远大·中央公园丨中国成都丨原色原宿设计

项目名称 | 远大·中央公园

项目地址 | 四川 · 成都

项目面积 | 150㎡

项目类型 | 私宅设计

硬装设计 | 原色原宿设计

软装设计 | 原色原宿设计

设计序言

│DESIGN THE PREFACE

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Ritual Sense 是一种精神概念，居住空间作为人们活动最为频繁的空间，各功能都包含着对生活的美好憧憬，在其间寻求生活和情感上的放松和享受。

本案以居住空间中人的心理需求为出发点，用室内的不同媒介，从居住空间的空间布局、色彩、材质、铺装陈设布置等方面，营构空间仪式感，让人

The tone of the living room of the modern house grasps the style of the whole living room, coordinates the overall visual beauty, and the ritual sense of the living space starts from creating a space form full of layers and changes. The artistic appeal of the structure is used to express the sense of time, security and precision of the space. In terms of space division, partitions, partitions, furniture, furnishings and paving can be used to partition the space in a fixed space to better grasp the environment and build a sense of dominance and belonging to the space. In the form of space, it makes a space with dynamic changes and private changes.

净土/现代住宅客厅的基调把握着整个居室的风格，协调整体视觉美感。居住空间的仪式感从营造充满层次多变的空间形式入手，运用结构的艺术感染力，表现空间的时代感、安全感、精确感。空间划分上，在固定空间内使用家具、陈设、铺装等对空间进行分区，建构对空间的支配感和归属感。空间形式上，做了具有动静变化和私密变化的空间。

色彩具有各种“表情”，空间内的色彩变化影响人的视觉、知觉等感官体验，利用色彩的情感效果，通过地面、墙面、顶部色彩统一定用米白色调，于温和视感中积淀知性存在。家具陈设在共生同一基调的同时，用对冲的暗色点缀空间个性，灯光在局部静静为空间构形，点睛不同空间的感受，在视觉上共同增强了空间的仪式感。

2

FLOOR

Color has a variety of "expressions". Color changes in the space affect people’s vision, perception, and other sensory experiences. Using the emotional effect of color through the ground, wall, and top color unified beige tone, in the mild visual sense of the accumulation of intellectual existence. Furniture furnishings in the symbiotic tone, at the same time, with the offset of dark colors embellish the personality of the space, the light in the local quiet space structure. Focusing on the feeling of different Spaces visually enhances the sense of ceremony of the space.

圣地/“Enter some sort of ritual architectural spac.”

不同材料具有不同的结构特征和感受路径，利用材料的质感可以调整空间比例，改善界面的物理性能。用木材、棉麻、纺织品、砖石等材料，不同质地的材料搭配组合，能在明暗、虚实、软硬、粗细肌理的对比中，给人以更大的感染力。餐厅餐椅的构形与窗户的百叶添加空间柔性线条，与地面、岛台的砖石冷硬感对照缓和，空间由此有了云生般的洁净秩序。

Different materials have different structural characteristics and feel the path. The use of material texture can adjust the space proportion and improve the physical properties of the interface. With wood, cotton and linen, textiles, masonry and other materials, different textures of material combination can be in the contrast of light and dark, weak and solid, soft and hard, coarse and fine texture, giving people with greater appeal.

2FLOOR

Display/空间中各种器物的布置关系空间范围与环境打造，在空间的不同界面进行纹理加工、体块组合、装饰图案能加深人与空间的相互关系。书房大面积的装饰挂画暗示空间内的思想跃动，书架的面与线的纵横显示条理秩序，呈现灵感无序与思维有序的张力美感。

The arrangement of various objects in the space is related to the space scope and environment. Texture processing, block combination, and decorative patterns in different interfaces of the space can deepen the mutual relationship between people and space. The large area of decorative hanging pictures in the study suggests the thought movement in the space, and the vertical and horizontal lines of the shelves show the order and order, presenting the tension beauty of inspiration disorder and orderly thinking.

3

BEEDROOM

Harmony

卧室整体界面的材质，与其他空间整体相协调统一，以宁静、稳重的材质为主。大面积玻璃和透明材质的椅凳、挑空的隔断，对空间的界面进行了虚化处理，减小体量感同时增加建筑的秩序感和节奏感。自然光在黑暗的衬托下凸显出它的明亮，衣帽间利用自然光的“影”，透过隔断界面塑造光的形状，营造交错、具象的空间光影，配合柜内灯光与玻璃，烘托空间仪式感。

The material of the overall interface of the bedroom is coordinated and unified with the whole of other Spaces, and is mainly composed of quiet and stable materials. The large area of glass and transparent material chairs and benches, and the empty partition make the interface of the space empty, reducing the sense of volume and increasing the sense of order and rhythm of the building. Natural light highlights its brightness under the background of darkness. The cloakroom uses the "shadow" of natural light to shape the shape of light through the partition interface, creating a stagging and concrete space light and shadow, matching with the lighting and glass in the cabinet, highlighting the sense of space ceremony.

YUAN·S·E

斯蒂芬·霍尔:“建筑与其遵从技术或风格的统一，不如让它向场所的非理性开放。它应该抵制标准化的同一性倾向…新的建筑必须这样构成成它既与跨文化的连续性适配，同时也与个人环境和社区的诗意表现适配。

平面布局｜Ichnography

动线图｜DynamicDiagram

收纳分析 Storage Analysis

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