3D 打印地球森林校园丨西班牙巴塞罗那丨加泰罗尼亚高级建筑研究所

Location：Passeig de Valldaura, Barcelona, Spain; | ;View Map

Project Year：2024

Category：Pavilions

● IAAC completed a 100 m² low carbon emissions building prototype using local soil and natural materials, utilizing the pioneering Crane WASP 3D printer.

● The 3D-Printed Earth Forest Campus in Collserola Natural Park (Barcelona) features enclosed, covered, and open spaces, serving as a live laboratory for testing new constructive and architectural solutions.

● The first phase of the project has been recognized with the "Shaping a circular industrial ecosystem" prize at the New European Bauhaus in 2023, highlighting the project's cutting-edge 3D printing technology and sustainable building practices.

The Institute for Advanced Architecture of Catalonia (IAAC) has completed the 3D printing of a 100 m² low carbon emissions building prototype using local soil and natural materials. Situated in the forest of Valldaura in the Natural Park of Collserola (Barcelona), the project uses the pioneering Crane WASP 3D printer and represents a significant step towards a sustainable km0 earth affordable housing model.

While the construction industry caters for 39% of the global CO2 emissions, various parts of the world are currently going through a housing shortage. After more than 10 years of research, IAAC and the Postgraduate in 3D Printing Architecture (3DPA) use a traditional material with cutting edge technology to propose an affordable and sustainable housing solution. 

The 3D-Printed Earth Forest Campus is an architectural intervention with a number of enclosed, covered and open spaces made from 3D printed earth that also serves as a live laboratory for the testing of new constructive and architectural solutions. The fragmented and deconstructed floorplan of the project exemplifies the potential flexibility in architectural design that the digital technology of 3D printing permits. The distribution has been evolving over time. Some wall sections were printed and torn down, only to be recycled into new walls and rooms. The organic spatial distribution of the project aims to create a multitude of rooms, perspectives, corners, indoor, semi-indoor and outdoor environments, the beginning of a labyrinth that distances itself from repetitive standardised contemporary architectural solutions, and demonstrating a high level of adaptation of buildings to their users’ needs.  

The 3D-Printed Earth Forest Campus is constructed quasi-exclusively from natural materials. Below the ground, 50cm of natural stone foundation guarantees stability and drainage. Above, the first 30 cm of the wall consist of a solid 40-70 cm thick stabilised earth base, to protect from floods and rain. This base is casted into an earth printed formwork, which was later reutilised into the printing of the walls. The earth walls are made from material sourced a few meters away: excavated from below 0,5m to avoid organic content, the earth is then dried in the sun, sieved to filter larger stones out, then mixed with water, added organic fiber and natural enzyme until finally pressed into the 3D printer. The wall is printed at a rate of 25 cm height per day, to avoid collapse due to self weight, and can reach its total 2,5m in approximately 10 days. When partially dried, the roofs are installed: they both rest and are anchored to the earth walls to avoid uplift due to wind forces. In some cases, the connection to the timber roof was post-tensioned with steel cables down to the foundations.

The walls of the Campus take advantage of 3D printing, a digital technology that enables a high level of customisation in design. Depending on their position within the project, the walls combine different performances: structural, holding their own weight and their roofs (potentially used in multi-storey buildings), thermal barriers and humidity regulators, or they frame small openings for light and views but also for controlled natural ventilation.

Contrasting to typical masonry and earth construction, the printed walls frame cavities that make them 50% hollow. These cavities can serve for reducing the material use, but also the integration of insulation, services, and natural ventilation of the walls. 

The wall thickness varies from 70 to 40 cm according to how much load they need to carry and their orientation: how much they need to protect from solar radiations.

Earth as a material has relatively low mechanical strength, used with traditional techniques (rammed earth or compressed earth blocks) it mostly leads to walls being thick and opaque. The walls of this project seek a certain lightness and light porosity made possible by the construction technique, depositing layer one at a time, creating small local cantilevers into a network of 20 cm wide openings. 

The first phase of the 3D-Printed Earth Forest Campus (TOVA) was awarded the “Shaping a circular industrial ecosystem” prize at the New European Bauhaus in 2023, and described by Ursula von der Leien (EU President) as: “..a cutting edge 3D printing technology to print sustainable buildings made of earth”. Adjacent to TOVA, TEIXIT extends the living and working area of the forest robotic campus in the Collserola Natural Park.

This ongoing project has reached a crucial milestone by demonstrating the construction of multi-climatic environments with the 3D printing of intelligent performative walls from local earth, a step closer to a carbon neutral architecture adapted to its users and environment.

Team:

Directors: Edouard Cabay, Alexandre Dubor

Coordinator: Yara Tayoun

Faculty 23/24:

Oriol Carrasco, Senior Fabrication Expert

Elisabetta Carnevale, Material Expert

Alicia Huguet, Structural Expert - SOCOTEC Spain

Faculty Assistants 23/24:

Secil Afsar, Fabrication Assistant, Material Research Expert

Nestor Beguin, Computational Expert

Collaborators:

WASP, Large Scale 3D printing

SOCOTEC, Structural Consultant

Hassell Studio, Architecture Consultant

Vervictech, Enzymes provider

Colette, philanthropic organisation

Researchers:

23/24 - Jose Antonio Gutierrez Rangel, Joseph Milad Wadie Naguib, Justin Hanlon, M´Hamed Alila, Maria Kaltsa, Mark Francis, Noel Akroma, Sakshi Pawar, Sara Ayoub, Vesela Tabakova, Yang Xiao. 

21/22 - Adel Alatassi, Aslinur Taskin, Charles Musyoki, Deena El-Mahdy, Eugene Marais, Hendrik Masjosthusmann, Juliana Rodriguez Torres, Leonardo Bin, Mariam Arwa Al-Hachami, Marwa Abdelrahim, Mehdi Harrak, Michelle Bezik, Michelle Antonietta Isoldi Campinho, Mouad Laalou, Nareh Khaloian Sarnaghi, Nawaal Saksouk, Orestis Pavlidis, Seni BoniDara. 

Special thanks:

Areti Markopoulou, Mathilde Marengo, Daniel Ibanez, Ricardo Mayor, Shyam Zonca, Sheikh Riaz, Philip Wienkamper, Pilar Xiquez, Daniela Figueroa Claros, Jorge Ramirez, Massimo Visiona, Massimo Moretti, Francesca Moretti, Laia Pifarre, Bruno Ganem, Xavier de Kestelier

Previous collaborators :

Lili Tayefi, Eduardo Chamorro, Vincent Huyghe, Ashkan Foroughi, Francesco Polvi, David Skaroupka, Bruno Ganem Coutinho, Marielena Papandreou, Guillem Baraut, Gloria Font, Lukas Fertig, Nikol Kirova, Josep Alcover

Photographer: Iwan Baan

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