墨西哥图卢姆金字塔度假屋丨SIJIL

Casa Caracol是SIJIL在图卢姆城堡金字塔复制品中的一个干预项目。设计的目的是把这个地方变成一个度假的生活空间。用一份有力的礼物来建立怀旧之情。主体量的平面由9个隔间组成，就像猫X和O的游戏一样。这是一个完美的对称，释放了所有的内部空间，实现了一个开放的平面，唯一的分隔墙是那些组成卧室的墙。休息位于上角。

Casa Caracol It is an intervention project by SIJIL in a replica pyramid of the Tulum castle. The intention was to convert this place into a living space for vacations. Build nostalgia with a forceful present. The plan of the main volume consists of a board of 9 bays arranged like a game of cat X and O. It is a perfect symmetry that frees up all the interior space, achieving an open plan, where the only dividing walls are those that make up the bedrooms. rests located in the upper corners.

主入口朝向西北，迎接你的是一个雕刻的木制美洲虎，由一个明显的混凝土圆形窗户自然照明，你可以躺下阅读或休息。后面是一个房间，灵感来自一条蛇，它的眼睛看着两边，照顾着坐在里面的人，也照顾着第一次进入房间的人。这些台阶代表了他的语言，都是简单的几何构图。最后是艺术家里Rigoberto Orozco的一幅大幅材料作品，灵感来自Sian Ka'an的Heaven；中心种植着同一位艺术家的混凝土雕塑，粗糙而真诚。

The main entrance is oriented to the Northwest, you are welcomed by a carved wooden jaguar illuminated naturally by a circular window of apparent concrete where you can lie down and read or just rest. Behind is the Room inspired by a snake now feathered in stone and coiled, its eyes look to both sides caring for whoever is sitting in it but also for whoever enters the premises for the first time.The steps represent his language, all in a simple geometric composition. Topped off with a large-format, material work by the artist Rigoberto Orozco inspired by Sian Ka'an's Heaven; In the center a concrete Sculpture, rough and sincere, by the same artist is planted.

在私人卧室和桌子之间有一个通高的空间，一个坐着的男人举起双手表示感谢，一个容器对Luciano Matus的雕塑装置产生张力，这是一个青铜金属手，可以这样称呼它，有一个美丽的铜绿，由三个金属轨道保护，由一根钢索依次悬挂，固定在楼上的第三个孔上；为了纪念悬挂Pinata的姿态。一个微妙的手势，就像艺术家的作品一样，他用一条线把金字塔的形状颠倒过来。这个空间连接了私人和公共空间。

Between the private bedrooms and the table there is a double-height space where a seated man raises his hands in gratitude, with a container that generates tension towards the installation of the sculpture by Luciano Matus, a bronze metate hand, by so to call it, with a beautiful patina that is guarded by three metal orbits, suspended in turn by a steel cable anchored to a third oculus on the upper floor; in memory of the gesture of hanging a pinata. A subtle gesture like the work of the artist, who manages to invert the shape of the pyramid with a line. This space being the connection between the private and the public.