查看完整案例

收藏

下载
住宅坐落在最近的森林大火留下的高大红杉之间,位于Veeder山的一侧,因处于山坡位置,俯瞰扬Yountville和 Stags Leap。前哨传统上是一个位于国家边缘或已知腹地的小营地。Ridgie 和Buttons 曾把这处房产用作隐居之所,在这里他们可以接近他们所爱的东西、家人和朋友,同时与他们在南加州的生活保持联系。
Situated amongst tall redwoods scarred from recent forest fires, perched on the side of Mount Veeder, the dwelling is nestled into the hillside overlooking Yountville and Stags Leap. The outpost is traditionally a small camp positioned at the edge of the country or known parts of the hinterland. This property was used by Ridgie and Buttons as a retreat where they could be close to the things they love, family and friends while maintaining a connection to their roots in southern California.
该项目由一个带有抛物线屋顶的两层立方体和一个偏离中心的入口庭院组成,这反映了他们生活的大部分时间,也反映了火灾是如何烧毁他们的财产的。Atelier Jorgensen的客户选择了深褐色作为外部波纹钢覆层,温暖和轻的俄罗斯桦木航海胶合板作为内部。不加思索的是,他们的选择模仿了环绕在他们房子周围的沿海红杉。
The project consists of a two-story cube with a parabolic roof and an off-center entry courtyard that is reflective of the house they spent most of their life in and is a representation of how the fire burned their property. Atelier Jorgensen's clients chose a deep umber for the exterior corrugated steel cladding and a very warm and light Russian Birch nautical plywood for the interior. Without thought, their choices emulated the stoic coastal redwoods that surrounded their house – charred exterior and soft warm, and light interior.
沿着陡峭蜿蜒的车道,立面的几何形状被设计成引导视线到前门和远处的景色的形式。房子的正面只有五个小开口,被澳大利亚蕨类植物和日本珊瑚枫树所覆盖。建筑的坚硬边缘与海岸红杉垂直的纹理相一致,在其底部和周围还有小草地。
Coming up a steep and winding driveway, the geometry of the facade is designed to guide the eye to the front door and view beyond. There are only five small openings on the front of the house which are shrouded by Australian Tree Ferns and Japanese Coral Maples. The hard edges of the architecture are meant to be in unison with the vertical grain of the Coastal Redwoods, with small meadows beneath and surrounding its base.
当人们步入庭院时,一个v形的遮阳篷在30英尺的上方,指向非常私密的庭院,它向上方的天空开放。进门的玻璃门上方放着一个薄钢遮阳篷,当你进入房子时,你马上可以看到的是一面玻璃墙,它似乎一直延伸到房子上方几百英尺高的红杉的顶部。
As one steps into the courtyard, a V-shaped awning soars 30 feet above and points to the very intimate courtyard which opens to the sky above. A thin steel awning that sings in the rain is placed above the glass entry door and as you enter the house, you are immediately greeted with a wall of glass that seems to go to the top of the redwoods some several hundred feet above the house.
Atelier Jorgensen 设计的房子超过了加州建筑规范中关于野外建筑的规定。在一些地方,新住宅超过要求的4倍。住宅面向起居空间,设有阁楼主卧室。在平面上几乎是一个完美的正方形,30英尺高的玻璃被以这样的一种形式来安排,使阳光在早上永远不会直接进入主卧室,由于没有窗户覆盖物,玻璃只成为冷热之间的屏障。
Atelier Jorgensen designed the house to exceed the California Building Code for building in the wild. In some places, the new residence exceeds the requirements by four times. The house is oriented with the living spaces on the view with a lofted Main bedroom. Although an almost perfect square in plan, the 30’ tall glazing is arranged in such a way as to never allow direct sunlight into the main bedroom in the morning, and as there are no window coverings, the glazing becomes only a barrier between cold and hot.
Architect:AtelierJorgensen
Photos:JoeFletcherDouglasFriedman
Words:小鹿
客服
消息
收藏
下载
最近


































