自然美感,无界与共生丨西班牙丨DG Estudio

DG - Estudio

我们生活在城市历史上的某个时刻。他们和住在里面的人一样成长和改变，以一种不断的运动迫使你和他们一起改变。这个故事的主角是一对夫妇和一只顽皮的小狗组成的一个家庭，他们认为现在是时候改变美国中世纪精心设计的理性主义，转向地中海文化的重写。

We live in the cities at a certain point in their history. They grow and change as the people that live inside, in a constant motion that forces you to change with them. The protagonists of this story, a family formed by a couple and a playful puppy, decided that it was the right time to change the calculated rationalism of the American Mid-Century for the Mediterranean cultural palimpsest.

找到一个好的起点至关重要。完美的总是在购买之前，所以没有隐藏的功能可以限制结果。在做了充分的简报和详细的需求研究之后，就开始寻找了。在被选中的房子出现之前，他们参观了几处房产，这是历史区内的一个“罕见的avis”。

Finding a good starting point was crucial. The perfect one is always before the purchase, so no hidden features can conditionate the result. After a good briefing and a detailed study of needs, came the search. Several properties were visited before the chosen one appeared, a rara avis inside the Historical District.

靠近图里亚河的公园，一座19世纪的高贵建筑矗立在一个特殊的角落里，有两个主要的立面和一个长满树木的内部庭院。它最初的分布，混乱和扭曲，适应了独特的位置，从周围环境中得到滋养，并占据了自己的位置。

Close to the River Turias park, a noble building from the XIX century stands on a particular corner with two main façades and an interior patio full of trees. Its original distribution, chaotical and twisted, adapts itself to the singular location, getting nourished from the surroundings and claiming its place.

有趣的是，在同一时期，小兰德尔、莫里斯、卢瑟福和德维特等专员在设计曼哈顿地块时，往往会避免使用这种奇异而不稳定的空间。网格确保了所有建筑的光线和空气条件相同，完全合理，但没有即兴发挥的空间。

It is funny to think that these kinds of singular and erratic spaces were the ones that, at the same period, the Commissioners Randel jr, Morris, Rutherfurd, and De Witt tended to avoid for the designing of Manhattans Plot. The grid ensured the same light and air conditions for all the buildings, perfectly rational, but with no room for improvisation.

该项目旨在连接所有这些元素，不仅使空间在视觉上相连，而且在空间周围创造动力。两个主要的体量将其组织起来，欢迎游客，引导视线，并允许坚硬和坚硬的城市存在渗透到有机绿色的内部自然。它们与先前存在的建筑有一定的距离，让原始结构暴露出来。

This project aims to connect all these elements, making not only that the spaces are visually connected, but creating momentum around the space.Two main volumes organize it, welcoming the visitor, pointing the sight, and allowing the hard and stony city presence to penetrate towards the organic greeny inner nature. They relate with some distance to the preexisting construction, letting the original structures to be exposed.

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