浙江嘉兴渔里筒仓艺术中心丨中国嘉兴丨DAGA Architects大观建筑设计

一座建筑，应该有着一以贯之的变化，这便要开启一场场持续多年的对话，那是“和一个场域的对话”。时代更迭，我们逐渐远离了只是不停“建成”的年代，转向“维持”建筑，开始关心它们生长、变化、重组的过程。

A building should have consistent changes, which will start a dialogue that lasts for many years. It is a “dialogue with a field.” Times have changed, and we have gradually moved away from the era of just “building” and turned to “maintaining” buildings, beginning to care about their growth, change, and reorganization process.

-Growth

Everything has a spirit, and so does architecture. When the shape of a building is sketched out by the designer on the sketchbook, all the vitality and aura are injected into its body in an instant, and its life is given by the designer. What follows is a long period of growth, absorbing the essence of heaven and earth, carrying the mission of the times, and witnessing the historical transition.

-Variety

The iteration of architecture is not just rebirth after violent dismantling. A good building is more like a work of art with tenacious vitality, which needs to be maintained by future generations. Its functions may change over time, but they will stand forever.

-Reorganization

As time changes, through the integration of new buildings and elements, they collide, merge, and reorganize, and a larger and more complex architectural life is born.

Repeatedly like this, it is an iteration of architecture.

▼艺术中心外立面，Art Center Facade © 刘承徭

此建筑改造由普利兹克奖得主 David Chipperfield 设计，原址曾是上世纪 50 年代建造用来储藏粮食的谷仓，仿佛过往岁代的缩影，在时光长河中烙下不灭的城市记忆。外立面保留了建筑原有的圆仓，灰色系的高大圆筒依次垂直排列开来，继而在这份统一的秩序中，构成雕塑般的韵律美感。

The tall gray cylinders on the exterior facade of the building are arranged vertically in sequence, and in this unified order, they form a sculptural rhythmic beauty.

▼失重空间示意图，concept

从建筑场所精神出发，营造强烈的光影与空间形成对比，筒形的建筑曲面上创造出柔和的光线渐变与我们的感官发出碰撞，营造出“失重”的空间感受。

Starting from the spirit of the architectural place, strong light and shadow are created to contrast with the space. The soft light gradient created on the cylindrical building surface collides with our senses, creating a “weightless” spatial experience.

▼圆仓内向上仰望，Looking up from inside the round warehouse © 刘承徭

双入口将门厅纵向贯穿，展厅布于门厅两侧，原建筑的十个谷仓被设计师巧妙地根据功能划分为不同的展厅、卫生间与楼梯。进入门厅后，宽阔、高挑的空间配合天花的横向线性灯把视线无线拉长，紧接又随着圆仓戛然而止，木模清水混凝土的墙面配合泛光灯将一个个圆仓刻画出一副庄严的深邃感，留下一条仿佛隧道般的走廊，等待着被探索。

▼艺术中心轴测图，axo© 大观建筑

The two entrances run through the foyer, and the exhibitions are arranged on both sides of the foyer. The ten barns of the original building were cleverly divided by the designer into different exhibition halls, bathrooms and stairs according to functions. After entering the foyer, the wide and high space is combined with the horizontal linear lights on the ceiling. The line of sight is stretched infinitely, and then ends abruptly with the barns. The wooden molded concrete walls and floodlights depict each barn. A sense of solemn profundity has been created. A tunnel-like corridor is left, waiting to be explored.

▼门厅接待台，Reception desk © 刘承徭

▼门厅望向圆仓，The entrance hall looks towards the round warehouse © 刘承徭

▼圆仓望向门厅，Round warehouse looking towards the entrance hall © 刘承徭

▼圆仓顶部，Round silo top © 刘承徭

进入圆仓内部，在原始筒仓与玻璃盒子的共同作用下，造就方正与圆柱的几何感视觉，极简中的突破与反差，墙面的肌理漆似诉着谷仓所经历的一切沧海桑田，亦是一场对话：工业与现代、封闭与开放、记忆与未来……这一刻圆仓的一切都将得到升华。仓顶则是被设计师用灯光打造的天光，配合墙面上如点点繁星的筒灯与自然光影，仿佛时间定格，置身于一个失去定义，但充斥着意义的“失重”空间。

Entering the interior of the barn, under the action of the original barn and the glass box, a geometric vision of squares and columns is created. It is a breakthrough and contrast in minimalism. The texture paint on the wall seems to tell all the vicissitudes the barn has experienced. It is also a dialogue: industry and modernity, closedness and openness, memory and future… At this moment, everything will be sublimated. The roof of the warehouse is an artificial skylight created by the designer with lighting, combined with the starry downlights, natural light and shadow on the wall, as if time has been frozen, and you are in a “weightless” space that has lost definition but is full of meaning.

▼圆仓内部，Interior view© 刘承徭

▼圆仓内部展墙，Internal exhibition wall © 刘承徭

▼圆仓二层平台，Second-floor space© 刘承徭

▼圆仓外看向内部，Looking inside the round warehouse© 刘承徭

当重力消失后，所有的一切都将开始漂浮，随之碰撞、反应、粘连，最终一切都将融合。在历史的长河中，从来都不缺少反应物，缺少的是那些能让一切产生千丝万缕联系的催化物。无论是作为承载着人类物质食粮的谷仓，抑或是精神食粮的圆仓，都在空间的催化下紧密地发生反应，无数的奇异点在此迸发，延展出无限个多维空间，不断更迭，这是空间给予这座建筑的意义。

When gravity disappears, everything will begin to float, collide, react, stick, and eventually everything will merge. In the long history, there has never been a shortage of reactants. What is lacking are those catalytic substances that can make everything inextricably connected. Whether it is a barn carrying human food or a barn for spiritual food, they all react closely under the catalysis of space. Countless singular points burst out here, extending into infinite multi-dimensional spaces, constantly changing. It is the meaning that space gives to this building.

▼洗手间，Toilet© 刘承徭

▼艺术中心平面图，floor plan© 大观建筑

项目名称：浙江嘉兴渔里筒仓艺术中心

设计公司：DAGA Architects 大观建筑设计

客户：嘉兴万科

设计团队：申江海，张龙潇，王立枫，李静，土也，孙春迪，张朝伟

项目类型：室内设计

建筑面积：960 平方米

设计时间：2022.10-2022.12

建造时间：2022.12-2023.05

项目摄影：刘承徭

撰文：王冰寒