2018年广州国际家具博览会欧典家具展

空间内的地板设计在地毯上，反其道而行，无意义的设计，因为设计没有规则。设计边缘人“玩”设计，只站在设计师的个人角度，暂时不考虑市场，不听任甲方，做一些自己觉得有意思的事情。

The floor in the space is designed on the carpet, the opposite way, meaningless design, because the design has no rules. Design edge people "play" design, only stand in the designer's personal point of view, temporarily do not consider the market, do not listen to Party A, do some of their own interesting things.

这是一个充满几何体的空间，不同材质的，不同颜色的，没有游戏规则，不需要去深解，因为懂与不懂只停留在知识层面，它并不影响你思想、感受的延伸，设计师的感受大约是来自素描时期。

This is a space full of geometry, different materials, different colors, no rules of the game, no need to understand, because understanding and not understanding only stays at the level of knowledge, it does not affect the extension of your thoughts and feelings, designers' feelings about the sketch period.

我们的展厅有很长的通道，他甚至比展厅本身还要长，走过这么长的通道时，你在想什么？有没有下意识的去数台阶的数量？通道也很狭窄，他的宽度只有1.1M，可能只容许两个人擦肩而过，他随时会打破人跟人之间的心理距离，他很逼仄，有不舒服的状态，楼梯的尽头还有很多七零八落的楼梯。

The gallery has a long passage, even longer than the gallery itself. What do you think when you walk through such a long passage? Do you consciously count the number of steps? The passage is very narrow, with a width of only 1.1m, which may only allow two people to pass by, breaking the psychological distance between people at any time.

设计中的线条与轮廓遵循物体形态,并通过区分这些形态的 “线条”来创造新的设计，通过可视化这些线条，使观众可以认识到某种形式的存在，用单一的形状进行排列，形成视觉冲击。

The lines and contours in the design follow the form of objects, and create new designs by distinguishing the "lines" of these forms. By visualizing these lines, the audience can recognize the existence of certain forms and arrange them with a single shape to form a visual impact.

最后的晚餐新形式，黑色无表情木质人偶，耶稣跟12个门徒坐在一起，共进最后一次晚餐，他忧郁地对12个门徒说：“你们中有一个人要出卖了我！”12个门徒闻言后，或震惊、或愤怒、或激动、或紧张。

In the new form of the Last Supper, the black deadpan wooden figure, Jesus sat with 12 disciples for the last supper, and he said to the 12 disciples sadly: "One of you is going to betray me!" The 12 disciples were either shocked, angry, excited or nervous.

光的设计，将灯光由狭小的空间内收拢下来，模拟天光，形成侧影，灰色空间即刻增加更多不同层次的灰度。

Light design, the light is gathered down from the narrow space, simulating the sky light, forming the silhouette, the gray space instantly increases more gray levels.

管仲《管子·君臣下》：“墙有耳，伏寇在侧。墙有耳者，微谋外泄之谓也”

Guanzhong

Interiors:李思意

Words:李思意