Canodròm 创意研究园，巴塞罗那 / Dear Design Studio

巴塞罗那新的创意研究园位于 Canòdrom 地区，这是一座标志性的理性主义建筑。该建筑 1961 年由加泰罗尼亚建筑师 Antoni Bonet I Castellana 主持设计，曾经是一个赛狗场，故建筑外侧还保留着观赛用的看台。

The new Creative Research Park of Barcelona is located in the Canòdrom, an emblematic rationalist building designed by the Catalan architect Antoni Bonet i Castellana in 1961, that used to work as a greyhound track, thus the podium is remained on the facade.

▼ 巴塞罗那创意园由赛狗场馆改建而来，the Creative Research Park is renovated from a former greyhound track

▼ 主入口上方保留的观赛台，the podium is hanging over the main entrance

▼ 入口处的 Logo，Logo at the entrance

▼ 主入口，main entrance

在 2016 年的翻新工程中，Dear Design Studio 赢得了建筑室内设计的竞标，并为创意研究园规划了标志和视觉设计，使整个项目的更具整体性。项目中最大的挑战是将前赛狗场的设施调整为灵活动态的空间以适应文化创新产业的需求。同时 Dear Design 事务所试图在场地中融入技术干预手段展示整个场地的变迁过程以刺激邻里空间的积极性。

After the building refurbishment in 2016, Dear Design Studio won the competition for the building’s interior design, and also proposed the corporate identity and signage design, to give the project greater coherence. The challenge was to adapt the facilities of the former greyhound stadium to its new function as a flexible and dynamic space for startups and technology companies in the creative and cultural industries. At the same time, Dear Design proposed to stimulate the neighbourhood by including technological interventions that reflect the processes developed in the building.

▼ 入口大厅中的楼梯，staircase in the entry hall

▼ 钢筋混凝土结构的建筑，the preexisting steel structure and concrete stairs

▼ 灯饰柔软的纺织材料在空间中产生对比感，the soft fabric creates visual expression in the space

▼ 底层的会议室，meeting rooms on the ground floor

Dear Design 还在项目中加入了视觉识别系统，用速度、运动、进度和技术的概念定义了内部空间。视觉上不同宽度的垂线，被不等距的留白分隔，以象征场地原有的功能。

Dear Design also intervened in the visual identity of the project, which features concepts of speed, movement, progress and technology, which graphically results in the irregular decomposition of the typography into vertical lines of different thicknesses and separated by diverse distances.

▼ 会议厅采用了赛狗场的元素作为装饰，auditorium’s interior used the element of former greyhound stadium

▼ 视觉识别系统象征着场地原有的功能，the visual identity symbolizes the previous function of the site

室内设计旨在提升不同空间的灵活性和活力，保留建筑历史的痕迹。用谨慎的干预的手法表示对 Bonet 小型建筑的尊重。Dear Design 的设计响应了办公空间对“中心”的需求，提升了空间的灵活性和适应性，以鼓励员工之间的互动，提升当前工作方式的效率。

The interior design project seeks to develop the flexibility and dynamism of the different spaces, preserving traces of the building’s history. The central idea is to respect and honour Bonet ́s minimal architecture and through a discreet and careful intervention. Dear Design responds to the need of a “hub” office that encourages interaction among its users and promotes the current ways of working: flexibility and adaptation of the spaces that allow the mobility of the user.

▼ 办公空间分为看台层和地下层两个部分，working space is divided into two parts: podium level and the lower ground level

▼ 地下层的办公空间，the working space on the underground level

▼ 半地下办公空间里的夹层，the full height space visually connects the mezzanine of underground level

▼ 夹层上的办公区，the space on the mezzanine

设计师使用温馨的木材和 wwcb 声学材料与场地中原有的钢筋混凝土结构产生鲜明对比，创造出舒适宜人的空间。

Warm materials like wood and wwcb acoustic panels were used to contrast with the preexisting steel structure and concrete floors and to create comfortable and pleasant space.

▼ 通过楼梯进入看台层的办公区，the stair leads to the working area on the podium level

▼ 办公室整体的环境，the entrie enrivonment of the upper level space

▼ 建筑物西边尽头的办公区，the office located on the building’s westwing

设计中使用的家具非常有代表性。由 Dear Design 设计的灯饰结合了 Antoni Bonet 为场地设计的 BKF 的椅子。原有建筑物的芥末黄色和浅蓝色被运用在了台灯的设计中。同样由 Dear Design 设计的金属结构桌子也体现了场地原有的理性风格。建筑外立面的垂直遮阳板保证了环境内部稳定的光照条件。

The furniture used in the intervention is a clear nod to the architect Bonet. The suspension and foot lamps, designed by Dear Design, combine two original structures of the BKF chair, an original design of Antoni Bonet, with a flexible fabric skin. The pre-existing colours of the original building, yellow mustard and light blue, are recovered in the table lamps, designed by Dear Design, in the metallic structures of the tables, as well as in the vinyls of the facade that protect the offices from the sun.

▼ 与场地结合的家具，the furniture is coherent with the interior

▼ 家居设计融入了场地原有的风格，the furniture’s style is merged with the pre-existing colours and forms

▼ 建筑东侧的休息区，cafeteria on the eastwing

▼ 建筑师 Antoni Bonet 设计的 BFK 椅子，the chair designed by Antoni Bonet is mix-used in the environment

▼ 夜景，night’s view

▼ 平面，Plan

▼ 立面，Evelation