艺墅家丨中国嘉兴丨汀雅家居设计

荷尔德林说，“人，以诗意栖居。”这句话可以很好的诠释这套住宅的设计理念，通过物质、自然与空间关系的整合，展现居住的精神诗意，是业主和设计师共同的初衷。家是围绕人展开的，家与主人的内在气质必须是协同一致的存在，这样的空间才能够有持续的生命力，在岁月的打磨下，设计的痕迹被人的生活行为覆盖，居所在这样的一呼一吸之间更有张力，彷佛将时间的流逝安静地收敛进来，成为一个能够给予能量的存在。

Holderlin’s saying, poetically man dwells on the earth, well interprets the design concept of this project. Through the integration of material, nature and space planning, it shows the spiritual poetry of residence. And it’s also the  original intention of both the owner and the interior designer. Home is all about people who live there. The inherent nature of the home and the owner should  match with each other. Year by year, the traces of the design become consistent with the dwellers, with the passing of time,the place will turn out to be something that can be inspiring.

这个居所的主人，平时穿梭于艺术与媒体领域，是资深的文史哲爱好者，艺术品收藏者，有非常清晰和明确的底层逻辑，她理想中的家，呈现的是质朴的人文性。在设计师眼中，这样的人文性是非常有力量和包容性的，利落且温柔，深沉又不失明媚，看似冲突的词语都能在这样的设计语境中逻辑自洽，我们用利落的线条去构建这样的居住空间，用颜色和材质的混搭让温暖的感觉融入其中。

The owner of this residence, a lover of liberal arts and a collector of art.Her ideal home should be with an ambience of art and culture. In the eyes of designers, liberal arts are supportive and extensive, neat and gentle, profound while enchanting, seemingly contraditive words can be logically self-consistent, we use neat lines to construct such a living space, mixed with colors and materials to let the warm feelings blend into it.

项目为叠加别墅，一层为客餐厅和厨房，二层三层以起居室和书房为主。结构上我们打破了原始的封闭格局，抬高了整个客餐厅区域，让客厅、餐厅、厨房在视觉上整体相连，功能上形成自然分割。中岛区域既连接着两个空间，同时也连接着一家人舒适与放松的瞬间。敞开的视觉空间，没有死角，让父母的视野随时可以照顾到孩子。

The project is a superimposed villa. The first floor is the living room, dining room and kitchen, and the second and third floors are mainly bedrooms and study. Structurally, it raises the whole guest restaurant area, making the living room, dining room and kitchen visually connected, while forming a natural division in function. The middle island area connects the dining room and kitchen, and the open visual space allows parents to take care of their children at any time.

铁釉花器 ，片濑和宏（日本·静冈）

入户门的两侧处理成了两面完整的柜子，集卫生间、储物功能于一体，这样既不会打破完整的立面关系，又巧妙地安置了每一个功能区，把视觉的完整性和功能的独立性容纳在一个入户玄关处，达到了一个恰到好处的平衡。

Both sides of the entrance door are full closets, integrating the functions of washroom and storage, balancing visual integrity and functional independence.

《无题》，楮纸，畑野渡（日本·京都）

《线条》，手工纸印刷，（美国·洛杉矶）

整体空间以带有肌理感的伊朗洞石、欧洲橡木地板为主，软装以黑色咖色等作为局部点缀，在一个统一的色调里拉起整个空间的氛围与基调。

The whole house lays the tone with stucco,Iranian cave stone and European oak floor, with black and coffee as local ornaments to lay the atmosphere of the whole space.

《无题》，综合材料，小华（中国/德国柏林）

在设计的过程中设计师充分利用了采光的优势，让光线自由流动，成为每一间房间最好的配饰，为整体的设计赋予生命力。以书房和女儿房为例，将原始的露台结构进行封顶，通过抬高的设计让榻榻米融入到室内，贯通整个书房与女儿房，不仅增添了室内的采光和面积，榻榻米的互动性和功能性也让也增添了不少乐趣。

The interior designer makes full use of the advantages of daylighting, the light can flow freely, and become the best accessory in every room. Light is the symbol of vitality.

设计师认为，家是一种感觉，呈现的并不是落于某种风格的俗套，空间整体的感觉不能和居住者的气质背离，只要秉持这一原则，随着时间的推移，家不会和人的存在感分离，只会愈发有厚度。

The interior designer believes that home is a feeling, which is not in a conventional style.The overall sense of the space can’t deviate from nature of the owner.If this principle is adhered to,by and by,the home will become what we search for.

《无题》，苎麻，范钧力（中国·嘉兴）

一层平面图

二层平面图

三层平面图

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项目名称：艺墅家

Project Name：Yishujia

项目地点：中国嘉兴

Project Location：Jiaxing，China

项目面积：168㎡

Project Area：168 ㎡

室内团队：汀雅家居设计

Interior Design Team：tinya studio

施工团队：吉美装饰

Construction Team：Jimei Decoration

空间摄影：胡靖

Space Photography：Hu Jing