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New York
纽约.设计
New York Design
#.
纽约&
唐忠汉
GREEN LIFE
如果没有松山湖,东莞的城市转型或许将晚上十余年。千禧之年,松山湖横空出世,见证了这座城市从“世界工厂”到“创新之城”的转变。如果把松山湖比作人的一生,它历经万重山,归来仍正值好年华。
If it weren’t for Songshan Lake, the urban transformation of Dongguan might take more than ten years. In the millennium, Songshan Lake emerged, witnessing the transformation of this city from a "world factory" to a "city of innovation.". If we compare Songshan Lake to a person’s life, it has gone through countless mountains and returned in the prime of time.
“我们也在努力试图平衡着设计,同时也平衡着生活”以对外关系及内外串联为核心,更刻意减少室内隔间、量体之方式产生自由无界的视觉关系,大面积的玻璃无形的虚化了室内外的分界,光、景,自然的融入空间。
We are also striving to balance design while balancing life. With external relations and internal and external connections as the core, we deliberately reduce indoor partitions and volume to create a free and unbounded visual relationship. The large area of glass invisibly blurs the boundary between indoor and outdoor, integrating light, scenery, and nature into the space.
客厅沙发的配置决定了整个空间愉快的调性。一边面对电视主墙,一边面对餐厨岛台,一边拥着壁龛,一边朝着湖景。约 7.6 米长湖景阳台,把湖光盛满所有角落。以客厅沙发为空间焦点,打破局限连结所有开放空间,同一个空间,拥有了不同心境。
The configuration of the living room sofa determines the pleasant tone of the entire space. Facing the main wall of the TV, facing the kitchen island platform, embracing the niche, and facing the lake view. Approximately 7.6 meters long lake view balcony, filling all corners with lake light. Taking the living room sofa as the spatial focus, breaking through limitations and connecting all open spaces, the same space has different moods.
我们所追求的不仅只是外在形式的美,更重要的是它是一种气质,是一种灵魂,是一种哲学,是一个内在的升华。
What we pursue is not only external beauty, but more importantly, it is a temperament, a soul, a philosophy, and an inner sublimation.
在柔阳中感受,在静谧中思考,在连绵交织的框格里自由,以稳定整个场域的气息。窗外景色穿透玻璃,成就了空间的变化,放大了空间的场域,使其穿透、调节,而层次的变化让空间的一切自然流动。
Feeling in the gentle sunshine, thinking in tranquility, and being free in the intertwined frames to stabilize the atmosphere of the entire field. The scenery outside the window penetrates the glass, achieving spatial changes, amplifying the field of space, allowing it to penetrate and adjust, and the changes in levels allow everything in the space to flow naturally.
将床头柜的造型以量体堆叠形式呈现,传递了并依其形体赋予机能,延续其型态转折至不同立面,呼应天花板弧度中心向下搭配家具的设定,形成了视觉的聚焦,给空间更温润及舒展的感受。
The design of the bedside table is presented in the form of volume stacking, convey and endow functions according to its shape, continue its shape and turn to different facades, echoing the setting of the ceiling curve center downward with furniture, forming a visual focus, giving the space a more warm and relaxed feeling.
在空间的设计细节中,创造了空间的层次,引领出一种艺术的气质。立面的主墙,运用手绘乔木的意向,将原始自然的素材概念引入室内。空间在空间色调与材质的运用上,将空间元素、家具材质与艺术画作整合为一个完整的调性,让陈设艺术成为一个介质,书写着空间氛围。
In the design details of the space, the hierarchy of the space is created, leading to an artistic temperament. The main wall of the façade uses the intention of hand-drawn trees to introduce the concept of primitive natural materials into the interior. In the use of spatial color tones and materials, the space integrates spatial elements, furniture materials, and artistic paintings into a complete tone, making display art a medium and writing the atmosphere of the space.
项目名称 | 东莞金地青云境样板间
Project Name | Dongguan Jindi Qingyunjing Model Room
甲方设计人员|晏庆玲、梁伟恒、韦邦慧、戴进、钟永峰
Designer of Party A | Yan Qingling, Liang Weiheng, Wei Banghui, Dai Jin, Zhong Yongfeng
项目位置 | 东莞
Project Location | Dongguan
设计公司 | 近境制作|软装设计|LSD
Design Company | Near Field Production | Soft Decoration Design | LSD
设计总监 | 唐忠汉
Design Director | Tang Zhonghan
项目面积 | 200㎡
Project area | 200 square meters
项目摄影 | 山野空间摄影
Project Photography | Mountain and Wilderness Space Photography
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策划制作人:纽约设计
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