荆楚非物质文化传承院丨中国荆州丨辑禾设计工作室

2024/09/14 14:06:41

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荆楚非遗传承院的建设历时六年，从首期到四期，由最初的楚式漆器髹饰技艺项目，发展到楚式斫琴、磨鹰飞筝、淡水贝雕、楚绣、郢城泥陶、楚简制作、榫卯、木雕等多种非遗传承项目集聚的展示与传承基地（以下简称传承院）。项目占地 3.2 万平方米，规划建筑总面积 3.28 万方，根据建设时序共分为五期，已建成四期约 1.29 万方。建筑的面貌不断演变、杂糅，而空间的体验感和氛围的感染力却丰富而统一。

The construction of the Jingchu Intangible Cultural Heritage Park spanned six years, from the first to the fourth phase. It evolved from the initial project of Chu-style lacquerware decoration to a demonstration and heritage base that now includes a variety of intangible cultural heritage projects, such as Chu-style zither making, eagle kite crafting, freshwater shell carving, Chu embroidery, Yingcheng pottery, Chu bamboo slip production, mortise and tenon joinery, and wood carving (hereinafter referred to as the Heritage Park). The project covers an area of 32,000 square meters, with a planned total construction area of 32,800 square meters, divided into five phases according to the construction sequence. Four stages have been completed, covering approximately 12,900 square meters. The architectural appearance has continually evolved and blended different styles, yet the spatial experience and the atmosphere remain rich and unified.

▼园区鸟瞰图，Aerial view of the park © 此间建筑摄影-赵奕龙

▼园区与周边环境，Parks and surroundings © 此间建筑摄影-赵奕龙

1、初心与雏形

Beginnings and prototypes

大漆工艺作为传承院的主要项目，我们将其作为传承院一期工程的主要展示内容。在紧邻艺术高中的一侧，打造了一个园林式的入口，穿过游廊与入口水景，借由艺术化的漆树意向装置翻开了传承院场景叙事的开篇。

Lacquerware craftsmanship, as the main project of the Heritage Park, was chosen as the primary exhibition content for the park’s first phase. A garden-style entrance was created adjacent to the Art High School. The Heritage Park narrative is introduced through the corridor and the entrance water feature, beginning with an artistic lacquer tree installation.

▼大漆文化展厅入口， Entrance to Lacquer Culture Exhibition Hall © 此间建筑摄影-赵奕龙

▼大漆文化展厅的漆树装置，Lacquer tree installation at the exhibition hall © 此间建筑摄影-赵奕龙

▼两个展厅间的庭院和连廊，The courtyard and corridor between the two exhibition halls © 此间建筑摄影-赵奕龙

▼由大漆匠人工坊改造而成的展厅与室外环境联通，

The exhibition hall transformed from a lacquer craftsman’s workshop connects to the outdoor environment © 此间建筑摄影-赵奕龙

▼漆器工艺展厅，Lacquerware Craftsmanship Exhibition Hall © 此间建筑摄影-赵奕龙

▼漆器成品展厅，Finished Lacquerware Exhibition Hall © 此间建筑摄影-赵奕龙

2、生长与融合 Growth and Integration

在传承院二期的建设中，我们主要围绕‘生长‘与’融合‘来整合新增的元素，其中包括非遗传承人的拜师广场，新的工坊与庭院空间等等。通过庭院组合形成两进三跨的院落完型，完成形态的生长，通过融入长江中下游流域民居的多元特点，来呼应传承院中多项非物质文化遗产和衷共济、和而不同的精神内核。

In the construction of the second phase of the Heritage Park, we focused primarily on ‘growth’ and ‘integration’ to incorporate new elements, including the Master-Apprentice Square for inheritors, new workshops, and courtyard spaces. The combination of courtyards forms a two-entry, three-span courtyard layout, reflecting the growth of the structure. By integrating the diverse characteristics of traditional dwellings from the middle and lower reaches of the Yangtze River, we aim to echo the core spirit of harmony in diversity that underlies the various intangible cultural heritage elements in the park.

▼规整对称的廻廊，Symmetrically arranged corridor © 此间建筑摄影-赵奕龙

▼拜师广场，Master-Apprentice Squarer© 此间建筑摄影-赵奕龙

▼拜师广场旁的游廊空间，Corridor space next to the Master-Apprentice Square © 此间建筑摄影-赵奕龙

▼穿插其中的天井空间，Interspersed courtyard space © 此间建筑摄影-赵奕龙

▼后庭院的中间游廊区分隔两个并置的空间，The central corridor of the rear courtyard separates the two adjacent spaces © 此间建筑摄影-赵奕龙

▼连通一二期的江南门廊， Gangnam Porch connecting Phase I and II © 此间建筑摄影-赵奕龙

3、颠倒与重构

Reversal and Reconstruction

在首期工程到四期工程的六年时间里，传承院持续新建扩展的同时，功能的转变也改变了园区的流线。传承院有了对外直接开放的需要，由此形成了第二个入口。我们将面向校园的入口打造得更加内敛精致，面向城市的入口则采用了开放包容的广场形态。整体以游廊、幽径、步道等形成了环形的游览路线。传承院虽因建设周期问题形成了两个入口，却不影响游客游览体验，园区参观流线清晰简洁。

During the six years from the first to the fourth phase of construction, the continuous expansion of the Heritage Park brought functional changes that also altered the flow of the park—the need for direct public access led to a second entrance. We designed the entrance facing the campus to be more restrained and refined, while the entrance facing the city features an open and inclusive plaza layout. Overall, a circular route for visitors is created through corridors, winding paths, and walkways. Although the Heritage Park developed two entrances due to the construction schedule, it does not affect the visitor experience, and the park’s visiting routes remain clear and straightforward.

▼新入口与民艺工坊，荆河戏剧院，New entrance and folk art workshop, Jinghe theater © 此间建筑摄影-赵奕龙

▼民艺工坊区的林中小径，Forest path in the folk arts workshop area © 此间建筑摄影-赵奕龙

▼穿过工坊区的空中步道，Aerial walkway through the workshop area© 此间建筑摄影-赵奕龙

▼吊脚楼内部结构修复展示，Restoration of the internal structure of the stilted building © 此间建筑摄影-赵奕龙

4、聚合与散落

Aggregation and Dispersion

四期工程在承接传承院既有院落的基础上，聚合形成了荆河戏剧场前后的小广场和庭院空间。而剧场则一反传统布局形式，将展厅、化妆、卫生间等辅助功能分解，以小体量的形式散落前后，成为新生的院落和路径组织，融合进既有脉络之中。

Building upon the Heritage Park’s existing courtyards, the project’s fourth phase created small plazas and courtyard spaces in front of and behind the Jinghe Theater. Unlike the traditional layout, the theater breaks down auxiliary functions such as exhibition halls, dressing rooms, and restrooms into smaller structures scattered around the front and back, forming new courtyards and pathways that integrate seamlessly into the existing layout.

▼荆河戏剧场后的水池与游廊，The pool and verandah behind the Jinghe theatre © 此间建筑摄影-赵奕龙

▼连接化妆间的剧场入口空间，Theater entrance space connected to the dressing room © 此间建筑摄影-赵奕龙

5、空间的预谋与应变

Premeditation and contingency of space

在长达六年的建造时间中，我们不仅新建建筑，同时也根据不断改变的功能需求，在前期建筑原有格局上进行空间改造。

During the six years of construction, we built new structures and renovated existing spaces based on the evolving functional needs of the earlier buildings.

▼匠人工坊改造为技艺展厅，Craftsman’s workshop transformed into an art gallery © 此间建筑摄影-赵奕龙

▼大师工作间改造为漆器成品展厅，Master’s workshop transformed into a finished lacquerware showroom © 此间建筑摄影-赵奕龙

▼地下车库改造为漆器工坊，Underground garage transformed into lacquer workshop © 此间建筑摄影-赵奕龙

6、材料的质朴与包浆 Material’s simplicity and patina

在一个叙事空间里，历史感是整个建筑叙事的氛围关键。传承院在材料上主要采用青砖、混凝土、瓦片、鹅卵石，简单质朴；在空间装饰上，我们通过传统隔窗、花窗、月门、旧磨盘拼成的小路、游廊旁的石墩等，借由材料的传统意向让空间始终沉浸在历史氛围里。

In a narrative space, the sense of history is key to the overall atmosphere of the architectural narrative. The Heritage Park primarily uses materials such as blue bricks, concrete, tiles, and pebbles, which are simple and unadorned. Regarding spatial decoration, we incorporate traditional elements like partition windows, decorative windows, moon gates, pathways made from old millstones, and stone stumps beside the corridors. These traditional materials and elements help to immerse the space in a historical ambiance.

▼新空间中的旧材料，Old materials in new spaces © 此间建筑摄影-赵奕龙

▼改造后的吊脚楼休息亭，The renovated stilt house-style rest pavilion© 此间建筑摄影-赵奕龙

▼传统空间形式与旧摆件的组合，Combination of traditional spatial forms and old furnishings © 此间建筑摄影-赵奕龙

7、形式的混搭和拼贴

Mixing and collaging of forms

我们将一栋已经废置了的吊脚楼老民居从恩施偏远山区迁建过来，通过改造重构成为了非遗工坊、休息亭等空间。现代材料与传统木构架浑然一体，新旧材料相互碰撞，给游客带来更新颖、更有趣的空间体验。

We relocated an abandoned old stilt house from the remote mountains of Enshi and transformed it into spaces such as an intangible cultural heritage workshop and rest pavilion. The structure was reconfigured through renovation, blending modern materials with traditional wooden frameworks. The interplay of new and old materials creates a novel and engaging spatial experience for visitors.

▼连接吊脚楼改造的贝雕工坊与学术报告厅的步廊，

Walkway connecting the renovated stilt house-style shell carving workshop and the academic lecture hall © 此间建筑摄影-赵奕龙

▼改造后的吊脚楼休息亭与学术报告厅的新旧对比，

Comparison of the old and new between the renovated stilt house-style rest pavilion and the academic lecture hall© 此间建筑摄影-赵奕龙

▼架在新建筑上的可上人吊脚楼休息亭，Stilt house-style rest pavilion perched on the new building© 此间建筑摄影-赵奕龙

▼立面新旧材料的拼贴，Collage of old and new materials on the facade © 此间建筑摄影-赵奕龙

▼新旧建筑的场景拼贴，Collage of old and new architectural scenes © 此间建筑摄影-赵奕龙

▼旧材料修建的新建筑和废弃吊脚楼改造而成的建筑，On one side is a new building made of old materials, and on the other side is a building converted from an abandoned stilt house© 此间建筑摄影-赵奕龙

8、活态化展示 Revitalized display▼设有观察井的漆器荫房上方空间，Space above the lacquerware shade house with observation wells © 此间建筑摄影-赵奕龙

▼贝雕工坊上的活态工艺展示空间，游客可以通过玻璃观察下方的匠人工作，Craft display space above the shell carving workshop, where visitors can observe the artisans working below through glass © 此间建筑摄影-赵奕龙

9、体验感场景 Experiential scenarios 斫琴坊内形如幽谷的琴厅，其设计灵感来源于琴师与设计师交流时提及的一次洞穴演奏体验。琴厅设计仿造洞穴形式，采用做旧混凝土浇筑而成，顶部大开天窗引入天光，整个空间幽而不黝，端庄典雅，如琴之特质，沉静浩然。端坐其间，琴师与游客两个独特的经历个体，也有了“洞穴听琴”的共同体验。

The zither hall within the zither workshop, shaped like a secluded valley, was inspired by a cave performance experience mentioned during discussions between the zither master and the designer. The hall’s design mimics the form of a cave constructed from aged concrete with a large skylight at the top to bring in natural light. The space is serene and elegant, reflecting the qualities of the zither—tranquil and profound. Seated within, both the zither master and visitors, though having unique experiences, share a familiar cave-inspired zither experience.

▼幽静的琴厅，Serene zither hall © 此间建筑摄影-赵奕龙

▼“峡谷”光影，Light and shadow like a canyon © 此间建筑摄影-赵奕龙

10、文化建筑的新形态

New form of cultural architecture

荆州非遗传承院建成至今，其建设、运营及影响力已成为了荆州市非遗的代表性典型项目。非遗传承院以楚式漆器髹饰技艺为特色，与清华大学美术学院共建的国家文旅部传统工艺工作站开展了常态化的日常研究与培训工作。每年有多场大赛、活动吸引众多国际国内的漆艺同行和非遗爱好者来此学习交流。

Since its completion, the Jingzhou Intangible Cultural Heritage Park has become a representative model project for intangible cultural heritage in Jingzhou. The park features Chu-style lacquerware decoration techniques and conducts regular research and training activities in collaboration with the National Traditional Craft Workstation established with Tsinghua University’s Academy of Arts and Design. Numerous competitions and events attract international and domestic lacquer art practitioners and intangible cultural heritage enthusiasts for learning and interaction each year.

▼学术报告厅兼可提供书吧服务的多功能厅

The Academic Lecture Hall can also be used as a multi-functional hall with a book cafe service.

▼多功能厅外的休憩广场，Recreation plaza outside the multi-functional hall© 此间建筑摄影-赵奕龙

社会大众对传承院良好的基础设施条件、浓厚的传统文化氛围、鲜明的非遗场所特质都表达了高度认同。在这样的建筑实践过程中，我们于非遗建筑设计也好像找到了相似的传承路径。传统文化的继承既不关乎符号也不局限风格，投射在建筑与环境中更多的是文化意境与氛围，和对生活的回应。

The public has expressed high recognition for the Intangible Cultural Heritage Park’s excellent infrastructure, rich traditional cultural atmosphere, and distinctive intangible cultural heritage characteristics. In this architectural practice, we have found a similar inheritance path in intangible cultural heritage building design. The preservation of traditional culture is not about symbols or is limited to styles; instead, it is reflected in the cultural meaning and ambiance of the architecture and environment and the response to life.

▼多功能厅内的书吧，Book cafe in the multi-functional hall© 此间建筑摄影-赵奕龙