2025大阪世博会塞尔维亚馆丨日本大阪丨ALEATEK Studio

2025年大阪世博会塞尔维亚馆以其融合可持续理念与文化叙事的设计姿态，成为令人瞩目的“未来设计大使”。该馆由ALEATEK Studio设计，灵感源自贝尔格莱德受保护的自然遗址——拉特诺岛（Great War Island），并以“漂浮森林”（Floating Forest）为概念，是本届世博会上唯一采用“生长中的立面”的国家馆，超过95%的建筑材料可回收，80%可在未来建设中重复使用。

The Serbian Pavilion at Expo 2025 Osaka positions itself as a striking ambassador of sustainable and culture-infused design, combining technological foresight with emotional narrative. Designed by ALEATEK Studio, the pavilion manifests the concept of a “Floating Forest” — referencing Belgrade’s protected Ratno Ostrvo (Great War Island) — and stands as the only Expo pavilion featuring a living façade, with over 95% of its materials being recyclable and 80% reusable in future constructions.

▼建筑外观，exterior of the pavilion©William mulvihill

▼建筑外观，exterior of the pavilion©William mulvihill

塞尔维亚馆位于西入口和地球广场（Earth Plaza）之间，地理位置优越、可达性强，开幕首日即吸引超过一万名访客，成为人气地标。其空间动线与2025年大阪世博会“社会5.0”愿景，以及即将举办的2027年贝尔格莱德世博会“为人类而玩”（PLAY for HUMANITY）主题高度契合，在展现建筑创新的同时，也提供了一个融合技术与生态、触动情感的文化讲述平台。▼“漂浮森林”分析图，floating forest analysis©Aleatek Studio

Strategically placed at the West Entrance and Earth Plaza, this highly visible and easily accessible pavilion immediately became a visitor magnet, welcoming a record 10,000+ guests on opening day. Its dynamic spatial program aligns with both Expo 2025’s “Society 5.0” vision and the upcoming Belgrade Expo 2027 theme: PLAY for HUMANITY. It actively blends technological and ecological narratives, offering both architectural innovation and a platform for immersive cultural storytelling.

▼展馆鸟瞰，aerial view of the pavilion©ALEATEK

▼展馆鸟瞰，aerial view of the pavilion©William mulvihill

▼展馆入口处座位区，the seating area near the pavilion©ALEATEK

访客通过一条缓缓上升的“城市阶梯路径”进入位于二层的互动主题展区，探索塞尔维亚在社会贡献、创造潜力及其富有玩味的国家形象。展区通过触觉与数字媒介交织，打造沉浸式体验。其中最具标志性的亮点空间是“红色主题花园”（Red Thematic Garden），该空间虽为单色构成、开放式屋顶的“静谧方盒”，却通过声学隔离营造出沉思与宁静氛围，构成展览动线的冥想收尾，与展区整体的丰富感形成对比。

Visitors are guided through an ascending urban stair path into an interactive themed exhibition on the second level, where Serbia’s societal contributions, playful identity, and creative potential are communicated through tactile and digital mediums. A standout feature is the acoustically isolated “Red Thematic Garden” — a monolithic, open-roofed retreat at the pavilion’s end. Despite its bold chromatic tone, this space fosters contemplation and calm, creating a meditative counterpoint to the vibrant exhibition.

▼红色主题花园，Red Thematic Garden©William mulvihill

▼缓缓上升的“城市阶梯路径”，an ascending urban stair path©ALEATEK

▼红色的旋转楼梯，red spiral staircase©ALEATEK

▼屋顶露台，roof terrace©ALEATEK

展馆内部定制的城市家具暗示了2027年世博会的主题，而展览中一座贝尔格莱德世博会的缩尺模型，成为叙事的核心锚点。一层则打造为融合景观、座椅与活动区域的开放空间，展现塞尔维亚文化精神的开放与包容。

Throughout, bespoke urban furniture hints at EXPO2027’s themes, while a scale model of the Belgrade event serves as a narrative anchor. The ground level offers an inviting public zone with landscape integration, seating, and event areas — expressing the openness of the Serbian cultural spirit.

▼室内展示有关2027年世博会的主题，

bespoke urban furniture hints at EXPO2027’s themes©William mulvihill

▼2027年贝尔格莱德世博会“为人类而玩”主题，

EXPO2027’s themes（PLAY for HUMANITY）©William mulvihill

塞尔维亚馆作为一座空间隐喻，自“根系”至“树冠”，象征着塞尔维亚在自然遗产与前瞻创新之间的独特定位。绿色几何外形与气候响应式外皮展示了未来建筑的新模型：沉浸式、可循环、具表现力；而内部则揭示出一个层次丰富、既脚踏实地又振奋人心的文化与技术身份。

The pavilion is a spatial metaphor: from root to canopy, it symbolizes Serbia’s unique position between natural legacy and forward-thinking innovation. Its exterior green geometry and climate-conscious skin propose a new model of future architecture — immersive, recyclable, performative — while the interior reveals a layered cultural and technological identity that feels both grounded and elevated.

▼餐厅，restaurant©Muse Interior

▼餐厅，restaurant©Muse Interior

▼会议室，meeting room©William mulvihill

▼夜景，night view©William mulvihill

▼夜景，night view©William mulvihill

▼楼梯夜景，staircase at night©William mulvihill

总体而言，凭借优越的区位、开放的公共功能，以及融合酒吧与景观家具的社交空间设计，塞尔维亚馆成为了2025年大阪世博会西入口区域当之无愧的“客厅”。

In essence, the Serbian Pavilion with its location, design and open public functions together with bar and landscape furniture set itself as the “living room” of the west entrance of EXPO2025.

▼场地区位，site location©Aleatek Studio

▼园区平面，master plan©Aleatek Studio

▼场地平面，site plan©Aleatek Studio

▼一层平面，ground floor plan©Aleatek Studio

▼二层平面，first floor plan©Aleatek Studio

▼立面，elevation©Aleatek Studio

▼剖面，section©Aleatek Studio

Project Name: Serbia Pavilion Expo 2025 Osaka

Architecture Firm: Aleatek Studio

Firm Location: Hong Kong

Lead Architects: Jaksa Nikodijevic, Danilo Trevisan

;

Completion Year:2025

Gross Built Area: 828m2

Project location: Yumeshima Island, Osaka, Kansai, Japan

General Contractor: Beyond Limits

Project Management: Beyond Limits

Main Construction Works: GL-events

Interior design: Mirjana Karalic Popovic (MUSE design)

Concept, content, and exhibition design: Galerija 12

Digital media, technical development, and production: Galerija 12

Photo credits: Courtesy of William Mulvihill

Renderings & Photo credits: Courtesy of Aleatek Studio,

Theme statement author: Zarko Malinovic, Commissioner General

Design Team Architecture: Ding Xing Yun, Ognjen Ugrcic, Cheng Jia Yue, Zhao Si Qi, Yuan Shi Yu, Yan Yu

Clients: The Republic of Serbia, Ministry of Domestic and Foreign Trade

Landscape: Aleatek Studio

Consultants: Jovana Stevic (Cultcrave), Florian Marquet (MAP), Li Xiaohua (Tsing Hua Yuan)