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青田·EMILY买手店丨中国丽水丨止向设计

2024/09/24 12:08:13

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城市建筑，贯连了地域文化，烙印下历史印记。鳞次栉比的砖墙应和自然存在，交映出当今生活的重要“切面”……

Urban architecture, connected with regional culture, imprinted under the imprint of history. The row upon row of brick walls should exist with nature, reflecting important “facets” of today’s life…

▼室内概览，overview of the space©ingallery

自然“副本”

Natural “copy”

辟得城市一隅，克制构建，围创“自在”且素然的空间。杂糅“多元性”的场域营造，总是意图寻得某种潜移默化的形式融入城市文脉，又恰如其分地流露出鲜明个性。

Set aside a corner of the city, restrain construction, and create a “free” and natural space. The construction of the field combined with “diversity” is always intended to find some subtle form into the urban context, and appropriately reveal the distinctive personality.

▼入口，entrance©ingallery

▼杂糅“多元性”的场域营造

the construction of the field combined with “diversity”©ingallery

折射特定生活方式：向内求索，外延伸展；静默在日常的不经意间，汇聚精神盘亘的向往。EMILY 依托品牌内核探索、尝试，存在于物质之上，追寻精神丰沛的人生；续联过往的“注脚”，熙来攘往，构建理想主义的“乌托邦”。

Reflect a particular way of life: seek inward, extend outward; Silence in the daily inadvertently, the convergence of spiritual yearning. EMILY relies on the core of the brand to explore and try, exists on the material, and pursues a spiritual life; Continue to link the “footnotes” of the past, and build an idealistic “utopia”.

▼折射特定生活方式，reflect a particular way of life©ingallery

关于“时尚”的议题，囊归为生活的一部分；结合当代语境，同“自然”主题同频脉动，拟态新解，重构自然“副本”的场域。

On the topic of “fashion”, the bag is classified as a part of life; Combined with the contemporary context, it pulsates with the theme of “nature” at the same frequency, mimics new solutions, and reconstructs the field of natural “copy”.

▼重构自然“副本”的场域，reconstructs the field of natural “copy”©ingallery

多重“叙事”

Multiple “narratives”

前瞻式商业场所，在契合品牌价值取向并兼顾“在地性”的同时，采用差异化设计策略强调空间张力。由表及里——建筑于外，作为城市构建的元素，链接地域文化与当代人生活方式；空间于内，聚焦人文符号的提炼、保留，回应时代背景下人的主要述求，成为维系生活日常的纽带。

Forward-looking business place, in line with the brand value orientation and taking into account the “local” at the same time, the use of differentiated design strategy to emphasize the space tension. From the outside to the inside – architecture, as an element of urban construction, links regional culture and contemporary life style; The space is inside, focusing on the refinement and preservation of humanistic symbols, responding to the main requirements of people in the background of The Times, and becoming a link to maintain daily life.

▼几何形态凸显材质纹理，geometric forms highlight the texture of materials©ingallery

复合自然图景的清新流俗间，审视“人”作为原点，铺展有关潮流的多重叙事——几何形态凸显材质纹理，援引艺术语言对自然元素进行提取、转译，并置入空间的适切区域；其存在既承载功能属性，又规划并暗示动线，此种深层次的构造探索促成界面间或贯通、或隔而不断、或划分有序……

Between the fresh and common customs of the complex natural landscape, we examine “people” as the origin, and spread out multiple narratives about trends. Geometric forms highlight the texture of materials, extract and translate natural elements with artistic language, and place them in the appropriate areas of space. Its existence not only carries the functional attributes, but also plans and implies the moving line, such deep structural exploration contributes to the interface or through, or separated continuously, or divided orderly…

▼几何形态凸显材质纹理，geometric forms highlight the texture of materials©ingallery

交互、并置、叠合，强调独特性的空间范围里，完成对周遭环境的无声嵌入，成就彼此“拥抱”且外向的开放姿态。

Interaction, juxtaposition and superposition, emphasizing the unique spatial scope, complete the silent embedding of the surrounding environment, and achieve each other’s “embrace” and extroverted open attitude.

▼成就彼此“拥抱”且外向的开放姿态，

achieve each other’s “embrace” and extroverted open attitude©ingallery

时间“意象”

Time “image”

无论是外立面岩板的光滑质感所保留的细腻纹理，亦或是室内墙面艺术涂料搭配木饰面组合，设计着力营造“同自然共赴”的场景印象。天然材料随机纹理呼应不锈钢的冷峻、艺术玻璃的清冽光泽，随即创造一种过往同现今碰撞、随性与严谨交织的丰盈体验。

Whether it is the delicate texture retained by the smooth texture of the rock panels on the facade, or the combination of art paint and wood finishes on the interior walls; the design focuses on creating a scene impression of “going with nature”. The random texture of natural materials echoes the cold of stainless steel and the crisp luster of artistic glass; this creates a rich experience where the past collides with the present, where casualness and rigour intersect.

▼营造“同自然共赴”的场景

creating a scene impression of “going with nature”©ingallery

▼天然材料随机纹理，the random texture of natural material©ingallery

以“框”成“景”，层层递进；光影嬉戏间犹如透过相机的镜头，把时间的“意象”定格、收藏。光与影嬉戏，同时间和鸣；情绪潜藏在细致末微的细节里，张力积蓄在灵动的氛围间——然后，娓娓道来，直抵内心。

To “frame” into “scenery”, layer by layer progress; The play of light and shadow is like through the lens of the camera, and the “image” of time is frozen and collected. Light and shadow play, with time and singing; Emotions lurk in the subtle details, the tension is stored in the dynamic atmosphere – and then, speaking, straight to the heart.

▼以“框”成“景”，to “frame” into “scenery”©ingallery

▼把时间的“意象”定格，the “image” of time is frozen ©ingallery

消隐“内聚” Hidden “cohesion” 舍弃空间之于“人”的单向“输出”模式营造，在 EMILY 一层“L 型”创设舒缓的半围合“内聚”区域，结合看似随意摆放的软装来完成概念表达，暗示“慢节奏”的交互场景。

Abandoning the one-way “output” pattern of space for “people”, the “L-shape” on the first floor of EMILY creates a soothing semi-enclosed “cohesive” area, which is combined with seemingly random soft clothing to complete the concept expression, suggesting a “slow rhythm” interaction scene.

▼创设舒缓的半围合“内聚”区域

soothing semi-enclosed “cohesive” area©ingallery

透过感官，审视空间存在对场景的塑造可能——舍弃可见的实体边界，适度退让、消隐；然后，以更为包容的姿态接纳不同“可能性”涌现。沙发椅错落放置，视线随旋梯缓慢上升的螺旋，把下侧多方互动、直播展示的场景收纳眼底。

Through the senses, examine the possibility of space to shape the scene — abandon the visible physical boundary, moderate surrender and disappear; Then, in a more inclusive manner, different “possibilities” emerge. The sofa chairs are placed at random, and the sight rises slowly with the spiral of the spiral ladder, bringing in the scene of multi-party interaction and live display on the lower side.

▼以更为包容的姿态接纳不同“可能性”涌现，different “possibilities” emerge©ingallery

▼视线随旋梯缓慢上升，the sight rises slowly with the spiral staircase©ingallery

▼沙发椅错落放置，the sofa chairs are placed at random©ingallery

裸露水泥面简素灰调，呼应大地色系的内敛、沉稳，在多元材质组合的“碰撞”中，凝练“琥珀色”的灵动之“美”。

Bare cement surface simple gray tone, echoing the earth color system of introversion, calm, in the combination of multiple materials in the “collision”, condensed “amber” smart “beauty”.

▼裸露水泥面，bare cement surface©ingallery

时尚“之外” Fashion “outside” 关于“时尚”的内涵，并非空间迫切想要解读并刻画的重点；“人”的主观体验和感觉，才是设计的核心目的。

The connotation of “fashion” is not the key point that space urgently wants to interpret and depict; The subjective experience and feeling of “people” is the core purpose of design.

▼注重“人”的主观体验和感觉，

所谓时尚“之外”：其实是在“走进”以后，然后跳出既有框架的桎梏；抛开“约定俗成”，梳理核心线索，从而创造一种自然而然的适切状态。

The so-called “outside” of fashion: in fact, after “entering”, and then jump out of the shackles of the existing framework; Set aside “conventions” and comb through core clues to create a natural state of relevance.

吸引、感受、参与、接纳、融入……遵循概念本身而保留的裸露、粗糙材质，同建筑结构相互成就并加以呈现；具有“探索性”的设计角度，创造意料之外、情理之中，场域之“美”的常驻地。

Attract, feel, engage, accept, integrate… The bare and rough materials retained in accordance with the concept itself are mutually achieved and presented with the architectural structure; With an “exploratory” design perspective, create unexpected, reasonable, the “beauty” of the field.