李艾设计师自宅 | 返璞归真，回归自然的台式风格空间

2019/11/19 16:01:24

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设计不单是外在环境、更多是来自其内在。

Design is not only the external environment, but more from its inner.

——李艾（Li Ai）

本案设计师认为，设计无风格，极致皆是美。

The designer of the case believes that when the design is perfect, no matter the style is beautiful, but often think about what style you like in your heart...

设计的本质是弱设计，忘记设计，甚至归于虚空。当设计形式语言隐退，人性的内在对宇宙人生的情怀便显现了。作为灵性的人，开始观照超越物质之外，直接潜入击中人的内心。那是一种简单卑微自然质朴纯粹的生活。所以最大限度保留与应用自然山石树木，使偶然与必然浑然一体。

The essence of design is weak design, forgetting design, and even returning to the void. When the design form language retreats, the inner feelings of human nature on the universe are revealed. As a spiritual person, begin to look beyond the material and directly sneak into the heart of the hit. It is a simple, humble, natural, simple and pure life. Therefore, the maximum retention and application of natural mountains and trees, so that accidental and inevitable integration.

当原生态接近大自然最真实的存在，原木类和大理石的碰撞，一起都要以最自然本真的存在。抛弃软装，抛弃家里过多的物件。

After a spring, summer, autumn and winter reincarnation, I finally unearthed my inner love and abandoned too many decorations. My favorite thing is that the original ecology is close to nature's most realistic existence. The collision between logs and marbles must be the most natural. The presence. Discard soft clothes and discard too many items in your home.

设计师以“刚”为主要设计理念，与大自然相融相生，从而满足人们返璞归真，回归自然的情感需求。

The designer uses "Gang" as the main design concept and blends with nature to meet the emotional needs of people returning to nature and returning to nature.

以木、树、石意象为根本，带予空间勃勃生气，注入新的生命；

Taking the image of wood, trees and stone as the foundation, bringing space to life and injecting new life.

藉由入口过道轴线延伸至底，将室内动静区域于无形中串联起来，运用足够的空间高度，材料语汇以垂直向度分割，加强视觉体验和空间感受。

By extending the axis of the entrance aisle to the bottom, the indoor static and dynamic areas are connected in series in an invisible manner, and a sufficient space height is used, and the material vocabulary is divided vertically to enhance the visual experience and the spatial experience.

电视墙放低串连起居室与书房区域，面对外窗景，保证充足的光线资源，在室外景观的映衬下，享受沐浴在大自然的真实体验，为保证使用者的最佳体验，开放，重新建立与外在与光的互动，净身亦静心。

The TV wall is lowered in series with the living room and study area, facing the external window, ensuring sufficient light resources, enjoying the real experience of bathing in nature against the outdoor landscape, and opening up to ensure the best experience for users. Re-establish interaction with the external and light, and the body is also quiet.

玄关客厅厨房彼此融合，看做一个具有形态的整体，放大了使用上的意义，对于接待、谈天、料理、整理与玩耍串流在一起，让孩子可以在四处流畅的活动，感受父母作为中心，可以围绕在身边，温暖孩子的内心。公共领域与私密居住领域动静分离，却更大具有功能性。

The porch living room kitchen is integrated with each other and is regarded as a whole form. It enlarges the meaning of use. It is a series of activities such as reception, talk, cooking, arrangement and play, so that children can enjoy activities in the center and feel the parents as the center. You can surround your side and warm your child's heart. The public domain and the private residential area are separated from each other, but they are more functional.

经由空间重置，让光影与空气，随不同时间与不同角度，在流动的空间中,產生对话，以材料质的延续作為中介,暗指空间的场域界定，把对话留在空间裡与生活并行。

Through spatial resetting, light and shadow, and air, with different time and different angles, in the flowing space, create dialogue, with the continuation of material quality as an intermediary, implying the definition of space, leaving the dialogue in space and life. parallel.

书房以一个乾净简洁的石材及镀鈦柜体為起始，一场自然与工艺的结合蓄势待发。

The study begins with a clean and simple stone and titanium-plated cabinet. A combination of nature and craft is ready to go.

有效利用空间特性，置入崁入式长桌，增加视觉延伸感，壁面饰以石材，温润空间工艺的刚硬感，单纯比例分割，构筑空间画面。

Effective use of space characteristics, the insertion of the long table, increase the sense of visual extension, the wall is decorated with stone, the rigidity of the warm space craft, the simple division of the scale, the construction of the space picture.

同时特意运用装置艺术传达一致的朴质温暖人文形象，以不同排列建构体块，重新诠释内部空间。

At the same time, the installation art is used to convey a consistent and simple warm and humanistic image, and the body blocks are constructed in different arrangements to reinterpret the internal space.

单面大面採光，利用隐形门开合运用，区分公开及私密性，并藉此导入光线，整合空间氛围。自然朴实地用静謐的方式拥抱。

Single-sided large-faced lighting, using the use of invisible door opening and closing, to distinguish between openness and privacy, and to introduce light into the space atmosphere.

Naturally and simply embraced in a quiet way.

為了逃离城市的喧扰找回最纯粹的赤子之心带著微笑就此起程

In order to escape the harassment of the city

Find the purest heart of the red heart

With a smile

Starting on this

窗外，这一片辽阔本座楼背山面水，无尽山水如画，顺应天花作线条延伸，让视觉、动线和窗外的景色连成一体

Outside the window, this vast building is backed by mountains and waters. The endless landscapes are like paintings, which follow the ceiling to extend the lines, allowing the visual, moving lines and the scenery outside the window to be integrated.

从透明的窗景中，沁出鬱鬱苍苍保有一种美的距离。在这一方天地享受毫无保留的山水之美大自然的无声歌曲。

From the transparent window view, the glory of the glory preserves a beautiful distance. In this side of the world, enjoy the unreserved beauty of nature and the silent songs of nature.

整个长型空间拥有开阔的窗景，堆叠的毛石墙面和实木以内敛质朴的皮层肌理来呼应自然的沉静。

The entire long space has an open window view, stacked stone walls and solid wood with a restrained and rustic cortical texture to echo the natural calm.

空间架构，不加修饰，质朴、纯粹，却有一股温暖的力量。

The spatial structure, without modification, is simple and pure, but has a warm power.

使材质归乎于初衷，当各个媒材得到适当的发挥，能为其所用，能相辅相成，空间自然而然以不造作的氛围呈现流露。

The material is attributed to the original intention. When the various media materials are properly played, they can be used for them, complement each other, and the space naturally appears in an unconventional atmosphere.

屏除矫饰的色彩，回归到最初的色调。

The screen removes the color of the pretense and returns to the original hue.

寄情山石，物我两忘，众生皆佛！

Sending love to the mountains and rocks, I forget both things, all beings are Buddha!

平面图 / Floor plan