2025大阪世博会乌兹别克斯坦馆丨日本大阪丨ATELIER BRÜCKNER

可持续建筑亮相2025日本大阪世博会：由ATELIER BRÜCKNER设计的乌兹别克斯坦国家馆现已开放。本届世博会以“为我们的生活设计未来社会”为主题，乌兹别克斯坦则以“知识之园——未来社会的实验室”为题参展，由乌兹别克斯坦艺术与文化发展基金会（ACDF）委托打造。该展馆象征着中亚国家步入新时代，代表着国家的成长与未来愿景。展馆遵循可持续原则，采用天然材料与模块化构建方式，设计已荣获德国设计奖金奖。展陈部分展示了乌兹别克斯坦丰富的历史遗产，并呈现其在科学、创新与转型方面的进展。

Sustainable architecture for Expo 2025 in Japan: The Uzbekistan Pavilion, designed by ATELIER BRÜCKNER, is now open. Expo 2025 in Osaka runs under the theme “Designing Future Society for Our Lives.” Uzbekistan is presenting itself with “Garden of Knowledge – A Laboratory for a Future Society”, commissioned by the Uzbekistan Art and Culture Development Foundation (ACDF). The pavilion symbolizes a new era for the Central Asian nation, representing growth and future perspectives. Following sustainable principles through the use of natural materials and modular construction, the design has already been awarded Gold at the German Design Award. The exhibition within the pavilion highlights Uzbekistan’s rich history and offers insights into the nation’s science, innovation, and transformation.

▼项目概览，overview of the project ©ATELIER BRÜCKNER

展馆设计体现了乌兹别克斯坦传统工艺精神，以现代语言和可持续建筑方式重新诠释。双层结构展馆占地1272平方米，展陈空间约860平方米，呈现出乌兹别克地貌的典型意象。展馆基座由砖与黏土构成，象征土地、根基与文化遗产。户外露台是一座8米高的木质雕塑，象征森林——既是庇护之所，也是知识交流的开放空间。柱林结构呼应传统庙宇与宫殿建筑中柱廊构成的空间形态。整体开放、通透、可达的设计为思想与发展预留了空间，体现出全方位的包容开放精神。所有参观者皆被邀请参与乌兹别克的当下转型进程，见证其未来蓝图的绘制。

The design of the pavilion reflects Uzbekistan’s traditional craftsmanship, reinterpreted in contemporary and sustainable architecture. The two-story pavilion, with a footprint of 1,272 sqm and around 860 sqm of exhibition space, presents an archetypal snapshot of the Uzbek landscape. The base, made from brick and clay, represents the earth, the roots, and the cultural heritage of the country. The open-air terrace, an 8-meter-tall wooden sculpture, represents the forest: a place of protection and an open space for the exchange of knowledge. The forest of columns references traditional temple and palace architecture, where colonnades shape spaces. The pavilion’s open, transparent, and accessible design leaves room for ideas and development, embodying openness in every direction. All visitors are invited to engage with the country’s ongoing transformation and experience Uzbekistan’s future in the making.

▼柱林结构呼应传统庙宇与宫殿建筑，the forest of columns references traditional temple and palace architecture ©ATELIER BRÜCKNER

展馆所用材料如木材、黏土、砖、砾石与土壤，皆为天然可再利用资源，并植根于乌兹别克传统文化，在当代背景下加以重新演绎。展会结束后，这些材料将完全回归自然或技术循环。例如，木雕装置可被拆解为模块化部件再次使用，参观者甚至可通过手机追溯木材来源。所有木材——来自大阪周边地区的本地杉木（sugi，扁柏）——皆取自区域性资源。

Materials such as wood, clay, brick, gravel, and earth are natural, reusable, and rooted in Uzbekistan’s tradition – reinterpreted in a modern context. After the Expo, they will be fully returned to either biological or technical cycles. The wooden sculpture, for instance, can be dismantled into modular units and reused. Visitors can even trace the exact origin of the wood via smartphone. All the timber used – sugi, a native variety of cypress – comes from regional sources near Osaka.

▼木材采用来自于大阪周边地区的本地杉木，all timber used come from regional sources near Osaka ©ATELIER BRÜCKNER

乌兹别克斯坦国家馆不仅是未来社会的实验室，也是社会学习空间。展览聚焦可持续发展目标（SDGs）中的第4、7与9项，展示教育、创新与可持续如何共同推动社会进步。展览以“生长”的过程为比喻：种子扎根土壤，萌芽、生长、开花、结果。

The Uzbekistan Pavilion presents itself as both a laboratory for a future society and a social learning space. The exhibition focuses on SDGs 4, 7, and 9, demonstrating how sustainability, innovation, and education are driving societal progress. The exhibition mirrors the process of growth: a seed that takes root in the soil, grows, blossoms, and finally bears fruit.

▼外部展墙展示的传统工艺，traditional craftsmanship exhibited on the external wall ©ATELIER BRÜCKNER

展馆一层名为“土地”，通过示范项目具体呈现乌兹别克转型的路径。可持续板块聚焦向绿色经济的转型，模型与互动媒介展示了可再生能源计划、节能建筑与可持续交通解决方案。创新板块则介绍基础设施、工业与城市发展方面的进步——包括“新塔什干”项目及在日本政府支持下对咸海生态的修复。技术与社会创新被视为实现全民参与与经济发展的关键。教育板块展示传统工艺与现代学习方法的融合，如数字工具、青年艺术家培训项目，以及诸如比比哈努姆清真寺等文化遗产修复工程中采用的先进技术。展厅墙面展示了一幅由传统纹样、建筑剪影与现代基础设施组成的分层式全景图，构成象征性的地景。动画投影赋予这些元素生命，讲述国家转型的故事。

On the ground floor, “The Soil”, exemplary projects make Uzbekistan’s transformation tangible. In the sustainability section, the focus is on the transition to a green economy. Models and interactive media showcase renewable energy initiatives, energy-efficient construction, and sustainable mobility solutions. The innovation section highlights advancements in infrastructure, industry, and urban development – including the New Tashkent project and the revitalization of the Aral Sea with support from the Japanese government. Technological and social innovations are presented as keys to participation and economic development. The education section illustrates how traditional crafts are being merged with modern learning methods. On display are digital tools, training programs for young artists, and restoration projects for cultural landmarks such as the Bibi-Khanym Mosque, where advanced technologies are used to preserve cultural heritage. The walls feature a layered panorama of traditional patterns, architectural silhouettes, and modern infrastructure, forming a symbolic landscape. Animated projections bring these elements to life, telling the story of the country’s transformation.

▼入口，entrance ©ATELIER BRÜCKNER

展览融合了交互式三维模型、动态图解与佩波尓幻像（通过镜子和透明物体来产生虚像的光学幻象）技术。特设灯光装置则将乌兹别克斯坦的发展历程可视化，展品仿佛从土地中自然生长而出。

The exhibition incorporates interactive 3D models, animated infographics, and Pepper’s Ghost projections. Special lighting installations make Uzbekistan’s growth and development visible, with exhibits seemingly sprouting from the earth itself.

▼交互式三维模型，interactive 3D models ©ATELIER BRÜCKNER

展馆核心是一座升降平台，周围环绕360度多媒体投影。三分钟的旅程从一层开始，观众伴随象征乌兹别克工艺的“知识种子”——以发光根系的形式——一路升向露台。动画画面以列吉斯坦神学院群的图案为起点，逐渐过渡至真实建筑景象。传统乐器与现代音效交织的声音为视觉旅程营造氛围。观众仿佛置身一个充满交流的世界，思想与知识如花粉随风传播。投影最终展现出一幅融合了可再生能源项目、高速铁路与城市创新的乌兹别克自然风景画面。画面中央，一棵石榴树盛放，象征充满活力、不断更新的乌兹别克斯坦。展演以一段诗意的转场收尾：观众自己成为未来的种子，从平台步入露台。

At the heart of the pavilion is a rising platform surrounded by a 360-degree multimedia projection. The three-minute journey from the ground floor to the terrace begins with the sprouting of “seeds of knowledge,” depicted as glowing roots and symbols of Uzbek craftsmanship. Kaleidoscopic animations of the Registan madrasahs transition into real architecture. Voices and music, blending traditional instruments with modern soundscapes, accompany the visual journey. The audience becomes part of a world of exchange, where thoughts and knowledge circulate like pollen in the wind. The projection opens to reveal a vast natural landscape of Uzbekistan, interwoven with renewable energy projects, high-speed trains, and urban innovations. At the center blossoms a pomegranate tree, symbolizing a vibrant and renewing Uzbekistan. The show ends with a poetic transition: the visitors themselves become the seeds of the future, stepping directly from the platform onto the pavilion’s terrace.

▼结合多维光影的交互式三维模型，interactive 3D models featuring multimedia projection ©ATELIER BRÜCKNER

展览视觉形象设计融合现代简洁美学与传统装饰元素，灵感源自乌兹别克建筑中的“甘奇”浮雕工艺，生成了文字、图标与导视系统。这些设计部分为三维立体造型，部分则直接镶嵌于墙面，在空间与图形间建立起和谐对话。字体与色彩体系遵循自然美学：大地色调与几何图样象征肥沃土壤，寓意生长与转型。

The visual identity of the exhibition is based on a design that combines modern clarity with traditional ornamentation. Inspired by Ganch carving, the delicate stucco ornamentation of Uzbek architecture, lettering, icons, and wayfinding elements were created. These are partly three-dimensional, partly integrated directly into the walls, establishing a harmonious dialogue between space and graphics. The typography and color scheme follow a natural aesthetic: earthy tones and geometric patterns represent fertile ground, symbolizing growth and transformation.

▼一层平面，ground floor plan ©ATELIER BRÜCKNER

▼二层平面，first floor plan ©ATELIER BRÜCKNER

▼剖面，section ©ATELIER BRÜCKNER

Building height: 11.6 m

Building width: 38.8 m

Building depth: 33.9 m

Site area: 1,036 sqm

Building footprint: 635 sqm

Total floor area: 1,272 sqm

Number of levels: 2 (Ground floor + terrace)

Visitors experience area: 860 sqm

Client: Uzbekistan Art and Culture Development Foundation (ACDF), part of the Ministry of Investment, Industry, and Trade of the Republic of Uzbekistan

ATELIER BRÜCKNER: General contractor, architecture, exhibition design, scenography, graphics

Media planning with: medienprojekt p2

Light planning with: Klee

Media concept & production: Tamschick Media+Space GmbH

Realization: NÜSSLI