Natural Park 空间设计丨中国湖州丨静谧设计研究室

2024/07/19 15:18:58

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糅合可视质感、触感以及想象空间，将它们充盈在白盒子之中，希望一切能归于没有边缘的大地基底，展现亲肤的、童趣的、自然的空间。在物料与细节、柔软的织物、自然染的色彩中处理空间的混合感受，在水泥城市中叙事平和而松弛的故事。

Combining visual texture, tactile sensation, and the space of imagination, we fill the white box with the hope that everything can return to the boundless foundation of the earth, showcasing a space that is intimate, playful, and natural. We process the mixed feelings of space in materials and details, soft fabrics, and naturally dyed colors, narrating a peaceful and relaxed story in the concrete city.

▼店铺外观，Exterior © 黑水

当你逐步走近，这个以白为外型的半透明面包裹着的空间。会看到外立面的右侧，有向外慵懒伸出的手形，遮掩抚摸着不断变化的日照光影。而左侧如将伸出触角的白色蚕茧，一半遮蔽一半展现，轻柔引导着每一次的空间交互。

As you approach step by step, this space enveloped by a translucent surface with the exterior of white. You will see the right side of the façade, with a hand-like shape lazily extending outwards, caressing and covering the ever-changing sunlight and shadows. And on the left side, like a white cocoon about to extend its antennae, half-covering and half-revealing, gently guiding each interaction with the space.

▼立面近景，Close view © 黑水

在空间中，你几乎看不见尖锐的转角，我们将整个空间转角做了弧角处理；切合原木色的材质基调，尽可能简洁，尽可能去掉多余的修饰，用软装和装置去体现温柔而细腻的零售感受。

▼分析图，analysis © 静谧设计研究室

In the space, you can hardly see sharp corners; we have rounded all the corners of the space; fitting the wood-colored material tone, as simple as possible, removing unnecessary embellishments, using soft furnishings and installations to reflect a gentle and delicate retail experience.

▼入口处，Entrance space © 黑水

▼空间概览，Overall view © 黑水

同时，在概念上，我们仿照蚕茧的内壁轮廓做了裸露在外的吊挂骨架，在左右两侧大面积的白色中一点点加入蚕茧的生命灵感与肌理。吊顶左侧的骨架上，我们将织物以蓬松云朵的形态填充进了骨架，像刚成型的幼虫，企图冲破原始束缚的那种自由感。而右侧我们则是只裸露骨架的部分，如蚕茧抽丝剥离命运的简单过程，看似温柔亲和却又力量，好像一切都在自然发生。

At the same time, conceptually, we have made the hanging skeleton that mimics the inner contour of the cocoon exposed on the outside, adding a bit of the life inspiration and texture of the cocoon to the large areas of white on both sides. On the left side of the skeleton, we have filled the skeleton with fabrics in the form of fluffy clouds, like a larva just formed, attempting to break through the original constraints with a sense of freedom. On the right side, we only expose the skeleton, like the simple process of a cocoon drawing silk and peeling away from fate, which seems gentle and affable but also powerful, as if everything is happening naturally.

▼裸露在外的吊挂骨架，Exposed hanging frame © 黑水

▼蓬松云朵的形态填充进骨架，Fluffy cloud shapes fill in the skeleton © 黑水

▼橱窗，Show window © 黑水

在制作不同蚕茧装置的过程中，我们提取了蚕茧的基本轮廓、触感、丝状的生命形态、若隐若现的感官，是我们想要赋予给孩童衣着的那种多样感受。我们将支撑起的植物染纸面，以环绕的方式，包裹住了中庭的空间，得到了一种被拉伸着的、向外舒展的飞舞成虫造型，当你初次触摸到它，会感觉到弹力与柔软，是我们隐藏在这里的“被动”体验。

In the process of creating different cocoon installations, we have extracted the basic outline, texture, silk-like life form, and the sensory presence of the cocoon, which is the variety of feelings we want to endow to children’s clothing. We have wrapped the space of the atrium with plant-dyed paper faces in a surrounding manner, achieving a stretched and outwardly expanding flying adult moth shape. When you touch it for the first time, you will feel the elasticity and softness, which is the “passive” experience we have hidden here.

▼被包裹的中庭空间，Wrapped atrium space © 黑水

我们参考了在蚕桑细节中随处可见肌理繁变、质感层叠，正如千变万化又有趣多彩的大地景观。选用了羊羔绒材质的小沙发、浅色系的拼布更衣间、异形原木的试衣镜，试着用这些走近原始的触觉感受，给原本的白色，赋予不同的生命力。

We have referenced the texture variations and layered sensations that are ubiquitous in the details of sericulture, just like the ever-changing and interestingly colorful landscape of the earth. We have chosen a small sofa made of lamb’s wool material, a light-colored patchwork changing room, and an irregular log dressing mirror, trying to use these to approach the original tactile sensations and give the original white different vitality.

▼空间中的装饰，Decoration © 黑水

▼雕塑作品，Sculptures © 黑水

在蚕茧装置实验中，我们也将简小不一的雏形染上色彩，堆放悬挂在角落，像森林中散落的自然形态；纸面包裹金属蚕茧框架，制成壁灯，散发朦胧柔和的萤火。而这些都以少量的点状布置，将细节都落在实物。银台桌面、动态抽象的艺术造型，空间中显眼的装置，亲近而有力量感，粗粝却也柔和。当概念装置填补进简白的结构空间，“乐园”就这样搭建了。空间中不再仅有严肃的设计语言，而是以童趣、动态、自然生机的混合感官，像多触角的蚕茧包围着来者，展现独有的活力。

In the cocoon installation experiment, we also dyed the small and different prototypes with colors, piled and hung them in the corners, like the natural forms scattered in the forest; the paper surface wrapped around the metal cocoon frame, made into a wall lamp, emitting a hazy and soft glow of fireflies. And all of these are arranged in a small number of point-like layouts, with the details all falling on the physical objects. The silver table surface, the dynamic abstract artistic shape, and the prominent installations in the space are intimate and powerful, rough yet soft. When the conceptual installations fill the simple white structural space, the “paradise” is thus constructed. The space is no longer just filled with serious design language but is mixed with the sensory experience of childlike fun, dynamics, and natural vitality, surrounding the visitors like a cocoon with multiple antennae, showcasing its unique vitality.