天心明月丨中国福州丨引筑工艺美学

2024/08/18 08:29:38
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天心明月丨中国福州丨引筑工艺美学-0
Project:
天心明月
Location:
福州市仓山区天悦汇
Area:
380㎡
construction unit:
引筑工艺美学
Project Photography:
西线名作
天心明月丨中国福州丨引筑工艺美学-11
天心明月丨中国福州丨引筑工艺美学-12
一定是特别的缘分,才让天心明月与月字户型相遇。该场地原型神似月字型,莫不是从开始就知晓自身是天心明月?但空间只有入口有窗,其余面都是墙,导致室内采光极差。此刻考验设计师能力的时候就到了。
It must be a special fate that brought the Tianxin Mingyue and the moon shaped house layout together. The prototype of the site resembles the shape of a moon, and from the beginning, it was known that it was the heart of the sky and the moon? But only the entrance has windows, and the rest of the space is made up of walls, resulting in poor indoor lighting. At this point, it is time to test the designer's abilities.
针对于项目先天环境铺开设计策略,还是运用在地性文化作为基础设计思路,既然是茶文化的概念会所,首先要体现的就是曲径通幽,先抑后扬,豁然开朗的采茶之路和幽闭环绕的山场气息。
In response to the inherent environment of the project, the design strategy should still use local culture as the basic design concept. Since it is a concept club of tea culture, the first thing to reflect is the winding path leading to a secluded place, first sup
p
ressing and then rising, and suddenly opening up the tea picking road and the enclosed mountain atmosphere.
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天心明月丨中国福州丨引筑工艺美学-20
将原本直冲路口的大门与门口的死角做了对调,将大门两部阶梯平台改成户外景观,而入口巧妙安置在拐角处,鱼鳞状的透水砖就像山场的茶天层层叠叠。
The original entrance to the intersection was swapped with the blind spot at the entrance, and the two stepped platforms of the entrance were transformed into outdoor landscapes. The entrance was cleverly placed at the corner, with fish scale shaped permeable bricks layered like tea fields in the mountains.
天心明月丨中国福州丨引筑工艺美学-23
天心明月丨中国福州丨引筑工艺美学-24
门口开放茶区的开窗里营造一种里外不分的空间视觉,让品茗者沉浸茶香。
The window opening in the tea area at the entrance creates a visual space that is inseparable from the inside and outside, allowing tea drinkers to immerse themselves in the aroma of tea.
天心明月丨中国福州丨引筑工艺美学-27
空间一步一景,将武夷山慧苑坑的山场采茶路作为动线,将每个茶室以内建筑形式表现其中,结合室内空间深色涂料塑造的神秘氛围搭配月球灯的装饰,不但规避了采光差的劣势,反而成为场景中私密的场景氛围,地面的老木板走过时发出咯吱咯吱吟诵,仿佛看见制茶师傅忙碌的身影,更加贴合品牌属性。
The space is one step at a time. The tea picking road in the mountain of Huiyuan Pit in Mount Wuyi is taken as the moving line, and the architectural forms in each tea room are expressed in it. Combining the mysterious atmosphere shaped by dark paint in the indoor space with the decoration of moon lights, it not only avoids the disadvantage of poor lighting, but becomes the private scene atmosphere in the scene. The old wood on the ground gives out creaking chants when passing, as if to see the busy figure of the tea maker, which is more consistent with the brand attributes
天心明月丨中国福州丨引筑工艺美学-30
空间客观原因,越往里走越狭窄,越是闭塞的空间越要表达出开敞的味道,因此设计了一个环绕动线的玻璃凉亭,瞬间带来豁朗开朗的视觉状态。仿佛看见陆羽隐约的身影。
Due to objective spatial reasons, the further one goes, the narrower the space becomes, and the more enclosed the space becomes, the more it needs to express an open atmosphere. Therefore, a glass pavilion was designed to surround the flow line, instantly bringing a spacious and cheerful visual state. As if seeing the faint figure of Lu Yu.
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天心明月丨中国福州丨引筑工艺美学-34
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