山本耀司设计理念探析

- 完美是醜陋的 -

- Perfection is ugly -

山本耀司：不自己付賬的女人，我罵她bitch

山本耀司：對混日子的年輕人，揮出重重壹拳

山本耀司：妳再有錢也成不了我心中的理想女人

山本耀司：社會浮躁，太多年輕女孩壹副娼妓面孔

山本耀司：......

Yohji Yamamoto: the woman who doesn't pay her own way, I call her bitch

Yohji

Y

amamoto: to the young people who are dawdling, you have to throw a punch

Yohji

Y

amamoto: no matter how rich you are, you can't be my ideal woman

Yohji

Y

amamoto: society is impetuous. Too many young girls are prostitutes

Yohji yamamoto:...

（山本耀司os:我TM也沒說過！）

人們給這個小老頭冠上了低調、奢華、有品位的標簽，各類人士的騷話屁話只要冠上“山本耀司”的名字感覺就像鍍了層金，可誰又去關心、了解過山本耀司真正的設計理念呢？壹個品牌設計师的作品從來都不是為了嘩眾取寵的，而是為了擁有共鳴和獨立個性的人能夠尋找到彼此。

People give the little old head on the low-key, luxury, tasteful label, all kinds of people as long as the title "

Yohji Yamamoto

" name feel like a layer of gold, but who went to care about, understand

Yohji Yamamoto

real design concept? The works of a brand designer are never for sensationalism, but for people with resonance and independent personality can find each other.

1999年春夏“婚禮”

婚紗在模特手中壹件壹件的剝落——把壹切繁復累贅都去掉，才能看清楚事物的本身，壹件衣服再華麗，它都不過是壹件衣服罷了。

Wedding dress in the hands of a model one of the peeling off - to cut all the heavy and burdensome take out, to see things themselves, a dress again gorgeous, it is just a dress.

“時裝要從背影做起，背面的姿態定下來之後再做前面."

"Fashion to start from the back, 

the back of the posture after settling down to do in front.”

“ 主流是無趣的，邊緣化使我感到振奮。”

"The mainstream is boring, and I'm heartened by the marginalization."

山本耀司服飾更加吸引人們眼球的是其非對稱的外觀造型以及對材料的的獨特運用，這正是深受日本文化的影響。

以黑色線條與打破常規為特點，寬松感突破了原有西方對美學的認定，不願被規矩所束縛，就是山本耀司自己的設計風格。

Yohji Yamamoto's clothes are more eye-catching for its asymmetric appearance and unique use of materials, which is deeply influenced by Japanese culture.Characterized by black lines and breaking conventions, the loose sense breaks through the original western identification of aesthetics, unwilling to be bound by rules, which is yamamoto yohji's own design style.

好的設計師必須應該是先鋒者，總是能夠領先時代壹步。他們應該而且必須質疑每壹個已經被認為是顯而易見了的事物。他們必須對人們正在改變著的態度有壹種直覺，為了他們生活所處的現實，他們的夢想，他們的欲望，他們的憂慮，他們的需求，他們的生活習慣。他們也必須能夠客觀地評估技術的機會與邊界。

Good designers must always be avant-gardists, always one step ahead of the times. They should–and must–question everything generally thought to be obvious. They must have an intuition for people’s changing attitudes. For the reality in which they live, for their dreams, their desires, their worries, their needs, their living habits. They must also be able to assess realistically the opportunities and bounds of technology.

P

S：

附上正宗的“山本耀司說”

-SPACE DESIGN

-INTERIOR DESIGN

-BRAND&VI DESIGN

-ART

河北省保定市蓮池區富民路5號

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