Nia 烘焙店丨哥伦比亚丨Crearq

位于卡塔赫纳的这家糕点店的室内设计如同切开后的水果，深入研究了纤维的概念。源自山脉的Nía激发着Talia Richard和Hart Bageri探索哥伦比亚热带水果，然后将其精髓抽象化，并在卡塔赫纳这座拉丁美洲最受欢迎的旅游城市之一创造出与众不同的美食。他们的探索启发了哥伦比亚的Crearq设计工作室的创意团队，将这一概念转化为室内设计并进一步深化。

Just like fruits transform when they open up, the interior design proposal of this pastry shop in Cartagena delves into the fibers of conceptual design. Nía, derived from the mountain range, served as the main inspiration that led Talia Richard and Hart Bageri to explore Colombian tropical fruits, subsequently abstracting their essence and creating a gastronomic offering different from the usual in one of Latin America’s most touristic cities. This exploration served as a starting point for the creative team at the Colombian design studio Crearq to translate this concept into interior design and push it further.

▼门头，storefront © Mónica Barreneche

该项目位于城市历史中心的一栋老房子里，以前曾是一个公证处。建筑师María Adelaida Herrera说：”从一开始，Nía 的品牌推广机构就对我们说要发现未知之美，而这正是我们所做的，”她与建筑师Miguel León一起领导Crearq的设计工作。

The project was developed in an old house located in the historic center of the city, where a public notary office previously existed. “From the beginning, Nía’s branding agency spoke to us about discovering the beauty of the unknown, and that’s exactly what we did,” says architect María Adelaida Herrera, who, along with architect Miguel León, led the design at Crearq.

▼室内概览，interior overview © Mónica Barreneche

他们逐一拆开层层的干墙、隔墙和架子，揭示出卡塔赫纳典型家庭住宅的基本要素，例如由粘土瓦片、石块和手工砖拱层层交织组成的原始挑高坡屋顶，以及地板、墙壁上的水泥瓦片。

They gradually uncovered layers of drywall, partitions, and shelves to reveal essential elements typical of Cartagena’s domestic architecture, such as the original double-height gabled roofs composed of layers of interwoven clay tiles, stone and handmade brick arches, and hydraulic tiles on floors and walls.

▼家具组合，furniture and art pieces © Mónica Barreneche

物质性和色彩吸引着感官，作为关键元素诠释了水果的隐喻，即僵硬而多彩的外表与纤细而苍白的内部之对比。” Herrera补充说：”根据观察的角度不同，糕点店的质地和形状也完全不同。”建筑师这里指的是墙壁、饰面和家具从绿色到赤褐色，从一个空间到另一个空间逐渐变化，模拟了美果榄水果的外部和内部。在主休息室的两个月牙形沙发上，能看到紫红、洋红和热带石榴的色调，以及山梅自上而下切开的蜗牛状圆形截面。

Appealing to the senses, materiality and color were key tools for interpreting the metaphor of the fruit’s rigid and colorful exterior versus its fibrous and pale interior. “Depending on the angle you look from, the pastry shop completely changes in terms of textures and shapes,” adds Herrera. With this, the architect refers to the notable change in walls, finishes, and furniture that vary from green to terracotta from one space to another, simulating the exterior and interior of a sapote fruit. The fuchsias, magentas, and hues reminiscent of tropical pomegranates, and the snail-shaped roundness of a top-down cut of a raspberry, are evident in the two crescent-shaped sofas in the main lounge.

▼一瞥，a glimpse © Mónica Barreneche

▼吧台，bar counter © Mónica Barreneche

此外， Ángela Ramos创作的大型挂毯画将人们的目光聚焦在展示柜上，散发出独特的有机质感。“如果用显微镜观察水果，你会发现层层交织的纤维，”她补充说：”我们的目标是再现这种自然界固有的生物组织，将其转化为一件触觉艺术品。”

Furthermore, the large-scale tapestry created by Ángela Ramos, which focuses attention on the display case, exudes a unique organic quality. “If you observe fruits microscopically, you discover layers of intertwined fibers. We set out to recreate this biological tissue inherent to nature, turning it into a tactile work of art,” she adds.

▼灯具，lamp © Mónica Barreneche

▼灯具特写，lamp close-up © Mónica Barreneche

▼饰面和家具，finishes and furniture © Mónica Barreneche

在设计工作室对材料和色调的进一步探索中，诸如位于中央的由Alta Estudio设计、采用南部土著社区手工技术打造饰面的两张桌子，形似无花果的金属天花板灯，以及将光线折射为空间增添色彩的彩色玻璃落地灯等作品，都变得不可或缺。这些元素可以比肩厨师装盘时的一丝不苟，在上菜前加入最精致的细节。入口处和主休息室的石灰华地板中和了色调，成为休息室和卫生间的奶油色及赤陶色棋盘格图案的序幕。

Further into this material and chromatic exploration by the design studio, pieces such as the two center tables veneered with artisanal techniques by indigenous communities in the south of the country and designed by Alta Estudio, as well as the metal ceiling lamps resembling figs and the stained glass floor lamps refracting light and coloring the space, become indispensable. These elements could be compared to the meticulousness of a chef in assembling a dish, adding the finest details before serving it. The travertine floor in the entrance and main lounge neutralizes the palette and serves as a prelude to the checkerboard pattern in cream and terracotta that dominates the interior lounge and bathrooms.

▼中庭，patio © Mónica Barreneche

“好的设计始于事物的核心，这就是我们对待这个项目的态度。我们与Talia、Hart和Pierre Layolle的研究密切联系，以创造力为基础，以意想不到的方式将概念具体化，从而做出了充满活力的回应”，建筑师总结道。

“A good design begins with the essence of something, and that’s how we approached this project. We connected with Talia, Hart, and Pierre Layolle’s research and responded with a dynamic based on creativity and the materialization of an idea in an unexpected way,” conclude the architects.

▼一角，a corner © Mónica Barreneche

▼卫生间，bathroom © Mónica Barreneche

Conceptualization and interior design: Crearq

Words and Photography: ©Mónica Barreneche

Source: El Buen Ojo @elbuenojo

Project size: 273 m2

Completion date: 2024

Building levels: 1