2025伊斯兰艺术双年展“其间的一切”丨沙特阿拉伯吉达丨国际知名建筑事务所OMA

沙特阿拉伯，吉达，2025年1月25日，德拉伊耶双年展基金会宣布，第二届伊斯兰艺术双年展”其间的一切”正式开幕。本届双年展选址于吉达这座千年文化交汇之城。展览举办地为阿卜杜勒阿齐兹国王国际机场西朝觐航站楼，这里每年承载数百万穆斯林前往麦加与麦地那朝觐的神圣记忆。通过历史文物与当代艺术的并置，展览探索人类如何通过感知、思考与创造来体验、表达和颂扬信仰。展期将持续至2025年5月25日。

Jeddah, Saudi Arabia, January 25, 2025 The Diriyah Biennale Foundation announces the opening of the second edition of the Islamic Arts Biennale, titled And All That Is In Between. The Islamic Arts Biennale takes place in Jeddah, a city that has been a meeting point of cultures for centuries. The site is the Western Hajj Terminal of King Abdulaziz International Airport, which echoes with memory and emotion for millions of Muslim pilgrims embarking on their sacred journeys for Hajj and Umrah every year. By juxtaposing historical objects from Islamic cultures with contemporary art, the Biennale explores how faith is experienced, expressed, and celebrated through feeling, thinking, and making. The exhibition will be on view until May 25, 2025.

▼伊斯兰艺术双年展概况，The Islamic Arts Biennale overall © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼伊斯兰艺术双年展地图，Map of The Islamic Arts Biennale overall © Diriyah Biennale Foundation

双年展由朱利安·雷比（Julian Raby）、阿明·贾法尔（Amin Jaffer）和阿卜杜勒·拉赫曼·阿扎姆（Abdul Rahman Azzam）担任艺术总监，沙特艺术家穆罕纳德·肖诺（Muhannad Shono）任当代艺术策展人，致力于呈现全球文化如何相互交融与延续的独特视角。展览不仅回应了当代沙特正在经历的转型，也放眼全球语境。

Led by Artistic Directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, alongside Saudi artist Muhannad Shono as Curator of Contemporary Art, the Biennale offers insights into the ways cultures from around the world interact and endure. The exhibition unfolds in the context of the transformations taking place today in Saudi Arabia and adopts a global frame of reference.

▼伊斯兰艺术双年展户外空间概况，The Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼伊斯兰艺术双年展户外展区，The Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

本届双年展以《其间的一切》为主题，源自《古兰经》中多次出现的经文”安拉创造天地及其中万物”，体现了人类对神圣造物广阔无垠、至高无上的赞叹与感知。在五大展厅与户外空间中，共有500多件历史文物与当代艺术作品，邀观众共同探讨人类如何理解造物主所赋予的一切奇迹。

And All That Is In Between is part of a verse that appears several times in the Quran: “And God created the Heavens and the Earth and all that is in between.” It describes the absolute and all - encompassing majesty of God’s creation as perceived and experienced by humankind. Across five exhibition halls and outdoor spaces, and with more than 500 objects and contemporary artworks on view, the 2025 Islamic Arts Biennale explores how we endeavor to comprehend the wonder of what the divine has brought into being.

▼伊斯兰艺术双年展户外展区，The Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

第二届双年展作品数量显著增加，参与机构也更加广泛，进一步巩固了其作为全球伊斯兰艺术展示核心平台的地位。展品来源遍及世界各地，从突尼斯到塔什干，从廷巴克图到日惹，展现了伊斯兰艺术的历史深度与当代表达。

In its second edition, the Biennale presents significantly more works and welcomes a larger number of participating institutions. With this expansion, the Biennale affirms its position as the world’s central platform for Islamic arts. The exhibition brings together loans from the world’s leading institutions of Islamic arts, from Tunis to Tashkent, and from Timbuktu to Yogyakarta. The participation of this global network of institutions offers a broad perspective on Islamic arts, past and present, and opens new channels for dialogue and collaboration.

▼以伊斯兰文化中的花园为主题的场地特定艺术作品，site-specific art works on the theme of gardens in Islamic cultures © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

包括巴黎卢浮宫、伦敦维多利亚与阿尔伯特博物馆、廷巴克图艾哈迈德·巴巴高等研究与伊斯兰研究院、多哈伊斯兰艺术博物馆、伊斯坦布尔土耳其手稿研究所等在内的多家国际顶级机构，借展了大量珍贵文物、宗教器物与艺术作品。

Treasured historical artifacts, religious objects, and works of art have been loaned from major institutions including the Musée du Louvre (Paris) and the Victoria and Albert Museum (London), as well as collections devoted specifically to Islamic arts and cultures, such as the Ahmed Baba Institute of Higher Learning and Islamic Research (Timbuktu), the Museum of Islamic Art (Doha), and the Manuscripts Institute of Türkiye (Istanbul).

▼现代艺术作品，Modern artworks© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

来自沙特各地的重要机构也积极参与，包括达兰的阿卜杜勒阿齐兹国王世界文化中心（Ithra）、麦地那的阿卜杜勒阿齐兹宗教图书馆联合会，以及利雅得的法赫德国王国家图书馆。此外，展览还首次在麦加城外完整展出覆盖天房（Kaaba）的“幔帐”（Kiswah）。该幔帐为上一年度覆盖圣殿的实物，每年都会缝制一幅新的。

The Biennale brings together institutions from across Saudi Arabia, including the King Abdulaziz Center for World Culture (Ithra) (Dhahran), the King Abdulaziz Waqf Libraries Assembly (Madinah), and the King Fahad National Library (Riyadh), and also offers visitors a chance to see objects and works of art that come from the holy sites of Makkah and Madinah. The Biennale witnesses the first-ever display of the entire Kiswah—the cloth that covers the Holy Kaaba—outside of Makkah. A new Kiswah is created every year, and the Kiswah displayed at the Biennale is the one that adorned the Holy Kaaba last year.

▼现代艺术作品，Modern artworks© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼航站楼顶棚日景，day view of the terminal’s canopy © Diriyah Biennale Foundation

本届双年展还汇聚了来自沙特、海湾地区及全球的30多位艺术家，推出了29件全新委约作品，展现了德拉伊耶双年展基金会为沙特艺术家打造国际舞台、促进全球艺术家与本地文化交流的持续努力。

The Biennale features the participation of over 30 artists from Saudi Arabia, the wider Gulf region, and around the world. This participation includes 29 new commissions, demonstrating the Diriyah Biennale Foundation’s work to offer a global stage for Saudi artists, and to bring artists from around the world to Saudi Arabia so that local audiences can encounter compelling practices and diverse perspectives in contemporary art.

▼户外展品，Exterior art work© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼现代艺术作品，Modern artworks© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼室内展品一瞥，glimpse of exhibition © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

展览空间横跨10万平方米，涵盖室内画廊与室外展区，由国际知名建筑事务所OMA精心设计，分为七大主题板块：”开端”（AlBidayah）、”轨道”（AlMadar）、”致敬”（AlMuqtani）、”穹顶”（AlMidhallah）、”尊荣”（AlMukarramah）、”光明”（AlMunawwarah）以及AlMusalla（礼拜区）。

The Islamic Arts Biennale consists of seven unique components: AlBidayah (“The Beginning”), AlMadar (“The Orbit”), AlMuqtani (“Homage”), AlMidhallah (“The Canopy”), AlMukarramah (“The Honored”), AlMunawwarah (“The Illuminated”), and AlMusalla. It is spread through indoor galleries and outdoor areas, across 100,000 square meters of dedicated exhibition space. The exhibition scenography is designed by the international architecture firm OMA.

▼现代艺术作品，Modern artworks© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

双年展还展出首届“阿尔穆萨拉奖（AlMusallaPrize）”获奖作品，由EAST建筑事务所与工程公司AKT II及艺术家雷扬·塔贝特（Rayyane Tabet）合作完成。该设计灵感源于当地传统编织工艺，并采用取自当地椰枣树的废弃材料。

This year, the Biennale features the realization of the winning design of the inaugural AlMusalla Prize. Created by EAST Architecture Studio in collaboration with engineers AKT II and artist Rayyane Tabet, the prize-winning design features a structure inspired by regional weaving traditions and relies on waste materials derived from local date palm trees.

▼室内展品一瞥，glimpse of exhibition © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼室内展品一瞥，glimpse of exhibition © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

展览期间还将举办丰富的公共项目，包括讲座、工作坊、社区活动及专题论坛。其中首推项目“放学后来双年展”（Biennale After School）与“下班后来双年展”（Biennale After Work），分别为青少年与成年观众提供动手艺术体验，激发创造力与思考能力。

The Biennale features a series of public programs that take place throughout the exhibition period, including talks, workshops, community initiatives, and symposia. Inaugural programs this year include Biennale After School and Biennale After Work, which invite children and adults alike to explore art through hands-on workshops on weekdays, fostering creativity and reflection.

▼礼拜区，Worship Area © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼使用场景与讲座，Usage scenarios and lectures© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

“研究室”（Research Room）将重磅回归，推出为期四天的专题研讨会“饮食之道”，深入探讨阿拉伯世界丰富多元的饮食文化。每周固定活动包括”厨艺星期四”、”电影之夜”、”写生星期六”以及专为儿童设计的导览活动，让参与者深度融入艺术世界，打造一个包容开放、充满活力的学习交流与文化对话平台。

The Research Room returns in 2025 with a symposium titled “Turuq: The Many Ways of Food,” a four-day exploration of the diverse culinary practices of the Arab world. Weekly programs include Culinary Thursdays, Cinema Nights, Sketching Saturdays, and curated children’s tours to further immerse participants in the world of art. Taking place at the iconic Western Hajj Terminal in Jeddah, these programs create an inclusive and dynamic space for learning, dialogue, and cultural exchange.

▼电影之夜，Cinema Nights© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

开端（AlBidayah）展区

AlBidayah

在吉达西朝觐航站楼的展厅与穹顶之下，伊斯兰艺术双年展通过多个独立而又相辅相成的探索区域呈现。首个展区”开端（AlBidayah）“引领观者思考神圣的本质——如何通过与之相关的物质载体接近神圣，同时体认其超越人类理解的维度。作为通往伊斯兰圣城的门户，吉达的开幕展厅将展出麦加与麦地那的珍贵文物。随着参观深入，当代艺术作品将营造静谧的精神场域，邀人感知超越物质世界的更高真理。

Within the galleries and beneath the canopy of the Western Hajj Terminal, the Islamic Arts Biennale can be experienced as several separate but complementary zones of exploration. The first, called AlBidayah (“The Beginning”), invites us to contemplate the sacred—how it can be approached through the material objects associated with it while nevertheless remaining beyond our understanding. In keeping with Jeddah’s role as a gateway to Islam’s holy cities, the opening galleries will display artifacts from Makkah al-Mukarramah and Al-Madinah al-Munawwarah. As visitors progress through the exhibition, they will encounter contemporary works of art that create a serene space aiming to invite awareness of the greater spiritual truth beyond the physical realm.

▼展览入口，entrance of the exhibition© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼开端区域概览，overall of theAlBidayah area © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼展品的庄严感，the solemnity of the exhibits © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

轨道（AlMadar）展区AlMadar

“轨道（AlMadar）”展区致力于促进全球伊斯兰艺术收藏机构间的合作与对话。来自20余个国家的机构在双年展中呈现精选藏品，这些展现天文导航、河海测绘与数学计算的文物，揭示了穆斯林文明如何通过数字理解安拉的创造，并将秩序、对称与美带入日常生活。该展区的历史文物与当代艺术委约创作相映成趣，共同彰显数字的普世价值与永恒意义，以及其在伊斯兰艺术与文化中的持续影响。

AlMadar (“The Orbit”) promotes collaboration and dialogue between institutions with significant collections of Islamic art around the world. Institutions from over 20 countries present selected objects at the Islamic Arts Biennale. Objects that represent celestial navigation, the mapping of oceans and rivers, and mathematical calculations demonstrate how Muslim cultures have used numbers to comprehend God’s creation and to bring order, symmetry, and beauty into daily life. The historical objects in AlMadar are complemented by contemporary artistic commissions that emphasize the universal, timeless nature of numbers and how they continue to play an important role in Islamic arts and cultures.

▼轨道AlMadar区域概览，overall of the AlMadar area © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼37根抽象的矩形柱，thirty-seven abstract rectangular columns © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼AlMadar区域细部，details of the AlMadar area © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

致敬（AlMuqtani）展区

AlMuqtani

“致敬（AlMuqtani）”展区将观众的体验重新聚焦于物质世界，致敬杰出收藏家对伊斯兰视觉与物质文化研究的卓越贡献。展区呈现谢赫哈马德·本·阿卜杜拉·阿勒萨尼（Hamad bin Abdullah Al Thani）与里法特·迈赫达特·谢赫·埃尔·阿德（Rifaat Mehdat Sheikh El Ard）两大珍藏。阿勒萨尼收藏以珍稀材质与精湛工艺著称，尤重珠宝艺术；而里法特·迈赫达特·谢赫·埃尔·阿德（Rifaat Mehdat Sheikh El Ard）创立的骑士艺术收藏，则以金属工艺闻名，特别是与马术及骑士精神相关的艺术品。本展区通过物质之美，呈现伊斯兰世界创造力的巅峰。

AlMuqtani (“Homage”) recenters the visitor’s experience on the material world, recognizing the outstanding contribution that individual collectors have made to the appreciation and understanding of Islamic visual and material culture. It displays works of Islamic art from two collections, those assembled by His Highness Sheikh Hamad bin Abdullah Al Thani and Rifaat Sheikh El Ard. The Al Thani Collection is characterized by a taste for precious materials and virtuosic artistry, with a particular focus on jeweled objects. The Furusiyya Art Foundation’s collection of Rifaat Sheikh El Ard is renowned for metalwork, especially works associated with chivalric culture across Islamic civilizations. With an emphasis on tangible beauty, AlMuqtani will present high points of creativity and craft from Islamic cultures around the world.

▼致敬（AlMuqtani）展区 ，AlMuqtani © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼致敬（AlMuqtani）展区 ，AlMuqtani © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

穹顶（AlMidhallah）展区AlMidhallah

“穹顶（AlMidhallah）”展区在西朝觐航站楼标志性的帐篷穹顶之下，呈现20件全新委约创作。受邀艺术家以“其间的一切”双年展主题为灵感，将宇宙意象与当代社会及环境议题交织，构筑起一座观念的花园，展现出来自不同社群的多元视角、故事、身份与价值观，并以“伊斯兰花园”这一象征着想象力延展的理念为统一主题。灵感源自查尔巴格（Charbagh）——一种将花园划分为四个水渠围合象限的传统伊斯兰园林布局——作品也分布在四个主题象限之中。从个体出发，逐步延展至集体，这四个象限引发观者的思索、学习、沉思与社交互动。

The outdoor spaces of AlMidhallah (“The Canopy”) present 20 new commissions, beneath the iconic canopy of the Western Hajj Terminal. The invited artists respond to the theme of the Biennale, And All That Is In Between, bringing together notions of the celestial, rooted in the social and environmental issues of our time, and of our earth. Together, these artworks form a garden of concepts, expressing a diversity of perspectives, stories, identities, and values from different communities, unified by the concept of the Islamic garden as a site of expanded imagination. Inspired by the charbagh, a traditional Islamic garden layout in which four quadrants are divided by water channels, the artworks fall under four thematic quadrants. Following a journey from the individual to the collective, these quadrants inspire reflection, learning, contemplation, and social encounters.

▼AlMidhallah区域夜景，night view of the AlMidhallah © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼以伊斯兰文化中的花园为主题的场地特定艺术作品，site-specific art works on the theme of gardens in Islamic cultures © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼AlMidhallah区域细部，detailed view of the AlMidhallah © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼AlMidhallah区域细部，detailed view of the AlMidhallah © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

尊荣（AlMukarramah）与光明（AlMunawwarah）双展区 AlMukarramah and AlMunawwarah

沙特阿拉伯作为两圣城守护者的角色，通过这两个永久性展馆得以彰显。展区通过人性化叙事，呈现麦加（”尊荣之城”）与麦地那（”光明之城”）截然不同的精神气质。尊荣展馆聚焦于麦加作为伊斯兰圣地的中心性与普世性之间的强烈张力，展出了与天房相关的历史藏品、罕见的早期照片与影像资料，以及一件当代艺术装置作品。光明展馆则展现了麦地那光辉灿烂的精神遗产，展出一组金线刺绣织物，馆内的空间设计也呼应了麦地那广受赞誉的温暖氛围。

The Kingdom of Saudi Arabia’s role as guardian of the holy cities is recognized in the two permanent pavilions dedicated to these cities. The human stories told here center on the contrasting characters and energies of Makkah al-Mukarramah (“The Honored”) and Al-Madinah al-Munawwarah (“The Illuminated”). AlMukarramah reflects on the powerful dynamic between the centrality and universality of Makkah al-Mukarramah, bringing together historical items associated with the Holy Kaaba, rare early photographs and film, and a contemporary art installation. AlMunawwarah explores the radiant legacy of Al-Madinah al-Munawwarah, featuring a group of gold-embroidered textiles, and the pavilion’s design reflects the celebrated warmth of Madinah’s atmosphere.

▼尊荣（AlMukarramah ）与光明（AlMunawwarah ）双展区，AlMukarramah and AlMunawwarah © Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

▼金丝刺绣纺织品，gold-embroidered textiles© Marco Cappelletti_courtesy of the Diriyah Biennale Foundation

阿尔穆萨拉奖（AlMusalla Prize）

The AlMusalla Prize

德拉伊耶双年展基金会在西朝觐航站楼发起这项国际建筑竞赛，旨在重新构想未来礼拜空间的形态——模块化、赋权性与流动性将成为核心特质，不仅突破了可持续设计与尖端技术的传统范式，也强调对话与社区建设的可能性，重申礼拜场所的本质意义。获奖作品由EAST建筑工作室与艺术家雷扬·塔贝特（Rayyane Tabet）、工程团队AKT II联合呈现。该设计灵感源于当地传统编织工艺，并采用取自当地椰枣树的废弃材料。设计包含一个开放式中央庭院与礼拜空间，整体结构形似织布机，呼应了伊斯兰礼拜中“共处”与“亲近”的核心理念。这一灵活的空间结构将在整个双年展期间向所有观众开放，提供沉浸式的体验与反思场域。

The Diriyah Biennale Foundation launched a new international architecture competition at the iconic Western Hajj Terminal that celebrates the architectural legacy of Muslim societies. The AlMusalla Prize reimagines future spaces of worship as modular, empowering, and transient. It not only pushes the paradigms on sustainable design and cutting-edge technology, but also emphasizes opportunities for dialogue and community building—reclaiming the true essence of a musalla space. The winning proposal by EAST Architecture Studio in collaboration with artist Rayyane Tabet and engineers AKT II features a structure inspired by regional weaving traditions and relies on waste materials derived from local date palm trees. The design consists of an open central courtyard and prayer spaces that form a structure that resembles a loom, addressing togetherness and proximity, which are core dimensions of prayer in Islam. This adaptable structure will be accessible to all visitors throughout the Biennale’s run.

参展机构名录

LIST OF PARTICIPATING INSTITUTIONS

大卫收藏（丹麦哥本哈根），牛津大学博德利图书馆（英国牛津），牛津大学科学史博物馆（英国牛津），国王基金会传统艺术学院（英国伦敦），维多利亚与阿尔伯特博物馆（英国伦敦），阿勒萨尼收藏（法国巴黎），卢浮宫博物馆（法国巴黎），阿尔罕布拉宫博物馆（西班牙格拉纳达），法克图姆基金会（西班牙马德里），巴伦西亚·德·唐璜研究所（西班牙马德里），西班牙国家考古博物馆（西班牙马德里），卡洛斯特·古尔本基安博物馆（葡萄牙里斯本），葡萄牙海事博物馆（葡萄牙里斯本），葡萄牙文化部文化遗产局（葡萄牙里斯本），西班牙裔协会博物馆与图书馆（美国纽约），美国国立亚洲艺术博物馆（美国华盛顿），印度尼西亚国家图书馆（印尼雅加达），梭诺布多约博物馆（印尼日惹），西努沙登加拉国家博物馆（印尼马塔兰），贾格迪什与卡姆拉印度艺术博物馆（印度海德拉巴），乌兹别克斯坦科学院阿布·拉伊汗·伯鲁尼东方研究所（乌兹别克斯坦塔什干），乌兹别克斯坦穆斯林委员会（乌兹别克斯坦塔什干），乌兹别克斯坦艺术文化发展基金会（乌兹别克斯坦塔什干），阿曼国家博物馆（阿曼马斯喀特），伊斯兰艺术博物馆（卡塔尔多哈），卡塔尔国家图书馆（卡塔尔多哈），伊斯兰艺术博物馆-萨巴赫收藏（科威特科威特城），阿卜杜勒阿齐兹国王世界文化中心-伊斯塔（沙特达兰），阿卜杜勒阿齐兹宗教图书馆联合会（沙特麦地那），法赫德国王国家图书馆（沙特利雅得），两圣寺事务总局（沙特利雅得），沙特财政部（沙特利雅得），土耳其手稿研究所（土耳其伊斯坦布尔），耶路撒冷哈立迪图书馆（巴勒斯坦耶路撒冷），开罗伊斯兰艺术博物馆（埃及开罗），突尼斯国家遗产研究所（突尼斯突尼斯市），廷巴克图艾哈迈德·巴巴伊斯兰高等研究院（马里廷巴克图），贝纳基博物馆（希腊雅典），布鲁斯基蒂尼伊斯兰与亚洲艺术基金会（意大利热那亚），艺术基金会（列支敦士登瓦杜兹），梵蒂冈宗座图书馆（梵蒂冈）。

The David Collection (Copenhagen, Denmark); the Museum of Islamic Art (Cairo, Egypt); The Al Thani Collection (Paris, France); Musée du Louvre (Paris, France); the Benaki Museum (Athens, Greece); the Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad, India); the National Library of Indonesia (Jakarta, Indonesia); the West Nusa Tenggara State Museum (Mataram, Indonesia); the Sonobudoyo State Museum (Yogyakarta, Indonesia); the Bruschettini Foundation for Islamic and Asian Art (Genoa, Italy); Dar al-Athar al-Islamiyyah, al-Sabah Collection (Kuwait City, Kuwait); the Ahmed Baba Institute of Higher Learning and Islamic Research (Timbuktu, Mali); the National Museum – Sultanate of Oman (Muscat, Oman); the Khalidi Library (Jerusalem, Palestine); Calouste Gulbenkian Museum (Lisbon, Portugal); Museu de Marinha (Lisbon, Portugal); the Museum of Islamic Art (Doha, Qatar); the Qatar National Library (Doha, Qatar); the King Abdulaziz Center for World Culture – Ithra (Dhahran, Saudi Arabia); the King Abdulaziz Waqf Libraries Assembly (Madinah, Saudi Arabia); King Fahad National Library (Riyadh, Saudi Arabia); Museo de la Alhambra, Patronato de la Alhambra y Generalife (Granada, Spain); Instituto de Valencia de Don Juan (Madrid, Spain); Museo Arqueológico Nacional (Madrid, Spain); the National Heritage Institute (Tunis, Tunisia); the Manuscript Institution of Türkiye (Istanbul, Türkiye); the King’s Foundation School of Traditional Arts (London, United Kingdom); the Victoria and Albert Museum (London, United Kingdom); the Bodleian Libraries, University of Oxford (Oxford, United Kingdom); the History of Science Museum, University of Oxford (Oxford, United Kingdom); the Hispanic Society Museum and Library (New York, United States); the Abu Rayhan Beruni Institute of Oriental Studies, Uzbekistan Academy of Sciences, and the Muslim Board of Uzbekistan, of the Uzbekistan Art and Culture Development Foundation (Tashkent, Uzbekistan); and the Vatican Apostolic Library (Vatican City).

参展艺术家名单

LIST OF PARTICIPATING ARTISTS

法特玛·阿卜杜勒哈迪（Fatma Abdulhadi）、比拉勒·阿拉夫（Bilal Allaf）、纳赛尔·阿尔扎亚尼（Nasser Alzayani）、艾哈迈德·安加维（Ahmad Angawi）、阿卜杜勒卡德·本查马（Abdelkader Benchamma）、加布里埃尔·查伊莱（Gabriel Chaile）、赛义德·杰班（Saeed Gebaan）、路易·纪尧姆（Louis Guillaume）、乔安娜·哈吉托马斯与哈立勒·乔雷杰（Joana Hadjithomas and Khalil Joreige）、巴希尔·豪萨维（Bashaer Hawsawi）、Hylozoic/Desires（Himali Singh Soin 和 David Soin Tappeser）、努尔·贾乌达（Nour Jaouda）、塔玛拉·卡洛（Tamara Kalo）、拉亚·卡西耶（Raya Kassisieh）、阿西夫·汗（Asif Khan）、露西亚·科赫（Lúcia Koch）、栗林隆（Takashi Kuribayashi）、艾哈迈德·马塔尔（Ahmed Mater）、麦赫迪·穆塔沙尔（Mehdi Moutashar）、提莫·纳塞里（Timo Nasseri）、哈亚特·奥萨马（Hayat Osamah）、诺埃米·佩雷斯（Nohemí Pérez）、伊姆兰·库雷希（Imran Qureshi）、安哈尔·萨利姆（Anhar Salem）、阿尔坎杰洛·萨索利诺（Arcangelo Sassolino）、斯拉夫与鞑靼人（Slavs and Tatars）、伊克拉·坦维尔与艾赫桑·乌尔·哈克（Iqra Tanveer and Ehsan Ul Haq）、蔡佳葳（Charwei Tsai）、阿西姆·瓦基夫（Asim Waqif）、阿拉·尤尼斯（Ala Younis）、奥斯曼·优素福扎达（Osman Yousefzada）。

Fatma Abdulhadi, Bilal Allaf, Nasser Alzayani, Ahmad Angawi, Abdelkader Benchamma, Gabriel Chaile, Saeed Gebaan, Louis Guillaume, Joana Hadjithomas and Khalil Joreige, Bashaer Hawsawi, Hylozoic/Desires (Himali Singh Soin and David Soin Tappeser), Essam Jameel, Nour Jaouda, Tamara Kalo, Raya Kassisieh, Asif Khan, Lúcia Koch, Takashi Kuribayashi, Ahmed Mater, Mehdi Moutashar, Timo Nasseri, Hayat Osamah, Nohemí Pérez, Imran Qureshi, Anhar Salem, Arcangelo Sassolino, Slavs and Tatars, Iqra Tanveer and Ehsan Ul Haq, Charwei Tsai, Asim Waqif, Ala Younis, and Osman Yousefzada.

展策展团队

THE CURATORIAL TEAM

艺术总监

·朱利安·雷比（Julian Raby） 牛津大学伊斯兰艺术与建筑学教授，史密森尼国家亚洲艺术博物馆前馆长，首届伊斯兰艺术双年展策展顾问。

·阿明·贾法尔（Amin Jaffer） 阿勒萨尼收藏现任总监，专研欧亚文化交流史。

·阿卜杜勒·拉赫曼·阿扎姆（Abdul Rahman Azzam） 著名作家兼历史学家，2023年”轨道（AlMadar）”展区高级顾问。

当代艺术策展人

·穆罕纳德·肖诺（Muhannad Shono） 沙特当代艺术家，作品聚焦灵性与想象力的现实构建，曾代表沙特参加2022年第59届威尼斯国际艺术双年展，并参与首届伊斯兰艺术双年展。

策展团队核心成员

·马萨·库图比（Masa Al-Kutoubi）：”轨道（AlMadar）”展区首席策展人

·里兹万·艾哈迈德（Rizwan Ahmad）：策展人

·希瑟·埃克（Heather Ecker）：策展人

·威廉·罗宾逊（William Robinson）：策展人

·玛丽卡·萨达尔（Marika Sardar）：策展人

·乔安娜·谢瓦利耶（Joanna Chevalier）：副策展人

·阿米娜·迪亚布（Amina Diab）：副策展人

助理策展团队 萨拉·阿卜达利（Sarah Al Abdali）｜比拉尔·巴达特（Bilal Badat）｜费伊·贝赫贝哈尼（Faye Behbehani）｜比尔·格林伍德（Bill Greenwood）｜闻雯

The curatorial team of the 2025 Islamic Arts Biennale is led by Julian Raby, a distinguished scholar, former lecturer in Islamic art and architecture at the University of Oxford, and former director of the National Museum of Asian Art at the Smithsonian Institution who also served on the curatorial team of the first edition of the Islamic Arts Biennale; Amin Jaffer, in his ongoing role as Director of The Al Thani Collection, whose academic and curatorial work is focused on the meeting of European and Asian cultures; and Abdul Rahman Azzam, an acclaimed author and historian who served as Senior Expert Advisor for AlMadar in 2023. Saudi artist Muhannad Shono, whose work deals with questions of spirituality and the role of imagination in shaping reality, and who represented Saudi Arabia at the 59th International Art Exhibition – La Biennale di Venezia in 2022 and was a participating artist in the first edition of the Islamic Arts Biennale, serves as Contemporary Art Curator. The curatorial team includes Masa Al-Kutoubi (AlMadar Lead), Rizwan Ahmad (Curator), Heather Ecker (Curator), William Robinson (Curator), Marika Sardar (Curator), Joanna Chevalier (Associate Curator), Amina Diab (Associate Curator), Sarah Al Abdali (Assistant Curator), Bilal Badat (Assistant Curator), Faye Behbehani (Assistant Curator), Bill Greenwood (Assistant Curator), and Wen Wen (Assistant Curator).

关于伊斯兰艺术双年展

ABOUT THE ISLAMIC ARTS BIENNALE

德拉伊耶双年展基金会主办的伊斯兰艺术双年展，为全球伊斯兰艺术研究构建了全新对话平台，并提供无与伦比的学习、研究与洞见空间。展览每两年在吉达阿卜杜勒阿齐兹国王国际机场西朝觐航站楼（曾获阿迦汗建筑奖）举办。这座象征千年文化交流枢纽的城市，每年迎接数百万前往麦加和麦地那的朝觐者。首届双年展吸引逾60万访客，第二届将以更大规模延续辉煌。2025伊斯兰艺术双年展合作伙伴阵容包括首席合作伙伴雷克萨斯（Lexus），主要合作伙伴沙特法兰西银行（BSF），阿卜杜勒阿齐兹国王国际机场，沙特铁路公司（SAR）及沙特航空（Saudia）。

The Diriyah Biennale Foundation’s Islamic Arts Biennale provides a holistic platform for new discourse about Islamic arts, offering an unparalleled space for learning, research, and insight. The exhibition takes place every two years at the Aga Khan Award–winning Western Hajj Terminal at King Abdulaziz International Airport in Jeddah, a city that for centuries has represented a junction point for cultural exchange and a venue that acts as a port of entry for millions of pilgrims on their journey to Makkah and Madinah. The first edition of the Biennale welcomed more than 600,000 visitors, and the second edition builds on this success in an expanded form. The Islamic Arts Biennale 2025 partners include Lead Partner Lexus and Principal Partners BSF, King Abdulaziz International Airport, Saudi Arabia Railways (SAR), and Saudia.

关于德拉伊耶双年展基金会

ABOUT THE DIRIYAH BIENNALE FOUNDATION

在沙特阿拉伯日新月异的变革浪潮与德拉伊耶古城遗址的启迪下，由沙特文化大臣巴德尔·本·阿卜杜拉·本·法尔汉·阿勒沙特亲王殿下担任主席的德拉伊耶双年展基金会（DBF），肩负着培育创意表达、传播文化艺术及其变革力量的重要使命。基金会致力于成为终身学习的推动者，通过连接大众与蓬勃发展的本土艺术生态，服务沙特社会各阶层。其核心职能包括筹办当代艺术与伊斯兰艺术两大世界级双年展、开展全年互动教育项目，以及活化德拉伊耶工业遗产创意区JAX。在沙特这一历史性的发展进程中，DBF双年展不仅汇聚全球顶尖艺术家，更推动着王国与国际社会的文化交流，促进文明对话与理解，进一步巩固沙特作为重要文化中心的地位。

Inspired by the changes taking place in Saudi Arabia and the heritage site of Diriyah, and Chaired by H.H. Prince Badr bin Abdullah bin Farhan Al Saud, the Diriyah Biennale Foundation (DBF) assumes a critical role in nurturing creative expression and instilling an appreciation for culture and the arts and their transformative potential. The Foundation aspires to be a catalyst for lifelong learning and serves Saudi Arabia’s communities by offering opportunities to engage with the burgeoning local art scene. Central to the Foundation’s mandate is to stage two recurring world-class Biennales of contemporary and Islamic arts, year-round interactive educational programs, and overseeing the activation of JAX, a creative district with industrial heritage in Diriyah. At this historical moment of evolution and growth in Saudi Arabia, DBF’s Biennales showcase some of the world’s leading artists, drive cultural exchange between the Kingdom and international communities, promote dialogue and understanding, and further establish Saudi Arabia as an important cultural center.