganization.

秩序与仪式

Order and ceremony

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拾阶而上，空间不是一览纵观全貌的，而是线条与空间的过度，引发好奇与探索。线条结构、形态的穿插与互动，构成内建筑语言，极具秩序感和仪式感，同时也带来更多视觉美与趣味性，呈现空间协调、张力以及当代美学。

迂回的路径、丰富的材质、变化的光线，让行走变成一种有趣的体验，而这个过程中，到访者不时地凝视、回眸、跟随、打趣，建立起人与人、人与空间的联系。

Pick up the steps, the space is not a glance at the whole picture, but the excess of lines and space, causing curiosity and exploration. The interweaving and interaction of line structure and form constitute the internal architectural language, which has a sense of order and ritual, and also brings more visual beauty and interest, presenting spatial coordination, tension and contemporary aesthetics.

The circuitous path, rich materials and changing light make walking become an interesting experience. In this process, visitors stare, look back, follow and joke from time to time, establishing the connection between people, people and space.

体块与结构

Body mass and structure

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体块结构逻辑简单，构成关系清晰可见，具有统一和完整性。通过切割、堆叠的组合形式，向上或向下的延伸，将抽象元素转化成具象造型，纵横交错的体块相互影响、自由和谐，衍生出丰富的错落与层次感，给予到访者穿梭于“框景”之中的体验。

The block structure logic is simple, the composition relationship is clear and visible, with unity and integrity. Through the combination of cutting and stacking, extending upward or downward, abstract elements are transformed into figurative shapes. The crisscross bodies influence each other and are freely harmonious, generating a rich sense of patchwork and hierarchy, giving visitors the experience of shuttling in the "frame scene".

体块之间没有紧密压实在一起，张弛之间，给空间更多的呼吸感。

There is no close pressure between the body, relaxation, give space more sense of breathing.

光与影

Light and shade 

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空间是光的容器，光是空间的灵魂。

Space is the vessel of light, and light is the soul of space.

以光为舞台，时间于此起舞。光影成诗，或氤氲满射，或倾泻而下，空间借助光达到时间之外的某种永恒，成长、重生。

With the light as the stage, the time dances here. Light and shadow into poetry, or dense full shot, or pouring down, space with the help of light to reach some eternity beyond time, growth, rebirth.

光影清晰地记录着时间的痕迹，不刻意夺目，却有让人过目不忘的力量。拂过材质的纹理、地面、墙壁……赋予空间特有的诗哲学与诗意，空间更为自然、惬意。

光的引入和材料肌理的运用，还原艺术涂料最真实的质感与色彩，予空间节奏和韵律，创造丰富、有趣的观展体验。

Light and shadow clearly record the traces of time, not deliberately dazzling, but there is the power of photographic memory. Brush the material texture, ground, walls... give the space unique poetic philosophy and poetry, the space more natural and comfortable. 

The introduction of light and the application of material texture, restore the most real texture and color of the paint, to the space rhythm and rhythm, to create a rich and interesting exhibition experience.

感官与沉浸

Sensory and immersion

抽离现实的诗意氛围，颠覆艺术涂料展厅模式，富有层次的布局规划，材质与色彩都变得优雅，唤起到访者的感官与情感，如进入一场戏剧般的沉浸体验。

With the poetic atmosphere of reality, subverting the art paint exhibition hall mode, the hierarchical layout planning, the material and color become elegant, evoking the senses and emotions of the visitors, such as entering an immersive experience like a drama.

人的物质本性，是内在实相在物质层面上的模拟和显化。深入空间，无论是自由的线条还是艺术且合理的色彩搭配，让所有感官都得以放松。

沉浸式体验不是自我身份感的短暂缺失，是自发性的、自由的灵性释放，感官沉浸，意味着暂时放下自我和自我享受之间的屏障。

The material nature of man is the simulation and manifestation of the inner reality at the material level. Going deep into the space, whether it is free lines or artistic and reasonable color collocation, allows all senses to be relaxed.

Immersive experience is not a temporary lack of a sense of self-identity, but a spontaneous and free spiritual release. Sensory immersion means temporarily putting down the barrier between oneself and the object of self-enjoyment.

空间的流畅性与艺术涂料的展现相辅相成，光影、材质、香氛……都刺激着人的五官，每一处视角都有自己独特的姿态，自由的穿梭在各个场景中，或动或静，都令到访者感受到惊喜与好奇。

The fluency of the space and the display of artistic paint complement each other, light and shadow, material, fragrance... all stimulate the person's facial features, each perspective has its own unique posture, free shuttle in each scene, or moving or static, make the visitors feel surprised and curious.

内核与形态

Kernel and morphology

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自然界总是会带给人“无限”的向往，通过现代设计手法，充分考虑空间的材质、质感与形态，用三维语言让空间接近“无限”，有意识地将点、线、面，在有限的空间里寻求结构与比例的变化与统一。

一颗充满生机的树激活空间的内在价值，一束充满希望的光是治愈人心的力量。空间与人，人与自然，以及哲学中的「空」与自然「光」，相融、共生。

Nature will always bring people the "infinite" yearning, with three-dimensional language to make the space close to the "infinite". Through the modern design language, the material, texture and form of the space are fully considered, and consciously the points, lines and surfaces seek the change and unity of structure and proportion in the limited space. 

A vibrant tree activates the inner value of the space, and a light full of hope is the power to heal the people. Space and man, man and nature, as well as the "empty" and nature "light" in philosophy, blend and symbiosis.