andwithen gallery 与其後丨中国杭州丨杭州水丁集设计

Possessed by memory

I have always liked a line from Zhuangzi’s Qi Wu Lun: "After ten thousand lifetimes, a great saint will come once again, and those who know his solution will meet him at dusk." This line is not difficult to understand, but experts still have different interpretations, but I think I will only choose one name. My interpretation is that even after going through countless lifetimes, there will always be those who know the solution. Such people will appear, just like the night meets the day, the moon meets the stars.

I think there is a sense of certainty and comfort here, with a blend of ancient and modern brilliance. From the perspective of the ancients, no matter what, believe in future generations; From the perspective of future generations, who said that at this moment, I am not in harmony with the ancients? I thought of Lu Ji again. He wrote in Wen Fu: "Observing the past and present in a moment, and pacifying the four seas in a moment."

If Zhuangzi tells a story of waiting, what I want to tell is the story after waiting.

-Mr. Xie

设计是将想法和线索转化为可视化、可触摸的实体。设计不仅是美学，更是功能和实用性的结合。

Design is the process of transforming ideas and clues into visual, tangible entities. Design is not only about aesthetics, but also a combination of functionality and practicality.

我们在做商业空间设计时，往往谈到最多的是策略，如何实现商业最大化，以及功用主义原则。但这次的空间与以往经验不同，无用大于功用。业主原打算将公司内部产品拍摄实验场景延伸至此，施工过程中不断调整策略。到最后完成的一刻，我们还未给空间真正定义，说它是买手店、艺术空间或私人艺术会客厅都不足以表达，我更想说它还未完成。正如谢先生所言，等待在这里发生的故事，同样等待未知的未来。

When we are designing commercial spaces, we often talk about strategies, how to maximize business, and utilitarianism as principles. But this time the space is different from previous experiences, useless rather than useful. The owner originally planned to extend the internal product shooting experiment scene of the company, and constantly adjusted the strategy during the construction process. At the final moment of completion, we had not given a true definition of the space. Rather than saying that it was not enough to express itself as a buyers shop, art space, or private art reception room, I would rather say that it was not yet completed. As Mr. Xie said, waiting for the story to happen here is also waiting for the unknown future.

我喜欢未完成的状态，可以有调整容错。就像艺术家完成作品的那一刻，就失去作品本身的意义，跟生命直达死亡一样无趣。探索是生命存在的意义最大化，这个空间是业主在当下自我探索的阶段性呈现。人不能仅有欲望，需要理想，更需要热爱。热爱的定义，我想是在欲望实现过程中加上时间的线索。

I like the unfinished state, which allows for adjustment and fault tolerance. Just like the moment an artist completes a work, losing the meaning of the work itself, it is as boring as life leading directly to death. Exploration is the maximization of the meaning of lifes existence, and this space is a phased presentation of the owners self exploration in the present. People cannot only have desires, they need ideals, and more importantly, they need love. The definition of love - I think it is adding the clue of time to the process of desire realization.

我们在不足 150 平的空间搭建了三维场域，入口圆形黑色玄关处仅有一盏微光燃起内心的希望，光影照耀着钢板建构的空间名牌 ANDWITHEN，正如 A SPACE FOR.....是时间凝固的书页打开时间的未知故事。

黑色圆环设置两道暗门，向左走是理想，向右走便是生活。

开门进入是一个工业化建构的方式，全裸露钢结构带来力量感，这与我们收集旧粮仓梁木结构的建造方式产生鲜明对比，一新一旧，亦新亦旧。

顺着旋转钢梯通向夹层精神内核的小世界——一间室，昏暗的空间贴着窗纸的微光，瞬间得到安静的氛围。

水丁集希望在空间的延续上设计一些有趣的家具，也是我们一直在探索空间家具化延伸的又一次尝试。

We built a three-dimensional field in a space of less than 150 square meters, and at the circular black entrance, there was only a faint light igniting hope in our hearts. The light and shadow shone on the steel plate constructed space brand ANDWITHEN, just like A SPACE FOU It is a book page frozen in time, opening an unknown story of time. The black ring is equipped with two hidden doors. Walking to the left is ideal, and walking to the right is life. Opening the door to enter is an industrialized construction method, with a fully exposed steel structure that brings a sense of strength, which is in stark contrast to the construction method of collecting old grain silo beams and wooden structures. It is both new and old. Follow the rotating steel ladder to the small world of the spiritual core in the mezzanine - Room One. The dim space is adorned with the faint light of window paper, instantly creating a peaceful atmosphere. We hopes to design some interesting furniture in the continuation of space, which is another attempt we have been exploring the extension of spatial furniture.

时间是创造过程中的一个维度，它影响着设计的演变、材料的选择及其使用。

Time is a dimension in the creative process that influences the evolution of design, the selection of materials, and their use.

水丁集创作团队

从 wemarch 公司办公总部到谢先生与书房，再到今日“未完成”的艺术空间 andwithen 与其後，正是时间上的线索。在下一篇章的住宅部分，是探索创意工作者职住一体新的生活方式。我们一起期待在这里之后发生的故事，有趣的生命价值将在有趣的空间里延展时间。

From the office headquarters of Wemarch company to Mr. Xie and his study, and then to today’s unfinished art space and within, it is the clue in terms of time. In the residential section of the next chapter, we will explore a new way of life for creative workers that integrates work and residence. We look forward to the stories that will happen here, and the interesting value of life will extend time in an interesting space.

平面布置图 ©水丁集

项目名称 | andwithen gallery 与其後

项目地点 | 杭州 博亚时代中心

项目类型 | 商业空间

主创设计 | 张晓军

设计团队 | 叶紫东，陈任，程成，倪旭辉

室内摄影 | ACT STUDIO

项目面积 | 150㎡

主要材料 | 砾晶石，老木梁，钢，玻璃砖

设计时间 | 2023.10-2023.12

建成时间 | 2024.9

张晓军 / 创始人

杭州水丁集设计 WATER TEAM DESIGN 由张晓军先生创立于杭州，是集小型建筑与室内空间一体的设计研究型机构。

“问渠哪得清如许，为有源头活水来”。水即有形，亦或无形。设计创新即从无到有，再有化无。秉承设计本身，坚持原创，不断革新设计能力，创造源头水。尊重建筑本身，创造独特室内设计语汇。注重对品牌文化的深度开发及独特气质美学的营造。关注细节的手工感呈现，我们一直坚信优质的设计是会增加客户价值和利益，创意灵敏度可以映射现在并预测未来，相信美学设计是通向变革和幸福的道路。

我们提供多维度解决策略。设计领域涉及商业空间、房地产、酒店、民宿、办公室、私宅等领域。团队年轻、激情、富有创造活力，并时刻保留着对未来的探索精神。

Master Work