Ballarat 住宅丨澳大利亚丨Kennedy Nolan

Kennedy Nolan的Ballarat住宅是一座与周边环境相协调的住宅，其独特的优势和挑战推动了设计的发展。在向不断变化的水和天空开放的同时，建筑像一张保护毯一样吸引着地面，依偎在景观护堤中，保护内部空间不受外部街道的影响。

From a design driven by the push and pull between the unique strengths and challenges of its lakeside site, Kennedy Nolan’s Ballarat House emerges as a home finely attuned to its context. While opening itself up to the ever-changing views of water and sky, the building draws the earth close like a protective blanket, nestled into a landscaped berm that shelters the spaces within from the street outside.

Kennedy Nolan的Ballarat House与它的背景完美融合。房子的前部被抬高了半层，花园用护堤围起来，通向一个小露台。花园的护堤上密密麻麻地种植着高装饰性的草，这些草通过摇摆和颤动来反映外部空气的运动。这种半层的立面，加上高高的草地，确保了从室内一直到房子的长度都能看到湖的景色，然而路过的汽车和人都被编辑在视线之外——反过来，这种安排也从街道上为室内提供了隐私。与此同时，在北面，一系列的天窗让冬天的阳光可以深入到家里，有遮阳和机动开放系统，在夏天保持家里凉爽和自然通风。

Kennedy Nolan’s Ballarat House emerges as a home finely attuned to its context.The front of the house is elevated a half-level with the garden bermed up to a small terrace. The garden berm is densely planted with high decorative grasses which sway and quiver to reflect the outside movement of air. This half-level elevation, coupled with the high grasses, ensures that the lake view is ever-present from the interior down the length of the house, yet the passing cars and people are edited from sight – an arrangement which in reverse also provides privacy to the interior from the street.Meanwhile, to the north, a series of clerestory windows admit winter sun deep into the home, with shading and a motorised opening system keeping the home cool and naturally ventilated in summer.

移动到室内，当视野朝向场地的前方时，房屋在其纵深上展开，利用可用的区域，围绕被动和主动的占用模式创建一个考虑周到的空间分区。Kennedy Nolan想把房子的不同部分分开，作为居住在整个场地的一种方式，同时也强调家庭住宅的隐私等级。房子的更深处是私人家庭区域，基本上与主要生活区域隔离开来。通过住宅前部亲密的庭院和后部卧室柔软的私人门槛，探索长走廊的戏剧性，进一步提升了各自区域的体验。由于住宅的凸起部分，水平的变化创造了一种更深层次的过渡感，同时也表达了住宅对场地比例和地形的反应方式。

Moving inside, while the view is to the front of the site, the house is spread across its depth, taking advantage of the area available to create a considered zoning of spaces around passive and active modes of occupation. Kennedy Nolan wanted to pull the various parts of the house apart as a means of inhabiting the whole site but also to emphasise the gradations of privacy in a family home.Further into the house is the private family zone which is essentially sequestered from the main living areas.The drama of long hallways is explored through the dynamic of an intimate courtyard in the front part of the house and a soft, private threshold to the bedrooms at the rear, further heightening the experience of the respective zones. And the changes in level, owing to the raised-upfront section of the home, create a deeper sense of transition while also expressing the way the house responds to the proportion of the site and affects its topography.

Interiors:KennedyNolan

Photos:DerekSwalwell

Words:RoseOnans