《对白》中的现代漆艺传播与传统工艺复兴

大漆-中国是古老的材质，国人使用大漆的历史亦可追溯到7000年前。

Chinese lacquer is a type of raw material which has been used in China in ancient times. 

T

he application history of Chinese lacquer can date back to as early as 7000 years ago by our ancestors. 

当今，也许因为太过古老，许多年轻人无法真正了解漆器是什么。甚至无法触摸到大漆制作的盛器、筷子、陈设品、艺术品...

作为90后，

Diane

很早就对漆器有所耳闻 ，山西孩子

从小都会受到古建、墓葬、古玩、大宅院的文化影响。对回收的大院家具、

古代的银饰、大户人家的竹编器、漆器，略懂一二。从美院毕业后，开始

从事漆艺行业，发觉普及、传播任务更是任重道远！因此，萌生了创作

一些具有“可读性”的漆艺品，而非一成不变的工艺品。这样，普通人也就有了很多兴趣和机会去接触漆器。

As a person who was born in the 1990s, Diane has heard of lacquer works from an early time, because most of people born in Shanxi Province are influenced by the culture of ancient buildings, tombs, antiques and big houses of ancient times, and they know something about the recycled furniture of the big houses, the silver ornaments of the ancient times, as well as the bamboo weaving works and lacquer works in the wealthy and influential families. After graduating from the academy of fine arts, she started to be occupied in the field of lacquer work art and found that the popularization and transmission of lacquer works remain to be a daunting task. As a result, she conceives the idea of creating some lacquer works which could be comprehended by the modern people. In this way, the ordinary people would have more interest in and more opportunity to get in touch with the lacquer works. 

Diane创作花絮

Interesting sidelights during Diana’s creation

作品《對白》很直观，一根飘带的状态。

从永乐宫的壁画中得到灵感，创作了这组形态。正如西方人喜欢创作衣服褶，东方人更钟爱“意”的表达，所以我希望这根带子，轻盈、婉转，最好能飘在墙上，为空间增加一份诗意气息。

The work Dialogue is a direct and vivid one, creating the state of one piece of flying ribbon. The work is inspired by the mural paintings in Yongle Temple and with that inspiration, the author created this set of forms. Just as the westerners like creating clothes with folds, people in the east prefer the expression of their thoughts in freehand works. Therefore, I hope this piece of ribbon would be able to fly on the surface of the wall with its light, graceful and mildly shape, adding certain degree of poetic breath to the space. 

作品《對白》作者.石丹彤 

Diane

上图：《對白》局部

上图：《對白》局部

上图：《朝元图》壁画局部

上图：《朝元图》局部白描

大漆工艺学习门槛很高 ，民间的体系更为完整。Diane正是在这样的环境中才能顺利完成这件品。

The threshold for learning craft of lacquer is very high and there is a relatively complete creating system among the people. And it is under such a condition that Diane manages to complete the work. 

大漆过敏--大漆是从树上采割的100%天然汁液，主要成分为“漆酚”，

是完全无毒的，但会致敏。很多人以讹传讹，说大漆有毒。与化工涂料相比，大漆是100%

不含甲醛、苯酚的。以下是

Diane

的一些症状。一个月后自愈了，这也是Diane

从事此行业

3

年后第一次的过敏。

Allergy to Chinese lacquer. Chinese lacquer is made from the 100% natural juices extracted from the trees and the main content is “urushiol” which is completely non-toxic though, but will cause allergic reactions. For this reason, many people say that Chinese lacquer is toxic as they incorrectly relay the erroneous information. Compared with chemical coating materials, Chinese lacquer contains no formaldehyde or phenol in it at all. It brings nothing but certain degree of humidity. The following symptoms are those suffered by Diane and they are cured after a month without any medical treatment. This is the first time that Diane has suffered from allergy since she has taken a career in this field for three years. 

漆农从树上采割下漆液，验漆师傅会用舌头辨别其质量。这种原始的方法是老一辈手艺人必备的技能。

The lacquer famers extract the lacquer liquid from the trees and then the lacquer examination works would distinguish the quality of the lacquer liquid with their mouth. This is a primitive method and a necessary skill which is mastered by the old generation of craftsmen. 

天然大漆的包容性非常广，是非常好的媒介材料。技艺角度，它可以做到极致

的润泽、完美无暇、细腻无痕。性能角度，天然大漆是化工涂料不可取代的，耐水、抑菌、防腐、耐高温。

使用得当，始终如新。

好的漆器可以陪伴一辈子。

The inclusiveness of the raw Chinese lacquer is really broad and it is the best media material. From the artistic perspective, it is able to realize ultimate lubrication and it is flawless, smooth and exquisite. From the perspective of performance, the natural Chinese lacquer is a type of medical coating material which could never be replaced. It is water-fast, anti-bacteria, antiseptic and heat-resistant. If it is used properly, the material would remain to be new for a life time. A good lacquer work can accompany you for a life time. 

下图：《剔犀云纹葵瓣形盘》上海博物馆藏

Diane的《对白》引起了很多外国人的关注，相比较中国传统漆工艺品和器皿，大家对于精神层面的感悟，引起更多共鸣和沟通。Dian

e希望新一代年轻人，愿意花更多时间去了解大漆工艺，让中国技艺，能一代一代的传承、传播下去。

Diane’s work Dialogue draws the attention of many foreign people. Compared with the traditional lacquer technique and lacquer containers in China, people are more concerned about the spiritual sentiment and this perception causes the sympathy of more people and brings more communication. Diane hopes that the new generation of young people would like to spend more time to gain the knowledge of the Chinese lacquer technique so that this Chinese technique will be passed down and transmitted from generation to generation. 

作者：石丹彤 Diane

UNNATURAL合夥人

漆艺职人

中央美术学院 产品设计硕士研究生

“横滨物语”中日韩三国艺术高峰会作为中方代表

雕云漆园品牌主理人，旨为年轻一代的生活轻奢用品

作品《对白》受邀参加《文化之美·漆心可见》山西永乐宫漆器大展

作品《漆苑》受邀参加韩国光州双年展

与著名漆艺家陈勤立合作作品《山水系列》，受邀参加武汉国际漆艺三年展。

U.N.I.D以國際化水準的艺术設計合夥人作為參與項目設計工作为前提，确保年輕化、專業化的團隊成員具备對於項目具有深度的思考以及完備的執行能力，達到設計作品較大程度的區于行業競品水平，樹立項目的差異化標桿。

U.N.I.D takes international-level art designer as partner, select young and professional personnel as team member to ensure in-depth thinking and good executive capacity, to make our design works competitive as much as possible and fine model of project differentiation.

THE END