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环形交集|曲线重塑
"Circularintersection /curvereshaping"
项目名称 | 环形交集,曲线重塑
项目类型 | 私宅
地理位置 | 中国 · 泉州
完成时间 | 2021 年
设计面积 | 2300㎡
设计主创| 宽北设计·JH.D
“每个空间都代表了一个独立的微观世界,即:世界是一个由无数独立、封闭的单元组成的自足的宇宙体。”
Each space represents an independent micro world, meaning: this world is a self-sufficient universe composed of countless independent and closed units. 一层 玄关
屏风
大厅过道
一层电视背景墙
一层沙发背景墙
一层休闲区
[现象美学]
Phenomenal Aesthetics
胡塞尔(Husserl)在《现象学美学》中写道:“我们终归有一种存在着的美的东西,一种单纯的想象物,一种图像,它恰恰是一个理想的对象,而不是一个实在的对象。”
In the "Phenomenology Aesthetics", written by Husserl, it says that:"we would finally have something that is with beauty, a simple imaginary object or an image. It is an exactly ideal object, rather than a real object."
一层洗漱区
“回溯”思想,直击事物本质——排除表象,方能透过现象学视角阐释美的存在。所获得的纯粹意识,恰如康定斯基的抽象画作一般:借色彩和形式内在深刻的表现性特点,表达绘画结构的核心语境;于脱离语义内容的尝试中变得纯洁。
The thought of "Retrospection" directly tells the nature of things-Only to exclude appearances, the existence of beauty can be described in the perspective of phenomenology. The pure consciousness obtained is just like Kandinsky’s abstract paintings: express the core context of painting structure through deep expressive characteristics of color and form; and become pure when trying to get off the semantic contents.
楼梯俯瞰图
二层餐厅
二层父母房
二楼父母房/卫生间
[体验|探索]
- Experience andExploration
设计渴望表达,却又不约而同地趋向非再现、抽象及内在的结构。以自我输出为核心制造局部性放射,促成空间相互渗透,形成交集。环形围合,暗示理念对客观环境的介入;不是目的,而是某种可见的承载。基于形式、状态,物化思想而牵引体验者的情绪产生共鸣。
Design is eager to express, but at the same time it coincidentally tends to the non-representation, abstraction and internal structure. Local radiation manufactured by taking self-output as core promotes mutual penetration of space to form intersection. The circular enclosure implies the intervention of ideas in the objective environment. It is not a purpose, but a kind of the carrying that can be seen. Based on form, status and materialized thought, direct the emotions of experiencers to have resonance.
三层主卧
主卧/衣帽间
主卧/卫生间
三层次卧
[蓄势|沉浸]
Prepare and Immersion
卡洛·斯卡帕(Carlo Scarpa)说“要剪切天空的湛蓝”,尤为推崇设计与突破。共鸣,渗透形式,得以存在——强化入口处非对称的环形结构,以之为中心自然向四周发散放射。以设计作取景框,蓄势裁切内外之景;界面、色彩、光、影、人、物的适切状态,弱化了与四周的连贯性,烘托空间场景的画面感,增强沉浸体验。
Entrance, is regarded as the "opening" of the building. Its setting endows space with spirituality by smart construction. Carlo Scarpa says" to cut the blue in sky", especially to push the setting and breakthrough of "opening". Resonance exists in the way of immersion-the asymmetric circular structure in the opening is emphasized, and naturally radiate to surrounding by taking itself as the center. Prepare to cut the internal and external scene by taking "opening" as the viewfinder frame; The proper shift status of interface, color, light, shadow, people and objects weaken the continuity with the surroundings, and stand the picture sense of space scene out to enhance immersion experience.
四层 办公/休闲空间
[自由|畅享]
- Freedom and Enjoyment
“自由”的概念,不局限于行为上的无拘,更关乎心理层面的不设防备。“畅享”则在实用基础上,更添便捷且功能适切的深层考量。浅素基调呼应自然材质,遵循适切尺度凝练构建,牵引氛围延展而赋予此间清晰、悠然的场域。材料固有的质感,因简约造型突显表面肌理,在暖调光源或阳光的作用下,自是一番平和、宁静。
The concept of "freedom" is not limited to the freedom of manners, but cares more about the psychological unpreparedness. On the basis of practicality, "enjoyment" takes deeper consideration on the convenience and function shifts.
The light tone echoes the natural materials, following the proper shift to condense construction. And it directs atmosphere expansion and endows the clear and easy field. The inherent texture of material highlights surface texture because of simple pattern. It is surely peace and quiet under the warm lights or sunlight.
影音室
Spa 区域
酒窖室
[小世界 IV]
IVin Small World
“艺术的意图,要通过线条和色彩、空间和运动来体现,而不是参照可见自然的任何东西。”
“世界”表意丰富——以环曲,提炼构成;由空间,架筑未来。审视空间本质,引入表现主义手法作意象诠释。“互渗+组块”架构,摒除常规建筑空间态的干扰;拆解、打散的“剥离”过程,经“环形交集”的概念重组而贯穿着对“小世界组构”的隐喻。
The purpose of art should be reflected through lines, colors, space and movement, rather than referred to any nature things that can be seen.
"World" is with rich meanings - composed by circulation and refinement, constructed by space and structure for future. DOT SKIN is generated in the small world to review the space essence, and explain the image by adopting expressionist technique. The structure "Mutual infiltration + block" abandons the disturbance of routine constructive space. The process of "separation" as disassembly and disintegration runs through the metaphor of "small world organization" by the reconstruction concept of "circular intersection".
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