昆西·琼斯对阵特伦莫托丨美国洛杉矶

2023/11/09 09:45:11

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TERREMOTO：1973年，美国最具影响力的现代主义建筑师之一昆西·琼斯 (A. Quincy Jones) 在加利福尼亚州洛杉矶为Smalley一家设计建造了住宅房屋。这栋房屋在经手了两位业主之后，新的业主于2006年购入这栋房子，她对房屋开展了微更新、微改造活动，与著名日式花园设计师Kinya Hira一起在屋外建造了一个美丽的花园。在此之后，这处房屋基本保持着原样，与此同时，户外花园也日渐成熟美丽。

TERREMOTO: In 1973, A. Quincy Jones designed and built a house for the Smalley family in Los Angeles, California. Two owners later, in 2006, our client purchased the home. She made minor modifications to the house and built a beautiful garden with the well known Japanese garden designer, Kinya Hira, of Portland Japanese Garden fame. Then the property was largely left unchanged while the client raised her family; meanwhile the garden matured beautifully.

十年之后，STUDIO SHAMSHIRI接手了房屋的大规模翻新工程，该工程于2020年年底结束，也就是我们受聘介入项目之时。在十年的过渡时期，业主意识到旧有花园在某种程度上让自己困守一隅，她开始渴望在景观中找到全新的视角。

A decade later, STUDIO SHAMSHIRI was brought on for a massive renovation of the house, which was wrapping up at the tail end of 2020, which is when we were engaged. During this time of transition, our client began to recognize that she felt hemmed in by certain aspects of the garden and yearned for a new perspective in the landscape.

在最初的实地考察中，当时客户正居家隔离，她谈到了自己对于花园的扩建构想。我们很快意识到，下层花园现有的装饰栅栏虽然很漂亮，但却被设置在远离房屋地界线的地方，使空间在感受上比实际要小。于是，我们拆掉了那道栅栏，花园也因此得到了发展。

On our initial walkthrough, our client spoke about her dreams of expansion (during a time of house-bound quarantine). We quickly realized that an existing decorative fence in the lower garden, while beautiful, was set in needlessly far from the property line and made the space feel smaller than it actually was. So we destroyed this fence, and in doing so the garden grew.

一个全新的、扣人心弦的制高点出现在庭院中，在这个曾经无法到达的地方，可以欣赏到建筑和成龄树木。我们设计建造了一个观景台，向该视线范围内迷人的景色致敬，昆西·琼斯的艺术魅力也获得了新视角的观赏特性。

A new and stunning vantage point emerged to enjoy the architecture and mature trees in a place that was previously unreachable. We designed and built a viewing deck that pays deference to this spectacular view; the artistry of A. Quincy is appreciated anew.

无论是下层花园还是上层花园，我们秉持尊重前辈设计师精湛技艺的原则，大部分的硬质景观均保持着原样。在下层花园，设计毁掉了一块草坪，开辟出一条小路，使空间有了新的流通路线。上层花园则是毁掉了一片竹林，因为竹林不必要地分割了空间，让人感觉幽闭不畅。

Within both the lower and upper gardens of the property, we pay deference to the craftsmanship of the designers before us and mostly leave the hardscape intact. We destroy a lawn and create pathways that allow for new circulation flows through the space. In the upper garden we destroy a thicket of bamboo that needless bifurcates the space and makes it feel claustrophobic.

我们在庭院内保留了很多成熟植物，但大部分植物都是重新栽种的，传统的日式花园虽美，但其植物的高耗水量并不适应目前南加州的环境，因此我们布置了一个更具野性的加州本地花园，其中还分散着一些澳大利亚植物。

We mostly start over with planting (though we keep a lot of mature plants), because though we love traditional Japanese gardens, the high water-use of their plant palettes renders them presently irresponsible in Southern California, and in their place install a more wild, California native garden (with some Australians scattered in, g’day).

面对这个全新的庭院，我们不禁会想，昆西·琼斯是否乐于欣赏屋外疯长的美国曼陀罗？那些逝去的现代主义楷模们又是否会梦见天蛾和茄属植物龙葵在黑夜中甜蜜亲吻？

Would A. Quincy Jones appreciate the Sacred Datura that now grows wild outside this house? Do dead icons of Modernism dream of Hawkmoths and Nightshades kissing sweetly in the dark of the night?