3P服装店，葡萄牙 / EstudioAlem

该商店的结构构成以膨胀软木材质的组成为基础，从而最大程度地降低建筑感。在这个系统中，物体成为结构，支撑着空间，通过材料的逻辑解决空间布局问题。

▼室内概览，Overview ©Oleh Kardash Horlay

The constructive composition of the store is based on the stacking of expanded cork blocks, thus reducing the architecture of the store to a minimum. A system is created where matter becomes structure, support and space, and the logic of the materials solves the configuration of the store.

▼临街立面局部，Part of the facade along the street ©Oleh Kardash Horlay

记忆 MEMORY

不完美的魅力 THE BEAUTY OF IMPERFECTION

该项目兼顾了自然、粗糙感以及手工制作和陈列产品所需的严谨与准确性。商店采用直接从树木中提取的天然材料，如软木，或从树木中提取的木纤维板和纤维素。这是一个纯粹而朴素的空间，将材质本身的质感展现得淋漓尽致。

▼沿墙展架，Showcase along the wall ©Oleh Kardash Horlay

The store is built with natural materials directly extracted from trees such as cork, or derived from them such as wood fiber panels and cellulose, and balances the natural, the imperfect and the handmade with the rigor and control necessary to place the product on display.

▼朴素严谨，Sober and rigor ©Oleh Kardash Horlay

以建筑作为表达工具 THE CONSTRUCTION SYSTEM AS AN EXPOSITORY SYSTEM

这些自支撑的堆叠结构让人联想到木质烘干机以及软木板本身—通过该材料的模数化以及重复性手法融合成展架，展示商品的同时赋予空间韵律。

▼材料本身的基调，The tone of materials ©Oleh Kardash Horlay

A system is created where matter becomes structure, support and space, and the logic of the materials solves the configuration of the store.

▼软木展架形成的韵律，Rhythm formed by the shelves of cork ©Oleh Kardash Horlay

我们采用50x20x25 厘米和 100x20x25 厘米的软木块，将一块叠在另一块上-再用纤维块组装起来，这样就可以在不同高度间保持合适的距离，以便展示摆放的鞋类。简单的结构系统使展览系统化。这些自支撑的堆叠结构让人联想到木质烘干机以及软木板本身-该组合最大化地促进了通风-只需将产品放置在新成型的货架上即可销售。通过其模数与重复组合，货架为空间增添了韵律。用于分隔空间的墙体同时也成为展架本身。

▼固定模数组成的展架，Showcase formed in united modulation ©Oleh Kardash Horlay

We work with cork blocks of 50x20x25cm and 100x20x25cm – one on top of the other – which are assembled with pieces of agglomerated wood fibers, allowing the blocks to be separated in height at the right distance to place the footwear that is being displayed. A simple construction system that systematises the exhibition. This stacking of elements is reminiscent of wood dryers and the cork planks themselves – arranged to maximise air circulation – and allows the product to be displayed for sale by simply resting it on its emerging shelves. Shelves that rhythmise the space thanks to their modulation and repetition. The construction of these dividing walls organises the space and resolves the store’s display system by itself.

▼颗粒感，The sense of grain ©Oleh Kardash Horlay

采用原始材料塑造商店空间 FROM RAW MATERIAL TO BUILDING THE STORE

通过对软木材料的探索，该材质通过其有机美感与温和的质地为室内奠定基调。膨胀软木是通过对天然软木颗粒进行热烘焙制成的，这种工艺能以完全自然的方式将材料制成板材，无需任何化学添加剂。这些材料无需任何覆盖、涂料或是饰面。我们了解所使用的材料、价值以及品质，充分发挥材料质感。

▼材质搭配，Collocation of the materials ©Oleh Kardash Horlay

From the material exploration arises the work with cork, whose organic beauty and warmth characterise the space and the atmosphere of the interior. Expanded cork is obtained by subjecting natural cork granules to a thermal roasting process that allows the material to be formed into sheets in a totally natural way, without the need for any chemical additives. There are no coatings on these elements, no paints and no final finishes. The material being worked with is understood, its values and qualities are enhanced, and the existing patina of the material is reinforced.

▼不锈钢为空间增添活力，Stainless steel enhances the spirit of space ©Oleh Kardash Horlay

细腻又环保的商店 A SENSITIVE AND ENVIRONMENTALLY FRIENDLY STORE

通过选择相似的材质，该方案与葡萄牙的环境和文化相联系。葡萄牙拥有全球面积最大的软木橡树森林，软木橡树对维持脆弱的生态平衡并塑造独特的社会、经济和文化景观而言十分重要。它们既是可持续性的象征也是可持续发展的动力，能够应对气候变化以及荒漠化，保护物种多样性。该商店中采用的软木就是从它们之中提取的，尊重文化和地域性，既融合了当地特色也保护了历史遗产。其余材料的选择也遵守了自我规定的可持续发展前提，旨在开发一种可持续发展的商业模式，提高资源利用率，力求最大限度地减少对环境的影响，对资源利用负责，例如采用从纸张和纸板纤维中提取的纤维素。

▼展架细部，Details of the showcase ©Oleh Kardash Horlay

The proposal connects with the Portuguese context and culture through the choice of proximity materials. In Portugal, the country with the largest area of cork oak forests in the world, cork oaks are crucial to maintaining the fragile ecological balance and weave a unique social, economic and cultural landscape. They are a symbol of sustainability and the engine of sustainable development, combating the climate change and desertification and protecting biodiversity. The cork used in the store has been extracted from them, respecting the cultural and territorial roots and integrating the local identity to preserve the historical heritage. The rest of the materials selected follow the self-imposed premises of sustainability with the objective of developing a sustainable commercial space model that promotes efficiency in the use of resources and seeks to minimise environmental impact and to maximise the responsible use of resources, such as the projected cellulose, obtained from recycled paper and cardboard fibers.

▼展架细部，Details of the showcase ©Oleh Kardash Horlay

空间序列 SEQUENCE OF SPACES

采用上述堆叠的方式，设计师塑造了分隔空间的元素，通过其几何形式的布局扩大了商店室内空间并延长了展示线路。随着展架沿四周复制，空间中形成一条连续的背景板，同时还塑造了四个次级空间。一个圆形体量突出了商店的中心，并将空间顺序排列在游客面前。这些空间是通过一条沿着店面长度的对角轴线串联起来的。

▼展架形成的空间划分，Division formed by showcase ©Oleh Kardash Horlay

Thus, some dividing elements are erected, built through the stacking that has been previously explained, which through their geometric layout manage to multiply the interior spaces of the store and the linear meters of display area. Through its repetition along the entire perimeter, a continuous perspective background is given to the whole space and four subspaces are formed. A circular volume highlights the center of the store and orders the sequence of spaces towards the visitor. The spaces are discovered concatenated through a diagonal axis along the length of the premises.

▼展架形成的空间划分，Division formed by showcase ©Oleh Kardash Horlay

设计师采用纤维素制成的颗粒状天花，强化了残缺的美感，烘托出光线与产品的质感，同时在店内营造出理想的声学效果。地板延伸展开，延绵不断，就像一张巨大的日式榻榻米。

▼软木肌理，Textures of the cork ©Oleh Kardash Horlay

The grainy texture of the ceiling -with the use of projected cellulose- reinforces this idea of imperfection, and its tonality allows the lights and the product to be the protagonists, as well as creating controlled acoustics in the store. The floor stretches out, continuous, like a large Japanese tatami.

▼墙面肌理，Textures of the walls ©Oleh Kardash Horlay

通过圆形空间的两个大型天窗和线性平面的天花投射，商店空间按顺序为顾客带来引导，空间中的光影关系使材质与设计被强化开来。

▼天花投射，Projectors of the ceiling ©Oleh Kardash Horlay

Through two large skylights in the circular spaces and ceiling projectors in the linear planes, the sequence of spaces that make up the store’s route is guided, and the material and weight of the intervention is reinforced, through illuminated spaces. and shadow transitions.

▼不锈钢细部，Details of the stainless steel ©Oleh Kardash Horlay

服装精致地悬挂在采用不锈钢管制成的极简框架上。通过整体且统一的手法，设计师以素雅的线条和丰富的肌理实现了一种朴素而淡雅的氛围，营造出一种散发着严肃美感的氛围，并设法打造一个温和的容器，烘托出产品的价值。

▼极简衣架，Minimal structure ©Oleh Kardash Horlay

Minimal structures built with stainless steel tubing are drawn as delicate lines to arrange the clothes hangers on them.An austere and slow proposal is achieved, with sober lines and complex textures, through an integral and unitary intervention, which creates an atmosphere that exudes a contemplative beauty, and manages to be a neutral container to enhance the value of the product on display.

▼光影细部，Details of the shadow and light ©Oleh Kardash Horlay

▼平面图，Plan ©EstudioAlem

▼立面图，Elevation ©EstudioAlem

▼轴测图，Axonometric ©EstudioAlem

▼展架细部，Details of the showcase ©EstudioAlem

▼模数说明，Modulation organization ©EstudioAlem

▼草图，Sketche ©EstudioAlem

LOCATION: Porto (Portugal) YEAR: 2023 CLIENT: Sportino PHOTOGRAPHY: Oleh Kardash Horlay TYPE: Retail STATUS: Built AREA: 308 m2 CONSTRUCTION AND ASSEMBLY: MaisDois (constrution and assembly); Daniel Deyllot (metalwork); José Luís Tomé (carpentry); Corticeira Amorim (cork); Isorenel (projected cellulose); Decorpisus (flooring); MaisDois (electricity); Segmon (fds); 2Protect (cctv and intrusion); Electroclima (avac); Publisilva (illuminated signs); MaisDois (cleaning).