黄龙山脉·紫砂矿源博物馆丨中国无锡丨东南大学建筑学院+Atelier XÜK

Architects:Architecture School of Southeast University,Atelier XÜK

Area:2435m²

Year:2024

Manufacturers:Yixing DingCheng Bricks Industry CO.,LTD.,Yixing Juntao Research Institute

Lead Architects:Xu Zhang, Kenan Liu

Interior Design:Fengyuzhu

Interior Design Consultant:Atelier XÜK

Landscape Design:Atelier XÜK,Jiangsu Henghong Construction Consulting CO., LTD

Historical Research And Project Scheme:Xu Zhang, Yang Shen

Design Team:Xiaoxia Shi, Yiming Yang, Shiyun Sun, Lanxi Li, Hua Xu, Yin Song, Tianze Yu, Tao Zhang, Ang Li, Xinqi Dong, Tong Niu (Intern), Yuanlanyi Zhao (Intern)

Clients:Construction Bureau of Dingshu Town

Exhibition:Fengyuzhu

City:Wu Xi

Country:China

Text description provided by the architects. Ink has five pigments, and clay has five colors. Chinese people write with ink and cast utensils with clay, which gave birth to the Chinese culture.The shore of Taihu Lake and the continuing range of Tianmu Mountain have created the terrain and mineral context of Dingshu.The Chinese culture veins, the Dingshu terrain veins, and the Zisha mineral veins are the source of inspiration for the Huanglong Mountain·Zisha Mineral Source Museum.

Project BackgroundDingshu Town, which is located in the southeast of Yixing City, is well known as the "Capital of Pottery". Huanglong Mountain has been a producer of high-quality Zisha raw materials (a special type of clay) since ancient times in the history, and can be named as the "Source of Zisha". This project specifies the protection strategy for the No. 4 mine historical remains and designs the Zisha Mineral Source Museum.

No. 4 MineThe No. 4 Zisha mine of Huanglong Mountain was first built in 1972, while stopped mining in 1997. In 2009, it was announced as a municipal cultural relic protection unit by the Yixing Municipal Government.

Design Concept- Integrated Design: Strive to respect the site, rather than oppressing the environment, and guiding tourists to discover and roam naturally in the territory.- Space for Communication and Integration: The five blocks symbolize five 'Golden Flowers', and the surface of the glazed tiles transforms into five-color ink. A vortex-shaped exhibition route from the ground to the earth in the museum connects the three exhibition halls on the ground floor and the underground mine tunnel into one complete space.- Multi-media Exhibition: Using multi-media to simulate the real mining experience, so that this period of history can be reborn in a modern method.

Project SignificanceLaozi said, "By the existence of things we profit, and by the non-existence of things we are served." Both pottery and architecture interpret the wisdom of the ancient philosophers. Therefore, the No.4 mine ruins and the museum  are just like the entity and void, weaving together the old and new.

Project gallery

Project location

Address:Zisha Road, Dingshu Town, Yixing, China