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apm：社区中的美术馆，海南 / 大舟建筑

2024/05/15 10:36:19

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21年初，noya团队策划了海口高兴里的更新改造项目，大舟建筑设计了东西两个标志性建筑节点——NOYARD与apm。apm位于街区东侧，原状为新建的二层坡屋顶建筑，意图改为小型社区美术馆，为社区植入当代艺术，并带动街区东侧的活力。

▼街区中的美术馆，Museum in the block ©DONG建筑影像

▼层层堆叠的体量，Stacked Volume ©DONG建筑影像

In the early 2021, the Noya team proposed the renovation scheme of Haikou GAOXINGLI. Dazhou and Associates has completed the design of two iconic buildings, NOYARD and apm. Situated on the east side of the block, apm, was a newly built two-storey building with pitched roof. We intend to transform it into a small-scale community art gallery, infusing contemporary art into the community and driving vitality on the east side of the block.

▼后院与围廊，Courtyard and gallery ©DONG建筑影像

▼南立面丰富明快的阴影，Abundant shadows on the south facade ©DONG建筑影像

廊与院

Corridors and Courtyard

处理场地是第一步。apm位于街区之中，自然不能是高高在上的艺术殿堂。我们在原建筑的周边，增加一圈尺度适宜的围廊，将原先松散的人流引至建筑周围。再在建筑首层展墙的间隙中，把建筑打开，人们在室外的廊下也能瞥见部分展品，艺术之旅从好奇心开始。廊子向前延伸，在原先的空地中圈出一个后院，虽不大，也能在日后成为室外展场和活动场所。

▼夕阳下的美术馆，Gallery in the sunset ©田方方

▼街区一侧视角，View from one side of block ©DONG建筑影像

Dealing with the site is paramount. In general, apm is not defined as a classic art palace since it is located in a commercial block. Therefore, encircling the original building, we introduced a ring of modestly scaled corridors, guiding foot traffic and inviting people to approach. Openings that punctuating the ground-level exhibition walls help extend the dialogue outdoors, where passersby could catch glimpses of the indoor artworks. Art journey then starts from curiosity. The circular corridors extend forward, enclosing a courtyard in the original open space, which, though not large, could become an outdoor exhibition and event space in the future.

▼围廊与小院，Gallery and yards ©DONG建筑影像

▼雨天后院，Courtyard after rain ©田方方

堆叠与阵列

Stacking and Arraying

自连廊向上，我们堆叠起三层建筑体量，层层出挑，新的立面才能够绕过原始建筑出挑的屋檐。硕大的体量模糊了楼层分割，小小的美术馆如雕塑般伫立，虚张起声势。新表皮的结构体系与原建筑结合，并重新梳理模数，在立面上形成规律的竖向划分。本意是与红砖建筑群相呼应的耐候钢板，在时间的沉淀下日渐动人。

▼模糊的楼层，Ambiguous flooring ©DONG建筑影像

▼主入口，The main entrance ©DONG建筑影像

Ascending from the corridors, three volumes gracefully stack, each overhangs to allow the new facade to bypass the eaves of the original building. The large volumes blur the floor divisions, lending the petite gallery a sculptural presence, grand yet modest. The new structural system integrates with the original building and reorganizes the modules to create a regular vertical division on the facade. It intends to echo the weathered steel plates of the red brick buildings, becoming more appealing over time.

▼雨天的apm，apm after rain ©田方方

▼湿润的巨兽，The moist leviathan ©田方方

黑展厅与白展厅

Black Gallery and White Gallery

对美术馆而言，有两种类型的展厅。一种是具有独特空间属性的展厅，我们将其设置在一层，意图将室外连廊与室内空间的体验连续统一，深色的钢板赋予展厅更沉静的光影。另一种是策展人偏爱的白盒子展厅，光线与空间均可控，我们将其放置在二层，并打开屋顶，创造天光照亮展厅空间。两种展厅并存在apm中，使小小的美术馆有更多的可能。

▼入口接待，Reception ©田方方

▼纪念品商店，Souvenir shop ©DONG建筑影像

▼首层走廊，Ground floor corridor ©田方方

There are two distinct galleries for art exhibitions. The black gallery on the ground floor with unique spatial attributes seamlessly melds the indoor and outdoor experiences. Its dark steel plates cast serene light and shadow for interior. The white gallery upstairs might be preferred by curators. With controllable lighting and space, it basks under an open roof, inviting daylight to illuminate the exhibition space. Together, they enrich apm’s offerings, expanding the potential of the art gallery.

▼首层挑空空间，Double-height space ©田方方

▼首层展厅，Black gallery ©田方方

▼艺术从好奇开始，Art starts from curiosity ©DONG建筑影像

海口的阳光强烈，天气潮湿。晴天，阳光打在锈钢板立面上，光影丰富且明快。而我更偏爱雨天的apm，它像一只巨大沉默的猛兽，趴在街区的一头，呼吸深长而平静。

▼白展厅之一，White gallery I ©田方方

The abundant sunlight and humid weather of Haikou shape the character of apm. In the sunny days, light dances on its rusted steel plate facade, creating abundant shadows. Yet, it’s the rainy days that truly captivate, as apm resembles a silent leviathan, crouching at the end of the block, breathing deeply and calmly.