旷野之屋丨新西兰丨Keshaw McArthur

坐落于新西兰皇后镇地区那片看似未经雕琢的自然景观之中，一个纯几何形态的建筑矗立于地上，为这片粗犷的风景增添了一抹醒目的点缀。

Set atop a geological shelf in the seemingly untouched landscape of New Zealand’s Queenstown region, an object of pure geometry punctuates the rugged vista.

由 Keshaw McArthur 设计的 Openfield House，以其简约体量优雅地嵌入山地地形之中。该住宅摒弃了室内与室外空间的界限，成为一座融入壮丽自然环境的居住载体。

Designed by Keshaw McArthur, Openfield House manifests as a composition of minimal volumes elegantly nestled in the mountainous terrain. By rejecting distinctions between interior and exterior spaces, the family home exists as a vehicle for living within the awe-inspiring natural context, celebrating an authentic connection to the earth.

提炼了“家”的概念，去除复杂性，让日常活动得以简洁方式进行，”Keshaw McArthur 联合创始人 Katrina Keshaw 解释道，“我们很早就讨论过要保留场地的活力，将房屋打造成一个休憩之所，就像是在一棵树下悠然度过一个下午的时光。”

这一低调的理念定义了一个总体设计方案，旨在打造一个能够适应多样化生活的住宅，这种生活方式源自对户外活动的热爱。

在注重实用性和功能性的基础上，还重视采用原始、真实的材料色调。

The project distils the notion of ‘the home’, removing complexity and facilitating everyday activities and tasks to occur in an unfussy and honest way,” explains Katrina Keshaw, co-founding director of Keshaw McArthur. “We talked very early on about retaining the raw energy across the site – the idea of the house being a place of respite, not retreat – akin to lying under a tree for an afternoon.” This understated vision defined the overarching design strategy for a home capable of supporting the varied and frequent comings and goings of an active family, a lifestyle inspired by a love of the outdoors. Alongside an essential consideration for utility and function, critical emphasis was placed on a raw, authentic material palette.

皇冠山脉（Crown Range）地块海拔约 700 米，拥有多变高山气候。恶劣天气也带来了辽阔的山景和山谷的壮丽景观。在温暖的季节里，周围田野被干枯的草丛覆盖，蜿蜒的溪流声在场地中回荡。通过自然之间的融合，与这片景观进行互动。Keshaw 表示，Openfield House 仅提供在此生存所必需的庇护，不削弱土地的强大能量，设计基于“身心合一”的理念。

The Crown Range site sits at an altitude of around 700 metres above sea level and is subsequently exposed to highly changeable alpine weather including significant annual snowfall. The trade-off for any adverse weather however is cultivated in the expansive mountainscape with epic views to the valley below. In the warmer seasons, a dry grass encompasses the surrounding field, with the sound of a meandering freshwater stream carrying across the site.

The designers chose to engage with the landscape by way of a curated dialogue between organic and inorganic, natural and manmade. The design strategy for Openfield House, Keshaw says, was to provide only the shelter necessary to exist here without negating the powerful energy of the land – based on the poetic idea of “connecting people to their human experience – the body and mind independently and as one.”

在整个概念设计的过程中，Keshaw McArthur 与 Matheson Whitely 发散思维，不在受制于自然条件。这座住宅以逻辑性的体量呈现，形式对称，其方形平面与波纹屋顶借鉴了该地区的小木屋和农业建筑。合理化的布局便于根据居住者的需求打开或关闭室内空间，而金字塔形的屋顶形式在广阔景观中提供了清晰的视觉焦点，它被构想为周围山峰的抽象表现。地面层采用九宫格布局，围绕中央开放式壁炉，设置了一系列可适应、可调整的房间。“该平面布局创建了一个连续的空间场，允许在其中自由移动，”Keshaw 解释道。空间内，几个混凝土体量定义了平面布局，并为开阔空间提供了静谧的时刻。隐藏的滑动窗和门营造了无边界的居住体验，邀请景观进入室内。屋顶的睡眠空间为人们提供了从更高视角与天空和山顶相连的机会。屋顶的开口连接星辰大海。

A design process involving collaboration with Jason Whitely of Matheson Whitely allowed for an extensive distillation of conceptual thinking, with continual ongoing dialogue between Auckland and London. The house manifests as a volume of logic, symmetrical in form and efficient in layout. A square plan and corrugated roof references historical structures of the region such as minor’s huts and agricultural structures. A rationalised layout facilitates the opening and closing of interior spaces to suit the needs of the occupants, and a pyramid-like roof form affords visual clarity in the vast landscape, conceptualised as an abstraction of the surrounding mountain peaks. Laid out across a nine-square grid, the ground floor consists of a series of adaptable, interchangeable rooms structured around a central open fireplace. “The plan establishes a continuous field, allowing free movement throughout,” explains Keshaw. Within this ‘field’ are several heavy concrete volumes that anchor the plan and provide moments of stillness across the open spaces. Concealing sliding windows and doors commits to the sense of transparent thresholds and open edges that invite the landscape inwards. Within the void of the roof, a sleeping space provides opportunities to connect to the sky and mountaintops from a higher vantage point. Here, a single gesture – a bold circular aperture – establishes a meaningful and whimsical connection to the exterior.

Openfield House 所运用的材料色调与质感，展现了高山环境的独特美感。从室内到室外，自然石材与木材的和谐融合，让人感受到这座建筑始终是这片景观中不可或缺的一部分。

坚实的混凝土体量从地面升起，仿佛是崎岖地形的延伸，而一系列雪松木盒则在其基础上聚集，覆盖着一个简单的波纹金属屋顶。

这种对材料的克制，服务于一个有意为之的元素层级——“从一开始，我们就基于一种抽象的概念来处理材料和构造，”Keshaw 说道，“如果轻盈的屋顶和墙体元素有朝一日不复存在，留下的将是从地面升起的混凝土元素的废墟。”

The beauty of the alpine context can be seen in the texture and tone of the material palette applied across Openfield House. A cohesive integration of natural stone and timber from interior to exterior harbours a sense that this building has always been a permanent fixture of the landscape. A solid concrete mass pushes up from the land as an extension of the rocky terrain, the foundation atop which a collection of cedar boxes huddle under a simple corrugated metal roof. The considered material restraint is in service to an intentional hierarchy of elements – “from early on, there was an approach to the materials and construction based on an abstract notion” says Keshaw. “If the lightweight elements of roof and walls were ever to come down, that which remains would be a ruin of concrete elements rising up from the ground.”

色彩搭配是从周围景观的色调中精心提炼出来的，这一点在项目中大量使用的着色混凝土上最为明显。项目团队选择了一种不饱和的紫罗兰色调，以呼应该地区特有的大气雾霭下山峦的颜色，并通过反复的测试和采样过程进行了精炼。Keshaw 称混凝土地板和墙壁是“项目中最具挑战性的一环”，因为施工地点偏远，带来诸多困难和复杂性。“运送到现场的每一批混凝土都是单独着色的，因此，如果像我们所做的那样，想要在整个房屋内实现色彩均匀且高度可控的分布，保持一致性就颇具挑战。”外部环境为室内色彩搭配奠定了框架，厨房和浴室中的紫色斑岩石材与混凝土地板和墙壁相得益彰。为确保其他表面的色调一致，设计师 Katie Lockhart 也参与其中，以保证色彩的精准性。

The colour palette was carefully derived from the tones of the surrounding landscape, the efforts of which are most visible in a pigmented concrete featured heavily throughout the project. A desaturated mauve hue was selected as a reference to the colours of the mountains under the atmospheric haze unique to the region and was refined through an iterative process of testing and sampling. Keshaw describes the concrete floors and walls as “one of the most ambitious aspects of the project,” owing to the challenges and complexities of accessing the remote location. “Each batch of concrete brought to site is individually coloured, so consistency is challenging when the desire is to achieve a uniform and highly controlled distribution of colour throughout the house as we did.” The external environment set up the framework for the interior colours, with purple Porphyry stone complementing the concrete floors and walls in the kitchen and bathrooms. For tonal consistency on other surfaces, designer Katie Lockhart collaborated to ensure preciseness.

从本质上讲，Openfield House 以实用主义服务习惯于户外活动的家庭。然而，这座住宅的成功或许不在于其深思熟虑的平面布局和精致的细节处理，而在于它能够在滑雪靴挂起或山地自行车存放很久之后，依然保持着融入自然的感觉。正如 Keshaw 所述，Openfield House 的关键在于它“与地球、自然、我们的生命体验和不断变化的当下之间有着本质的联系”。

At its core, Openfield House functions with a utilitarian efficiency in service to the activities of a family accustomed to spending time outdoors. The success of this home, however, is perhaps not defined by the deeply considered floor plan and refined detailing, but rather by its capacity to maintain the sense of immersion within nature, long after the ski boots are hung up or mountain bikes stored away. The key to Openfield House, as Keshaw describes, is in its “essential connection to the earth, nature, our experience of life and the ever-changing present”.

平面图 ©Keshaw McArthur

项目名称 | Openfield House

项目地址 | 新西兰

建筑设计及室内设计 | Keshaw McArthur

概念设计 | Keshaw McArthur、Matheson Whiteley

设计顾问 | Katie Lockhart Studio

建筑施工 | CDL Building

景观设计 | Jared Lockhart Design

结构设计 | Hadley Consultants

艺术品 | Renee So、Dan Arps、Emma McIntyre、Milli Jannides

KESHAW McARTHUR 是一家由 Katrina Keshaw 和 Xuân McArthur Nguyễn 于 2014 年创立的屡获殊荣的建筑事务所。两位创始人在新西兰和日本广泛涉足不同规模和类型的建筑项目后，积累了丰富的经验。该事务所的业务范围广泛，涵盖住宅新建与改造、多住宅建筑、商业新建与再利用项目，以及为当地及海外客户提供的市政与文化设施建设。近年来，事务所还为众多享有盛誉的本地及国际品牌设计了家具与产品。KESHAW McARTHUR 致力于探索建筑、人与环境之间不断演变的关系。他们通过试验、即兴创作与启发性思考，创作出蕴含地域特色与交流感的作品。每个项目都是一次深化这一对话的契机，同时也为传统建筑基础赋予新的诠释。在设计项目时，他们深思熟虑地融入自然与形而上学的元素，细致考量选址的微妙之处及其与居住空间的关联。作品的内在特质与不断变化的环境产生了共鸣——将建筑简化至其核心本质——项目深深植根于空间领域与时间流逝的对话之中。Master Work

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