2018 悉尼双年展艺术家群像 | 多元化艺术盛宴

Eija-Liisa Ahtila,Studies on the Ecology of Drama, 2014Four-channel projected installation, 25:40 mins Copyright © Crystal Eye – Kristallisilmä Oy, Helsinki Courtesy the artist and Marian Goodman Gallery, New York, Paris and LondonPhotograph: Copyright © Marja-Leena HukkanenSosa Joseph,Over There, 2016Oil on canvas178 x 244.7 cmCourtesy the artist and Galerie Mirchandani + Steinruecke, MumbaiAkira Takayama,Happy Island: The Messianic Banquet of the Righteous on the last day,2015Video installation, seven monitorsInstallation view (2014) of ‘Demarcation: Akira Takayama & Meiro Koizumi’ at Ginza Maison Hermès Le Forum, TokyoCourtesy the artist and Misa Shin Gallery, Tokyo Collection of Kadist Art Foundation, Paris Photograph: Akira TakayamaAi Weiwei,Forever Bicycles,20111200 bicycles26.28 x 9.57 mInstallation view (2011) at Taipei Fine Arts Museum Courtesy the artistPhotograph: Ai Weiwei StudioGeorge Tjungurrayi,Untitled, 2008Acrylic on linen244 x 183 cmCourtesy the artist; Utopia Art Sydney; and Papunya Tula Artists, Alice SpringsPhotograph: Felicity BradingCiara Phillips,Every Woman a Signal Tower [Laura], 2015 screenprint on linen119 x 84 cmCourtesy the artistPhotograph: Alan DimmickChia-Wei Hsu,Ruins of the Intelligence Bureau, 2015 (video still) video installation13:30 minsCourtesy the artist and Liang Gallery, Taipei Produced by Le FresnoyN.S. Harsha, Installation view (2017) of‘N.S. Harsha: Charming Journey’at Mori Art Museum, TokyoCourtesy the artist and Victoria Miro Gallery, London Photograph: Shiigi ShizuneBrook Andrew,Guardians of the galaxy: the motherhood number, 2016 linen, acrylic, ink, foil250 x 300 x 5 cmCourtesy the artist; Tolarno Galleries,Melbourne; Roslyn Oxley9 Gallery, Sydney; and Galerie Nathalie Obadia, Paris and BrusselsSamson Young,We Are The World As Performed by the Federation of Trade Union Choir,2017Video5: 27 minsCourtesy the artist; Edouard Malingue Gallery, Hong Kong; Galerie Gisela Capitain, Cologne; and Team Gallery, New YorkCommissioned by M+, Hong Kong, 2017 Photograph: Simon VogelGeng Xue,The Poetry of Michelangelo, 2015 (video still)Video, black-and-white19 minsCourtesy the artist. White Rabbit Contemporary Chinese Art Collection, SydneyKoji Ryui,A-Un #3, 2016White Hydrocal gypsum cement, paper clay, organic red clay, seashell20.5 x 46 x 9 cmCourtesy the artist and Sarah Cottier Gallery, Sydney. Collection of Clinton BradleyPhotograph: Ashley Barber and Sarah Cottier GalleryOliver Beer,Making Tristan (for Watermill), 2015Live sound installation based on the harmonics of antiques from the collection of Robert Wilson, New York, resounding at Wagner’s Tristan ChordInstallation view (2015) at The Watermill Center, New YorkCourtesy the artist and Galerie Thaddaeus Ropac, LondonPhotograph: Oliver BeerAnya Gallaccio,Beautiful Minds,2015–17Aluminium, clay, pump, computer, software500 x 500 x 500 cmCourtesy the artist; Thomas Dane Gallery, London; and Blum & Poe, Los AngelesPhotograph: Luke WalkerJulian Abraham‘Togar’,Earth’s Spirits, 2015Distilled fermented earth, bottles 120 x 60 x 90 cmCourtesy the artistPhotograph: Julian Abraham ‘Togar’Tawatchai Puntusawasdi,Installation view (2016) at Silapakorn University Art Gallery, BangkokCourtesy the artist. Collection of Eric Booth Photograph: Tawatchai PuntusawasdiMit Jai Inn,Junta Monochrome #1, 2016Oil on canvas800 x 800 x 50 cmCourtesy the artist; Gallery Ver, Bangkok; and Cartel Artspace, BangkokPhotograph: Jirat RatthawongjirakulMaria Taniguchi, Installation view (2017) of‘Maria Taniguchi’ at Taka Ishii Gallery, TokyoCourtesy the artist and Taka Ishii Gallery, Tokyo Photograph: Kenji TakahashiWong Hoy Cheong,UnCover: Manhole at the Residence of the President of the Russian Federation, 2015Digital prints and wax rubbings on rice paperThree images, 75 x 85 cm eachCourtesy the artistPhotograph: Wong Hoy CheongKate Newby,The January February March, 2015Porcelain stoneware, earthenwareDimensions, variableInstallation view (2015) at Hobart and Margaretville, New YorkCourtesy the artist and Michael Lett Gallery, AucklandPrabhavathi Meppayil,dp/sixteen/part one, 2015–16Copper wire embedded in 16 gesso cubes107 cm x 107 cm x 54 cm (each)Installation view (2016) at the Dhaka Art Summit Courtesy the artist and Pace Gallery, London Copyright © Prabhavathi Meppayil Commissioned and produced by the Samdani Art Foundation for the Dhaka Art Summit, 2016 Photograph: Jenni CarterNguyen Trinh Thi,Letters from Panduranga, 2015 (production still)Courtesy of the artistHaegue Yang, Installation view (2015) of‘Shooting the Elephant 象 Thinking the Elephant’at Leeum, Samsung Museum of Art, SeoulCourtesy the artistPhotograph: Copyright  Leeum, Samsung Museum of ArtNoguchi Rika,Catching Water #5, 2001Digital chromogenic print96 x 240 cmCourtesy the artist and Taka Ishii Gallery, TokyoSamson Young,Canon, 2016Drawing (charcoal, ink, pastel, pencil, stamp and watercolor on paper), sound performance (for one performer with audio interface, laptop. Long Range Acoustic Device (LRAD), microphone), installation (3D printed water basin, custom-designed bench, sound track, stamped text on wall, wired fencing)drawing 38 x 28 cm; installation and performance dimensions variableInstallation view (2016) of ‘A dark theme keeps me here, I’ll make a broken music’ at Kunsthalle Düsseldorf Courtesy the artist; Edouard Malingue Gallery, Hong Kong; Galerie Gisela Capitain, Cologne; and Team Gallery, New YorkPhotograph: Simon VogelSvay Sareth,Prendre les Mesures, 2015 (video still)Performance, single-channel HD video, colour, sound Courtesy the artist and SA SA BASSAC, Phnom PenhTanya Goel, Fresco, 2015Oil pencil on plaster layered on marble, cement and stone 13.5 x 18.7 cm; 13 x 13 cm; 10 x 17.5 cmCourtesy the artist and Galerie Mirchandani + Steinruecke, MumbaiPhotograph: Anil RaneLaurent Grasso,79, Pompeii Eruption,Bearded head from an hermaic pillar representing Bacchus, Roman art 1st - 2nd century, 2014Walnut wood cabinet, oil on wood, white marble, neon45 x 110 x 30 cmCourtesy the artist and Galerie Perrotin, ParisCopyright © Laurent Grasso / ADAGP, Paris 2017 Photograph: Pierre AntoineSemiconductor,Earthworks, 2016Five-channel computer generated animation with four- channel surround sound, 11:20 minsInstallation view (2016) at SónarPLANTA, Barcelona Courtesy the artistCommissioned by SónarPLANTAProduced by Advanced MusicPhotograph: SemiconductorTomie Ohtake,Untitled, 1966Oil on canvas136 x 130 cmCourtesy the artist and Galeria Nara Roesler, São Paulo, Rio de Janeiro and New York. Collection of Fernanda Feitosa and Heitor MartinsCopyright © Tomie Ohtake Photograph: Galeria Nara RoeslerYasmin Smith,Contours of our heart, 2016Glazed earthenware, onsite process work, multi-part work dimensions variableInstallation view (2016) for ‘Sculpture at Barangaroo’ at Barangaroo Reserve, SydneyCourtesy the artist and The Commercial Gallery, Sydney Photograph: Elle FredericksenChen Shaoxiong,The Views, 2016Four-channel video installationCourtesy Pékin Fine Arts, Beijing and the Chen Shaoxiong EstateNicole Wong,Until I Get It Right, 2014–16 (detail)Ink on paper95 x 251.5 cmCourtesy the artist and Rossi & Rossi, LondonNicole Wong,Waiting Game, 2015Ink on paper, twenty-sided die108.5 x 77 cmCourtesy the artist and Rossi & Rossi, LondonChia-Wei Hsu,Ruins of the Intelligence Bureau, 2015 (video still) video installation13:30 minsCourtesy the artist and Liang Gallery, Taipei Produced by Le FresnoyYukinori Yanagi,Icarus Cell,2016Steel, mirror, sandblasted glass, video, sound approximately 16.50 m x 11.73 mCourtesy the artistPhotograph: Tatsuhiko NakagawaSu-Mei Tse,Gewisse Rahmenbedingungen 3 (A Certain Frame Work 3), 2017 (video still)Video installation, three rear projections (4:27 mins, looped; 3:50 mins, looped; 3 mins, looped)Courtesy the artist; Ad Gallery, Athens; and Edouard Malingue Gallery, Hong KongPhotograph: Jean-Lou MajerusYukinori Yanagi,Absolute Dud, 2016Iron75 cm (diameter) × 312 cm (length) Courtesy the artistPhotograph: Tatsuhiko NakagawaJun Yang,Things we have in common,2010Lanterns, beer tables and benchesInstallation view (2010) at St. Reinold’s Church, Dortmund for the European Cultural Capital RuhrCourtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and SugoArts, Tokyo Photograph: Jun Yang