森林公墓殡仪馆丨德国丨Kaestle Ocker

位于德国Waldfriedhof的一个殡仪馆项目，由当地的建筑及室内设计工作室Kaestle Ocker设计。高质量的结构并没有延续到殡仪馆的内部。房间的设计没有给人以庄严的感觉，也没有传达出一种安全和庄严的感觉。对于殡仪馆来说，这导致了空间感知的新的差异化和多样性，它随着视点、视角和光线的入射而变化。

A funeral home project in Waldfriedhof, Germany, by local architecture and interior design studio Kaestle Ocker. The high quality of the structure did not extend into the interior of the funeral home. The rooms are not designed to give a sense of dignity, nor to convey a sense of security and dignity. For funeral homes, this has led to a new differentiation and diversity in spatial perception, which varies with the point of view, Angle of view, and incidence of light.

对现有结构的基本分析促使Kaestle Ocker进行了一些基本的建筑干预：形成一个开放的中庭作为东部的空间封闭，对空间定义的部件地板、墙壁和天花板进行构造处理，以及为这个空间设计的配套家具。

A fundamental analysis of the existing building prompted Kaestle Ocker to make some essential architectural interventions: the formation of an open atrium as a spatial closure to the east, tectonic processing of the floor, wall and ceiling components that delimit the room, as well as matching furniture designed for this room.

墙壁上覆盖着由坚实的白杉木板制成的新木壳。墙体几何形状的雕塑性表述来自于建筑的支撑结构和现有的墙体开口。同时，它也是一个象征，象征着在许多历史上的神圣建筑中可以找到的轻与重的精细的空间平衡。这种由本地针叶木制成的材料将那些离开的人包裹在一件触动感官的木质衣服中。

The walls are covered with a new wooden shell made of solid silver fir planks. The sculptural formulation of the wall geometries is derived from the building's supporting structure and the existing wall openings. At the same time, it is a symbol for the finely tuned spatial balance of lightness and heaviness that can be found in a large number of historical sacred buildings. The material, made from local coniferous wood, wraps the farewell in a wooden dress that touches the senses.

天花板通过其不同的倾斜，支撑着朝向新内庭院的空间方向。它的几何形状来源于现有的承重梁。支架、横梁和墙壁开口的相互作用，以及集成的间接照明，创造了一个声学上有效的上部封闭，成为整个房间几何的一部分。

With its varied inclination, the ceiling supports the spatial orientation towards the new inner courtyard. Its geometry is derived from the existing load-bearing beams. The interaction of support, beam and wall opening as well as an integrated, indirect lighting creates an acoustically effective upper end that becomes part of the overall room geometry.

Architect:KaestleOcker

Photos:BrigidaGonzalezStuttgart

Words:倩倩