李桂芬乡村综合体丨中国济南丨山东省城乡规划设计研究院有限公司建筑创作中心

2024/06/18 14:15:50

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建筑所在的村子叫李桂芬，光听村名就有一种好奇又亲切的感觉。这个像极了祖母那一代人的名字，现在的人很少叫了，自带一种普世包容与坚韧的特质。

The village where the building is located is called Li Guifen, and just hearing the village name gives a curious and friendly feeling. This name is very similar to the name of my grandmother’s generation, which is rarely used nowadays and carries a universal tolerance and resilience.

▼新建的综合体匍匐在两个村落之间，Overall view ©︎ 水刀木

▼周围的村居形成公共与聚落、边界与区域的新空间图底，Bird’s eye view ©︎ 水刀木

▼在收获的季节里为平原呈现了差异化的公共载体，Differentiated public carriers ©︎ 水刀木

▼这种地缘图底关系带有时代的属性，The attributes of the times ©︎ 水刀木

又到了收小麦的季节，车窗外金黄色的麦田在几千年的文明长河里一直伴随着我们所生活的土地形成某种烙印在骨血基因里的集体无意识。这种集体无意识在芒种这个节气，对应着某一种憧憬，一种期盼与愿望，一种对丰收的想象。

▼轴测分析图，axo ©︎ 山东省城乡规划设计研究院有限公司建筑创作中心

It’s the season to harvest wheat again, and the golden wheat fields outside the car window have been accompanying the land we live on for thousands of years in the long river of civilization, forming a collective unconsciousness imprinted in our bone and blood genes. This collective unconsciousness corresponds to a certain longing, expectation, and desire, as well as an imagination of a bountiful harvest during the Mangzhong solar term.

▼在村落中隐居，Hiding in the village ©︎ 水刀木

▼形成具有后现代意蕴的公共符号，Public symbols with postmodern connotations ©︎ 水刀木

▼匍匐在平原上的巨构，A giant structure lying on the plain ©︎ 水刀木

随着年龄一岁一岁，有关遥远的儿时记忆一年比一年模糊，最后模糊到类似抽象画一样，只剩下一些浓重的笔触标记着底色，这种金黄色在中国人的文化里其实就是一种希望——希望在田野上，金黄色的麦田拥有一种童年的意向。

▼手绘，hand drawing ©︎ 山东省城乡规划设计研究院有限公司建筑创作中心

As we age, our distant childhood memories become increasingly blurred year by year, eventually becoming like abstract paintings, with only a few thick strokes marking the background color. In Chinese culture, this golden color is actually a hope – to have a childhood intention in the fields and golden wheat fields.

▼不同层级的入口向广场打开，Entrances at different levels open to the square ©︎ 水刀木

▼在接近原野的地方升起一只圆形的眼睛，Close to the wilderness ©︎ 水刀木

▼与广袤对话，Dialogue with the Vast ©︎ 水刀木

▼在形体与构造间，形成极宏观与极围观的共和，Between form and structure ©︎ 水刀木

在济南北商河县一个叫殷巷的小镇，两个村子紧紧的毗邻在一起。在绵延几千年的农业产业背景下，我们国家的村子通常会形成细胞型的村域地理格局，田野像细胞质，聚落像细胞核，远到川西的林盘聚落，近到山东的大田村庄，图形格局上往往都是细胞质围合细胞核而存在，像这种两个村子如此毗邻的情况相对较少。这是一种微妙的状态，两个村子必然拥有大量的共同话语又同时拥有些许差异的次文化体系，所以因此在很长一段时间里中间的场地形成了一种颇具趣味性的非私密要素聚集——坑塘，林地与养殖场，随着养殖场的废弃，我们得以重新思考此处的边界应该拥有的状态——一种界定性明显的公共生活集合体。

In a small town called Yinxiang in Beishanghe County, Jinan, two villages are tightly adjacent to each other. In the context of thousands of years of continuous agricultural industry, our country’s villages usually form a cellular geographic pattern, with fields resembling cytoplasm and settlements resembling cell nuclei. From the Lin Pan settlement in western Sichuan to the Da Tian village in Shandong, the graphical pattern often revolves around the cell nucleus, and there are relatively few cases where these two villages are so adjacent. This is a subtle state, where two villages inevitably have a lot of common discourse while also having slightly different subcultural systems. Therefore, for a long time, the intermediate site formed a rather interesting gathering of non private elements – ponds, forests, and breeding farms. With the abandonment of breeding farms, we were able to rethink the state that the boundary here should have – a clearly defined public life aggregation.

▼有关巨构与围观的回应，Megastructures and spectators ©︎ 水刀木

▼在更为围观的尺度继续贯彻宏大与微小，Big and small ©︎ 水刀木

▼室内节点，Interior ©︎ 水刀木

▼室内窗，Window ©︎ 水刀木

▼室内摆件，Interior decoration ©︎ 水刀木

这种集合体亦是创作中心有关乡建思考的具体证明，由于此次讨论焦点聚焦于建筑之上，那抛却有关社会学与经济学的思考，仅就建筑范畴来说，建筑作为一种文本所指代的叙事性与时空感，冲突性与合理性等等在一组后现代的语境中得以有效表达。区别于江南小乔尔布亚式的乡间图景，齐鲁大地上似乎与这热烈的底色更为适配。当在同意时间与空间片段下，多重行为与身体精确互动，大地上的山水天地人与空间上的对透藏漏框在这处场所形成不同维度的有机。

This collection is also a concrete proof of the creative center’s thinking on rural architecture. As the focus of this discussion is on architecture, leaving aside sociological and economic considerations, in terms of the scope of architecture alone, the narrative and temporal sense, conflict and rationality referred to by architecture as a text can be effectively expressed in a postmodern context. Different from the rural scenery of Jiangnan Xiaoqiao, the land of Qilu seems to be more suitable for this warm background. When multiple behaviors interact precisely with the body under the agreement of time and space fragments, the mountains, rivers, heaven, earth, and humans on the earth form different dimensions of organic space in this place.

▼项目区位，site plan ©︎ 山东省城乡规划设计研究院有限公司建筑创作中心